Piotr Uklański Bibliography

Piotr Uklański Bibliography
Books and Catalogues:
2014
2013
2011
2010
2009
2008
Porter, Jenelle, and Glenn Adamson. Fiber: sculpture 1960-present. New York: Prestel
Publishing.
Galleria d'arte moderna e contemporanea (Bergamo, Italy). 2013. Confronti. Milano:
Mousse Publishing.
Holzwarth, Hans Werner, and John Beeson. Art now. Vol. 4 Vol. 4.
John Berggruen Gallery (San Francisco, Calif.). Fall 2013. San Francisco, CA: John
Berggruen Gallery.
Petry, Michael. Nature morte: contemporary artists reinvigorate the still-life tradition.
Rau, Petra. Our Nazis: representations of fascism in contemporary literature and film.
Edinburgh: Edinburgh University Press.
Wingate, Donna, Marc Joseph Berg, Geoffrey Batchen, Daniel Baumann, Francesco
Bonami, Gavin Brown, Paulo Herkenhoff, et al. Reading Piotr Uklanski Second
Languages. Ostfildern: Hatje Cantz Verlag.
Modica, Suzanne, and Ethan Wagner. Politics is personal 2011. Napa, Calif.:
Stonescape.
Huldisch, Henriette, Francesco Bonami, and Gary Carrion-Murayari. Whitney Biennial.
New York, N.Y.: Whitney Museum of American Art.
Kolczynska, Paulina, and Marcin Turski. Tadeusz Kantor, Piotr Uklań ski: the year we
made contact. Poznań : Art Stations Foundation by Grażyna Kulczyk.
Ronduda, Łukasz, Łukasz Mojsak, and Agata Pyzik. Warpechowski, Konieczny,
Ulań ski, Bodzianowski: Warpechowski, Dawicki. Warszawa: Wydawnictwo
SWPS Academica.
Uklanski, Piotr, Aleksandra Prasek, and Warren Niesłuchowski. Early works.
Warszawa: Stowarzyszenie 40 000 Malarzy.
Bankowsky, Jack, Alison M. Gingeras, and Catherine Wood. Pop life: art in a material
world. London: Tate Pub.
Gingeras, Alison M. and Francesco Bonami. Mapping the studio: artisti dalla collezione
Francois Pinault = artists from the Francois Pinault Collection. Milano: Electa.
Holzwarth, Hans Werner. 100 contemporary artists = 100 zeitgenos̈ sische Kun
̈ stler =
100 artistes contemporains. Cologne: Taschen.
Ronduda, Łukasz, and Piotr Uklań ski. Polish art of the 70s. Warszawa: Centrum
Sztuki Wspó łczesnej Zamek Ujazdowski.
Roselione-Valadez, Juan, Heidi Zuckerman Jacobson, David Moos, Karl Haendel, and
Thomas Houseago. Beg borrow and steal: Rubell Family Collection. Miami:
Rubell Family Collection.
Bonami, Francesco, and Sarah Cosulich Canarutto. Gods & goods: spiritualità e
confusione di massa = spirituality and mass confusion. Udine: Villa Manin
centro d'arte contemporanea.
Holzwarth, Hans Werner. Art now. Vol. 3, Vol. 3. Cologne: Taschen.
Munder, Heike, and Raphael Gygax. Sammlung/Collection Migros Museum fur̈
Gegenwartskunst Zur̈ ich: 1978-2008. Zürich: JRP-Ringier.
Uklanski, Piotr, Gavin Brown, Jacek Petruczenko, and Stanisław Szukalski. Piotr
Uklań ski: Biało-Czerwona. New York: Gagosian Gallery.
2007
2006
2005
2004
2003
Wekua, Andro, and Daniel Baumann. Andro Wekua: Sunset : Exposition, MagasinCentre National d'Art Contemporain, Grenoble, 25.05 au 24.08.2008. Grenoble:
Centre de la Photographie.
Doroshenko, Peter, Oleksandr Solovĭov, and Claire Staebler. Reflection. Kiev:
PinchukArtCentre.
Gagosian Gallery (London). Pop art is popular, transient, expendable, low cost, mass
produced, young, witty, sexy, gimmicky, glamorous, big business. London:
Gagossian Gallery.
Szlaga, Michał, Piotr Uklań ski, and Dariusz Kula. Gdań sk: inspiracje. Gdansk: [s.n.].
Uklanski, Piotr, and Chrissie Iles. Piotr Uklań ski: summer love. New York: Whitney
Museum of American Art.
Uklanski, Piotr, Anne-Lise Martin, and Alison Culliford. The joy of photography.
[Strasbourg]: Musees de la Ville de Strasbourg.
Galerie Emmanuel Perrotin (Paris). Bing. 01 01. Paris: Galerie Emmanuel Perrotin.
Gingeras, Alison M. La collezione Franco
̧ is Pinault: una selezione post pop. Milano:
Skira.
Gingeras, Alison M., and Jack Bankowsky. "Where are we going?": selections from the
Franco̧ is Pinault collection. Milano: Skira.
Villa Manin di Passariano (Udine, Italy), Francesco Bonami, and Sarah Cosulich
Canarutto. Infinite painting: pittura contemporanea e realismo globale =
contemporary painting and global realism. [Codroipo (Udine)]: Azienda
Speciale Villa Manin Passariano.
Webster, Toby. Strange I've seen that face before: Objekt, Gestalt, Phantom. Cologne:
Dumont.
Antomarini, B. War is over: 1945-2005, la liberta dell'arte. Cinisello Balsamo (Milano):
Silvana.
Bonami, Francesco, Julie Rodrigues Widholm, and Tricia Van Eck. Universal
experience: art, life, and the tourist's eye. Chicago: Museum of Contemporary
Art.
Brugger, Ingried. Superstars: das Prinzip der Prominenz von Warhol bis Madonna.
Ostfildern-Ruit: Hatje Cantz.
Fokidis, Marina, Sergio Risaliti, Daphne Vitali, Bistolfim Marina, and Pietro
Gagliano. The gesture: a visual library in progress. Florence: Fondazione
Fabbrica Europa.
Nuit blanche (Festival : Paris, France). Nuit blanche 2004. Paris: Paris musé es.
Friese, Peter, and Guido Boulboulle. After images: Kunst als soziales Gedac̈ htnis.
Frankfurt am Main: Revolver.
Uklanski, Piotr, Adam Szymczyk, and Silke Baumann. Piotr Uklań ski. Basel:
Kunsthalle.
Uklanski, Piotr, and Zimna Wojna. Piotr Uklanski, Zimna Wojna. Milan: Galleria
Massimo de Carlo.
Uklanski, Piotr. Piotr Uklań ski: earth, wind and fire. Ostfildern: Hatje Cantz.
Hornstein, Shelley, Laura Levitt, and Laurence J. Silberstein. Impossible images:
contemporary art after the Holocaust. New York: New York University Press.
Hotel Pod Brunatnym Jeleniem (Cieszyn). Ukryte w słoncu = Hidden in a daylight.
Warsaw: Fundacja Galerii Foksal.
Mytkowska, Joanna, Paweł Althamer, Cezary Bodzianowski, Christoph Büchel,
Jeremy Deller, Jeanne Faust, Omer aFast, Mark Leckey, and Mark
Lewis. Ukryte w stoń cu = hidden in a daylight. Warszawa: Fundacja Galerii
Foksal.
2002
2001
Friese, Peter. Minimŏl Maeksimŏl: Minimŏlat'û-wa 1990 nyŏndae misul ; [an exhibition
of the Neues Museum Weserburg Bremen]. [Seoul]: Ŏl-gwaal.
Kleeblatt, Norman L. Mirroring evil: Nazi imagery/recent art ; [in conjunction with the
Exhibition "Mirroring Evil: Nazi Imagery/Recent Art" at The Jewish Museum,
New York, March 17 - June 30, 2002]. New York: The Jewish Museum.
Thurmann-Jajes, Anne, and Martin Hellmold. Ars Photographica: Fotografie und
Künstlerbücher. Bremen: Neues Museum Weserburg Bremen.
Friese, Peter. Minimal Maximal: die Minimal Art und ihr Einfluss auf die internationale
Kunst der 90er Jahre. Bremen: Neues Museum Weserburg.
Kleeblatt, Norman L. Mirroring evil: Nazi imagery/recent art. New York: Jewish
Museum.
Rama, Edi, Giancarlo Politi, Edi Muka, Gëzim Qëndro, and Ahu Antmen. Tirana
2000
1999
1998
Biennale 1: escape : National Gallery & Chinese Pavilion, Tirana, September
15-October 15, 2001. Milan, Italy: Giancarlo Politi.
Quadriënnale voor Hedendaagse Kunst, and Jeanne Greenberg Rohatyn. Casino 2001:
1st Quadriënnale voor Hedendaagse Kunst, Ghent Belgium : 28.10.200113.01.2002. Gent: Stedelijk Museum voor Actuele Kunst.
P.S. 1 Museum, and Museum of Modern Art (New York, N.Y.). Greater New York. New
York: P.S.1.
Uklanski, Piotr, John Armleder, Lilian Tone, and Anne Umland. Projects 72: Piotr
Uklanski, John Armleder: the Museum of Modern Art, New York, June 1August 1, 2000. New York: The Museum of Modern Art.
Gompertz, Will. Zoo Issue 1 March 1999. Great Britain: The Friary Press.
[Peace: Carlos Amorales, Julie Becker, Daniele Buetti, Ceal Floyer, Nic Hess, Elke
Krystufek, Tracy Mackenna and Edwin Janssen, Olaf Nicolai, Douglas Gordon,
Bob & Roberta Smith, Rirkrit Tiravanija, Piotr Uklanski ; "Migros Museum",
Museum für Gegenwartskunst Zürich, "PEACE" exhibition, 7 November 19999 January 2000. Zürich: Migros Museum, Museum für Gegenwartskunst.
Uklanski, Piotr. The Nazis. Zurich: Edition Patrick Frey.
Friese, Peter, Gregor Stemmrich, and Margrit Brehm. Minimal maximal: minimal art
and its influence on international art of the 1990s. Bremen, Germany: Neues
Museum Weserburg Bremen.
Friese, Peter. Minimal Maximal: die Minimal Art und ihr Einfluss auf die internationale
Kunst der 90er Jahre: Minimal art and its influence on international art of the
1990s. Bremen: Neues Museum Weserburg Bremen.
Manifesta, Robert Fleck, Maria Lind, and Barbara Vanderlinden. Manifesta 2: European
Biennial for Contemporary Art, Luxembourg. Luxembourg: Agence
1997
1990
luxembourgeoise d'action culturelle a.s.b.l.
Phaidon Press. Cream: contemporary art in culture. London: Phaidon.
Bush, Kate, and Gregor Muir. Assuming positions: objects of art, lounge core, beige
revolution : at the ICA, 12 July-28 September 1997. London: Institute of
Contemporary Arts.
Dynowski, Artur, Cezary Bodzianowski, and Piotr Uklanski. Massons. Warsaw, Poland:
P. Uklanski.
Uklánski, Piotr. Majowe. Warsaw: P. Uklanski.
Articles and Reviews
2015
Farago, Jason. “Piotr Uklanshi’s Kodak Moment.” The New Yorker, March 19.
2014
2013
2012
2011
2010
2009
2008
Smith, Roberta. “Review: In ‘Fatal Attraction,’ Piotr Uklanski’s Unblinking Gaze. The
New York Times, March 19.
Rosenberg, Karen. “Art Provocateur Piotr Uklanski on Finding Sex and Death in the
Met’s Collection.” Artspace, March 20.
McDermott, Emily. “Piotr Uklanski on Death and Dali.” Interview Magazine.
Chu, Christie. “artnet Asks: Piotr Uklanski.” artnet news, Sept 18.
Durey, Dan. “Blood Maridian: Piotr Uklanski head to Texas, The Met. Artnews, Sept 18.
Tipping, Joy. ”Catching up with Dallas Contemporary, an elegant showcase for
contemporary art.” Guide Live, Oct 9.
----------. “Art Basel 2013: Art Unlimited (Video).” The Huffington Post, June 12.
----------. “What to See at Art Basel 2013.” The Huffington Post, June 14.
Agustsson, Sola. “Piotr Uklanski at the Bass Museum: English and Abstraction as
Second Language.” Whitewall, Dec 4.
Buhr, Elke. “Künstler glotzt zurück.” Monopol, Dec 3.
de Jesus, Carlos Suarez. “Miami Museums' Art Basel Offerings Headlined by
Boundary-Pushing Artists.” New Times, Dec 5.
Howe, Seanica. “Art Basel in Basel, Day Two: Say Ahhhhh at ‘Unlimited.’” Miami
NewTimes, June 14.
Pollack, Babara. “Reviews: New York.” Art News, Oct.
Russeth, Andrew. “Not Just for Snowbirds.” New York Observer, Dec 16.
Serafinowicz, Sylvia. “Piotr Uklanski: ESL.” Artforum, Sept.
Suarez de Jesus, Carlos. “Piotr Uklanski's ”ESL” at the Bass Museum of Art Through
March 16.” New Times, Dec 12.
Sutton, Benjamin. “Addenda: Five More Great Summer Group Show Titles at New
York City Galleries.” Blouin Art Info, June 13.
Walsh, Brienne. “Polish Artist Piotr Uklanski Explores Immigration in a New Miami
Exhibition.” Architectural Digest. Dec 6.
Wilson-Goldie, Kaelen. “Piotr Uklanski.” Artforum. Oct.
S. Sveen. “St. Barthelemy: Piotr Uklanski 'Midsummer Night's Dream' at Gagosian.” Art
Observed, Jan 3.
Douglas, Sarah. “Look Out Pulaski, Here Comes Uklanski.” Gallerist NY, Sept 29.
Howe, David Everitt. “Q &A: Piotr Uklanski's Crafted Conceits.” Art in America online,
Feb 18.
MJP. “Piotr Uklanski.” The Art Economist, Vol 1 Iss 3.
Smith, Roberta. “Review, Piotr Uklanski: ‘Discharge!’” The New York Times, Jan 20.
Wilson, Michael. “Review, Piotr Uklanski: “Discharge!”” Time Out New York, Febr 3-9,
2011, p. 42
Schjeldahl, Peter. “No Offense.” The New Yorker, March 8.
Yablonsky, Linda. “Whitney Biennial Mismash Serves Up Michael Jackson, Macrame.”
Bloomberg.com, Feb 25.
Tully, Judd. “London Gallery Stroll.” www.artinfo.com, July 1.
Rich, Sarah K. “Port Authority.” Artforum, Sept.
Lawn, Andrzej. “Review: Piotr Uklanski.” FlashArt, July/Sept.
Leffingwell, Edward. “Review: Piotr Ukalanski.” Art in America, June/July.
Smith, Roberta. “Review: Piotr Uklanski.” The New York Times, May 24.
----------. “Movie Reviews Summer Love.” Los Angeles Times, Feb 8.
Belenky, Alexander. “Can Berlin's biennial answer the city's old questions.” The
Guardian Art and Architecture Blog, May 21.
Esplund, Lance. “The Met's Memorable Year.”The New York Sun, Jan 3.
Hall, Stan. “Beyond the Multiplex, Summer Love.” The Oregonian, March 7
2007
2006
2005
2004
2003
2002
----------. “Men at Work.” Modern Painters, Sep, p. 34.
Smith, Roberta. “Space Exploration, Conducted on a Spiral.” The New York Times,
July 20.
----------. “Sculptures in the Park at Villa Manin Centre.” Artdaily.org, June 4.
----------. “Uklanski Film.” Artnet News, Oct 2.
Dargis, Manohla. “Tumbleweeds, Sagebrush and Kielbasa on the Range.” NY Times,
Oct 17.
Esplund, Lance. “Lopsided Shapes.” The New York Sun, July 26.
Yablonsky, Linda. “Hollywood’s New Wave.” ARTnews, Dec, pp. 112-117.
Bonami, Francesco. “Best of 2006.” Artforum, Dec, pp. 286-287.
Adams, Brooks. “Report from Lyon: Time After Time.” Art in America, Feb, pp. 56-63.
----------. “Piotr Uklański.” Bing, Volume 2, pp. 30-33.
----------. “News and Around: Biennale de Lyon.” Tema Celeste, July/Aug, p. 96.
Bonnet, Marie. “Review: Piotr Uklański.” artforum.com, July.
Lunn, Felicity. “Review: Piotr Uklański.” Artforum, Dec, p. 206.
Marzahn, Alexander Von. “Wenn aus der Bilderlust eine Kunst der Verfuhrung wird.”
Basler Zeitung, June 17, pp. 1.
Heiser, Jorg, “Don’t Ask.” Frieze, Issue 85, Sept, p. 65
Szymczyk, Adam. “Piotr Uklanki in der Kunsthalle Basel.” Kunsthalle Basel Brochure,
June.
Von-minu, Aufgezeichnet. “Asylrecht: Wer nicht geht, muss bussen.” Basler Zeitung,
June 17, pp. 1-3.
----------. Fluid, June, Issue 42, Cover.
Gingeras, Alison. “Painting Without Canvas or Sculpting With Paint.” Contemporary,
No. 64, pp. 22-25.
Dailey, Meghan. “Wie? Ik? Hoezo?” Metropolim, No. 3, June, pp. 81–85.
Cattelan, Maurizio. “A Conversation.” Flash Art, May/June, pp. 92-95.
Trembley, Nicolas. “I wanted to go to Hollywood!” Art Press, June, pp. 40-45.
Wilson, Michael. “Preview: Piotr Uklański.” Artforum, May, p. 110.
Rimanelli, David. “Best of 2003.” Artforum, Dec, pp. 116-117.
Bush, Kate. “Once Upon a Time in the East.” Artforum, Nov,
pp. 172-175.
Blom, Ina. “My Head is on Fire but my Heart is Full of Love.” Frieze, Sep, pp. 113-114.
Westphalen, Olav. “Veiled Controversy.” Parkett, No. 65, pp. 178-185.
Arditi, Fiamma. “Ripensando il Male.” ARS, May-June, pp. 36-37.
Nochlin, Linda. “Mirroring Evil: Nazi Imagery/ Recent Art.” Artforum, summer, pp.
167-207.
LaBelle, Charles. “Mirroring Evil.” Frieze, June/July/Aug, pp. 107-108.
----------. “The Banality of Evil.” Flash Art, May/June, p. 70.
Schjeldahl, Peter. “The Hitler Show.” The New Yorker, Apr 1, p. 87.
Saltz, Jerry. “Mild Things.” Village Voice, Apr 2, p.55.
Halle, Howard. ”Empty Mirror.” Time Out (New York), March/Apr, pp. 49-50.
Camhi, Leslie. “Peering under the Skin of Monsters.” The New York Times, March 17,
pp. 36-39.
Kimmelman, Michael. “Evil, the Nazis and Shock Value.” The New York Times, March
15, p. E33.
Rosenbaum, Ron. “Mirroring Evil? No, Mirroring Art Theory.” The New York Observer,
March 18, p. 11.
Levin, Kim. “Springtime for Hitler.” Village Voice, March 12, p. 80.
Farquharson, Alex. “The American: New Art.” Artforum, March, p. 136.
2001
2000
1999
1998
Hackworth, Nick. “Puddles, plants, and one small joy.” Evening Standard (London), Nov
6.
Sladen, Mark. “Young Americans.” Blue Print, Nov, p. 50.
Sharp, Amanda. “The Americans.” Arena + Homme, Nov, pp. 330-335.
Chen, Aric. “State of the Arts.” Jalouse USA, Nov, p. 154.
Jungfleisch, Martina. “Monters and Hollywood Stars.” KW Magazine, Feb, pp. 62-64.
Blumenstein, Ellen. “Piotr Uklański.” KW Magazine, Feb, pp. 65-67.
Szymczyk, Adam. Fluid, Apr, pp. 18-29.
Simpson, Bennett. “Review: Piotr Uklański.” Frieze, May, pp. 93-94.
----------. “Review: Piotr Uklański.” The New Yorker, Jan 1.
Brockington, Horace. “Let’s Entertain: Life’s Guilty Pleasures.” NY Arts, May, p. 75.
Bollen, Christopher. “Seductive Currency.” Dutch, Nov/Dec.
Szymczyk, Adam. “A Flaming Star.” Nu: The Nordic Art Review, Vol. II, No. 2, pp. 6065.
Heller, Steven. “Snazi Nazis.” New York Times, March 12.
Leinemann, Susanne. “Der filmische albtraum vom Nazi.” Die Welt, March 3.
Schröder, Christian. “Das Böse hat viele Gesichter.” Der Tagesspiegel, March 8.
Blom, Ina. “critiques.” NU.
Rauhe, Walter. “Tante facce, nessuna verità.” Il Sole, March 12.
----------. “Schlechte Kerle.” Süddeutsche Zeitung, March 14.
Ruthe, Ingeborg. “Jeder auf eigene Faust.” Berlin Zeitng, No. 63, March 15.
Becker, Claudia. “Stahlblaue Augen.” Berliner Morgenpost, March 7.
Schönfeld, Gerda-Marie. “Morbide Vampir-Fantasien.” Stern, No. 11.
Neumann, Hans-Joachim. “Die Schrillen, die Bizarren, die Abseitigen.” Zitty, March 22.
Hoptman, Laura. “Projects.” Museum of Modern Art brochure, June.
Slander, Mark. “Something I Prepared Earlier.” Dazed & Confused, No. 68, Aug, pp.
70-74.
Bang Larsen, Lars. “Ondskabens glamour.” Politiken, Dec.
Rimanelli, David. "If you lived there..." Interior Design, Aug, pp. 176-177.
----------. "Gavin Brown's enterprise." Elle (Japan), Sep, p. 39.
Sanchez, Antonio. "Minimal Maximal." Arte Y Parte, No 20, Apr/May, p. 96.
Pjede, Manuela. "Mode, Kuenstler, Visionen." Max, March, pp. 136-143.
Stange, Raimar. "Eine Frage der Lust." Kunst-Bulletin, Jan/Feb, pp. 8-14.
Jocks, Heinz-Norbert. "Rauschmittel fuer den Geist." Kunstforum, Jan/Feb, pp. 348349.
Januszczak, Waldemar. "Dress to Kill." The Sunday Times, Aug 16, pp. 10-11.
Rypson, Piotr. “Disco Nazisci – I Szklanka Herbaty.” Machina.
McTigue, Eoghan. “Bursary in Visual Arts Criticism.” Circa, summer, pp 38-41.
----------. Die Zeit, Dec 30, p. 12.
Higgie, Jennifer. “Review: Piotr Uklański.” Frieze, Dec, pp. 83-84.
----------. Biblia, No 6, Dec., p. 53.
Stoeber, Michael. "Minimal Maximal." Kunstmagazine, Nov., pp. 30-33.
Gross, Ulrike and Markus Mueller. Make It Funky, pp. 118-119.
Ebert, Antje. "Der Herr Direktor liebt NY." Prinz Koeln, Nov, p. 100.
Plath, Carina, "Der Slogan Von Der Einkaufstuete", Stadt Revue, Nov, pp. 11-14.
Stange, Raimar. "Piotr Uklański", Minimal Maximal, pp. 236-241.
Schaffhaeuser, Mathias. "Krrrrch! Party des Monats." Koelner Illustrierte, No 11, Nov,
p. 58.
Frieze, Peter. "Minimal Maximal." Punkt, No 3, pp. 7-9.
----------. "Expedition in der New York Kunstszene." Der Weltkunst, Nov, pp. 42-45.
1997
----------. "On View." New York, Vol. 30, no 35, Sep 14, p. 194.
----------. "Get Real." Siksi, The Nordic Art Review, XIII, No. 3-4, Issue, Autumn/Winter,
pp. 46-52.
Gordon-Nesbitt, Rebecca. "The Truth Is Out Where?" Make, No 81, Sep/Nov, p. 25.
Kent, Sahra. "Piotr Uklański." Time Out (London), Sep 2-9, p. 54.
Wittneven, Katrin. "Eurovisionen, Die Manifesta 2 in Luxemburg." Neue Bildende
Kunst, Aug/Sep, pp. 30-33.
Orlinski, Wojciech. "Ci Przystojni Nazisci." Gazeta Wyborcza, Aug 31, p. 2.
Taylor, John Russel. "Around The Galleries." The Times.
----------. "Nazi Movie Shots Are Defended As Art." Amateur Photographer, Aug 29.
Blom, Phillip. "Ikonen des Boesen." Berliner Zeitung, Aug 28, p. 9.
Hopkinson, Amanda. "Good Eye, Steady Nerve, Generous Heart." The Independent,
Aug 23, p. 16.
----------. "Spiel mit dem Nazi-Chic." Der Spiegel, Issue 32, p. 87.
Ascherson, Neal. "It's only David Niven dressed up. Why do we feel a chill?" The
Observer, Aug 23, p. 9.
Sturges, Fiona. "The Exhibition, Piotr Uklański." The Independent, Aug. 22, p. 14.
Jones, Jonathan. "Faces of Evil." The Guardian, Aug. 18, p. 12.
Girao, Ligia. "O Nazismo Chicque Da Embalagem Hollywoodiana." O Globo, Aug 15, p.
14.
Edwards-Jones, Imogen. "Arty Animal." The Times, Aug 15-21, p. 3.
Buzinska, Irena. "Izsuvumi Manifestas Lenta." Mare Articum, Aug 13.
G., S. "Piotr Uklański: Nazis." The Guide, Aug 8-14, p. 9.
Corner, Lena. "Sinatra. Eastwood. Fiennes. Why do we love a man in uniform?" The
Big Issue, Aug 3-9.
Stringer, Robin. "Outrage as London Gallery Highlights 'glamour of Nazism." The
Evening Standard, July 28.
Shave, Stuart. "Nice Nazi Nasty Nazi." I-D, July.
Epstein, Rob. "Janner's fears of Nazis exhibition." London Jewish News, July.
Kuhn, Nicola. “Augen Auf und Durch." Tagesspiegel, July 24.
Higgs, Matthew. ”Piotr Uklański.” Cream, pp. 408-410.
Rollin, Pierre-Olivier. "Realisme Identitare." Le Matin, July 6.
Lunghi, Enrico. "Encore Une Occasion Pour Approcher l'Art d'Aujourd'hui."
Kulturissimo, July 3.
Pirovalli, F. "Hou La La ... Manifesta est La." Le Republican Lorrain, June 29.
Lyle, Peter. "The Reich Stuff." The Face, June.
Stoeber, Michael. "Minimal-Maximal." Artist Kunstmagazin, Apr.
Schmerler, Sarah. "Super Freaks." Time Out (New York), March 12-19, p. 129.
Johnson. "Super Freaks." The New York Times, March 6.
Taylor, John Russell. "Around the Galleries." The Times, March 3.
----------. "Super Freaks." NY Arts Magazine, March.
Burrows, David. "Waves In Particles Out." Art Monthly, Feb, p. 25.
----------. "Happening Hop." The Scotsman, Nov 29.
Pesch, Martin. "Romantischer Profi." Frankfurter Rundschau, Nov 6.
Mahoney, Elizabeth. "Waves In Particles Out." The Scotsman, Nov 5.
Bradley, Will. "Waves in, Particles out." Siksi XII No. 4, p. 85.
Stange, Raimar. "Piotr Uklański bei Voges & Deisen." Kunst Bulletin,
Nov, p. 35.
----------. "On Fire." Fat Magazine, Issue 3, p. 18.
Gibb, Eddie. "Exploring the Art of Hedonism." The Guardian, Oct 27.
1996
1995
Dibdin, Thom. "Jive Talkin' ... Sound Art." The Scotsman, Oct 23.
Slyce, John. “Review: Piotr Uklański at ICA.” Art, Aug, p. 17.
----------. "The Light Fantastic Floor-Courtesy of Tate." Contract Flooring Journal, Sep.
----------. "Blurred and Distorted." Creative Review, Sep.
Musgrave, David. “Assuming Positions.” Art Monthly, Sep, p. 40.
Dorment, Richard. "It's Clever but is it Art?" The Daily Telegraph, Aug 27.
Madden, Jenny. "Yes, But Is It Art?" I-D Magazine, Aug, p. 26.
----------. "Floor Fever." Blue Print, Aug/July.
Walker, Nick. "The Agenda." Wall Paper, No 5, July/Aug, p. 30.
Feaver, William. "Frankly, This Place Is Going Down The Pan." The Observer, July 20.
Bush, Kate and Gregor Muir. Assuming Positions, July/Sep.
Kent, Sarah. “Assuming Positions." Time Out (London), July 23.
Ogundehin, Michelle. "Right Now." Elle Decoration, July, p. 30.
Morris, Mark. "Hype." The Face, July, p. 36.
Decter, Joshua. “Review: Piotr Uklański.” Artforum, Apr, p. 95.
Stange, Raimar. "Am Oberung, oder: Corporate Fun for everyone." Neue Bildende
Kunst, no.6, pp. 46-47.
Mir, Aleksandra. "Ouverture: Piotr Uklański." Flash Art, Oct, p.107.
Decter, Joshua. "Worlds Traversed." Siksi, The Nordic Art Review, Vol XI, no.4, pp. 2021.
Coomer, Martin. "Just Do It." Time Out, Nov 8-15.
Peters, Christine. "Mehr oder weniger listige Stoerungen des Alltags." Frankfurter
Rundschau, Feb. 16.
Starger, Steve. “Striking Assemblages.” Journal Inquirer, Feb. 10