Shakespearean Collaborations - cehum
Transcrição
Shakespearean Collaborations - cehum
Shakespearean Collaborations October 22-23, 2015 Centro Avançado de Formação Pós-Graduada (CAFPG), Universidade do Minho, Guimarães. Thursday 22nd October 9-9.30 Registration, Centro de Formação Pós-Graduada, Universidade do Minho, Guimarães. 9.30 Welcome and Introduction Ana Gabriela Macedo, Director of CEHUM (Centre for Humanistic Studies, Universidade do Minho) 10-11 Plenary Lecture Diana E. Henderson (MIT, USA) "Stretching Shakespearean SpaceTime: New Horizons (and Challenges) for Collaboration." (Chair Ana Gabriela Macedo) 11-11.30 Coffee Break 11-30- 1 pm Lusophone Collaborations (Chair Miguel Ramalhete Gomes) Maria Mendes (ESTC, Portugal) “Teatro Praga and ‘Erased Shakespeare’” Elena Brugioni, (Universidade do Minho, Portugal) “Transcolonial (Re)Visions: Shakespeare in Guinea-Bissau.” Francesca Rayner (Universidade do Minho) “Whose Play is it Anyway? Audience Participation in Two Contemporary Portuguese Performances of Shakespeare.” 1.00 -2.30 pm Lunch break 2.30-4 pm Collaborative (re) writings and performance (Chair Rui Pina Coelho) Varsha Panjwani (University of York, England) “’Striving to make an ugly deed look fair’? Performing Shakespeare’s Jointly-Authored Plays.” Miguel Ramalhete Gomes (University of Porto/Polytechnic Institute, Portugal) “Debt versus Gold: the first Portuguese production of Timon of Athens (2012)” Maria José Álvarez-Faedo (University of Oviedo, Spain) “Cardenio’s Legacy to Drama in English: A Strange Fascination” 4-4.30 Coffee Break 4.30-5.30 A Director’s perspective on Performing Shakespeare, conversation wiith Marcos Barbosa, (Artistic Director, Teatro Oficina) chaired by Francesca Rayner 8pm Conference Dinner Friday 23rd October 10-11 A Scenographer’s perspective on performing Hamlet. Talk by José Capela, (Mala Voadora) chaired by Vitor Moura 11-12.30 am Shakespearean Collaborations on Film (Chair Margarida Pereira) Robert Sawyer (East Tennessee State University, USA) “‘It’s a Mystery’: Collaborating to Produce Shakespeare in Love” Darlena Ciraulu (University of Central Missouri, USA) “Ken Ludwig’s Shakespeare in Hollywood: Collaboration and Censorship in A Midsummer Night’s Dream.” Anthony Barker (Universidade de Aveiro, Portugal) “Roman Polanski, Kenneth Tynan and the Playboy Macbeth (1971)” 12.30-2 pm Lunch 2–3.30 pm Extra-Dramatic Collaborations (Chair Francesca Rayner) Thomas Kullman (University of Osnabrueck, Germany) “The Hamlet Project in Goethe’s Wilhelm Meister’s Apprentice.” Michele de Benedictis (Universitá di Cassino, Italy) “A cur cannot keep himself in all companies” Interspecies collaboration and animal performance in The Two Gentlemen of Verona.” Maria Filomena Louro (Universidade do Minho) “Translation for the stage: localization as empowerment or submission.” 3.30-4.30 pm Plenary Lecture: Rui Carvalho Homem (Universidade do Porto, Portugal) “Receptive Emotion'? Stoker and Irving – collaboration, hagiography, self-fashioning.” (Chair Maria Filomena Louro)