Shakespearean Collaborations - cehum

Transcrição

Shakespearean Collaborations - cehum
Shakespearean Collaborations
October 22-23, 2015
Centro Avançado de Formação Pós-Graduada (CAFPG),
Universidade do Minho, Guimarães.
Thursday 22nd October
9-9.30
Registration,
Centro
de
Formação
Pós-Graduada,
Universidade do Minho, Guimarães.
9.30 Welcome and Introduction Ana Gabriela Macedo, Director of
CEHUM (Centre for Humanistic Studies, Universidade do Minho)
10-11 Plenary Lecture Diana E. Henderson (MIT, USA)
"Stretching
Shakespearean
SpaceTime:
New
Horizons
(and
Challenges) for Collaboration." (Chair Ana Gabriela Macedo)
11-11.30 Coffee Break
11-30- 1 pm Lusophone Collaborations (Chair Miguel Ramalhete
Gomes)
Maria Mendes (ESTC, Portugal) “Teatro Praga and ‘Erased
Shakespeare’”
Elena Brugioni, (Universidade do Minho, Portugal) “Transcolonial
(Re)Visions: Shakespeare in Guinea-Bissau.”
Francesca Rayner (Universidade do Minho) “Whose Play is it
Anyway? Audience Participation in Two Contemporary Portuguese
Performances of Shakespeare.”
1.00 -2.30 pm Lunch break
2.30-4 pm Collaborative (re) writings and performance (Chair
Rui Pina Coelho)
Varsha Panjwani (University of York, England) “’Striving to make an
ugly deed look fair’? Performing Shakespeare’s Jointly-Authored
Plays.”
Miguel Ramalhete Gomes (University of Porto/Polytechnic Institute,
Portugal) “Debt versus Gold: the first Portuguese production of
Timon of Athens (2012)”
Maria José Álvarez-Faedo (University of Oviedo, Spain) “Cardenio’s
Legacy to Drama in English: A Strange Fascination”
4-4.30 Coffee Break
4.30-5.30 A Director’s perspective on Performing Shakespeare,
conversation wiith Marcos Barbosa, (Artistic Director, Teatro
Oficina) chaired by Francesca Rayner
8pm Conference Dinner
Friday 23rd October
10-11 A Scenographer’s perspective on performing Hamlet. Talk
by José Capela, (Mala Voadora) chaired by Vitor Moura
11-12.30 am Shakespearean Collaborations on Film (Chair
Margarida Pereira)
Robert Sawyer (East Tennessee State University, USA) “‘It’s a
Mystery’: Collaborating to Produce Shakespeare in Love”
Darlena Ciraulu (University of Central Missouri, USA) “Ken Ludwig’s
Shakespeare in Hollywood: Collaboration and Censorship in A
Midsummer Night’s Dream.”
Anthony Barker (Universidade de Aveiro, Portugal) “Roman Polanski,
Kenneth Tynan and the Playboy Macbeth (1971)”
12.30-2 pm Lunch
2–3.30 pm Extra-Dramatic Collaborations (Chair Francesca
Rayner)
Thomas Kullman (University of Osnabrueck, Germany) “The
Hamlet Project in Goethe’s Wilhelm Meister’s Apprentice.”
Michele de Benedictis (Universitá di Cassino, Italy) “A cur cannot
keep himself in all companies” Interspecies collaboration and
animal performance in The Two Gentlemen of Verona.”
Maria Filomena Louro (Universidade do Minho) “Translation for the
stage: localization as empowerment or submission.”
3.30-4.30
pm
Plenary
Lecture:
Rui
Carvalho
Homem
(Universidade do Porto, Portugal) “Receptive Emotion'? Stoker
and Irving – collaboration, hagiography, self-fashioning.” (Chair
Maria Filomena Louro)