FRANÇOIS UZAN – Scénariste

FRANÇOIS UZAN – Scénariste
06.16.53.77.95 - [email protected]
Agent : Isabelle GAUDIN (ArtCiné) - 01.42.56.04.20 - [email protected]
FORMATION
2005-2007
CEEA (Conservatoire Européen d’écriture Audiovisuelle, Paris)
CINÉMA
2012
LES ÂMES DE PAPIER
En développement avec ARTÉMIS PRODUCTION
Lauréat du Fonds d’Aide à l’Innovation CNC et de la Fondation Beaumarchais
2012
STARS 80
Comédie de Frédéric Forestier
La Petite Reine / Participation aux dialogues
2010
LE MAC
Comédie de Pascal Bourdiaux avec José Garcia
La Petite Reine / Participation aux dialogues
TÉLÉVISION
2012
LE 107 (8 x 52’ - EN ECRITURE)
Lauréat du Fonds d’Aide à l’Innovation CNC
2012
LES GOURMAND (FRANCE 3 – EN ECRITURE)
Septembre / Série 52’ / Création et écriture du pilote
2012
LIVRET DE FAMILLE (FRANCE 2)
JLA / Comédie 26' / Direction de collection
2012
DU MATIN AU SOIR (NRJ 12)
Made In PM / Programme Court / Création, écriture et réalisation du pilote
2010
VICTOR SAUVAGE - Ep. « Petite Sœur des gorilles » (TF1)
PM / Comédie unitaire / Dialogues (Diff 2011)
2010
PLUS BELLE LA VIE (FRANCE 3)
TELFRANCE / 26' quotidien / Atelier séquencier
2009
COMPRENDRE ET PARDONNER (M6)
A PRIME GROUPE / 26' quotidien / 8 épisodes coécrits avec Louise Revoyre
2009
DEJA-VU (FRANCE 2)
PROJECT IMAGE / 26' jeunesse / 2 épisodes coécrits avec Eric Delafosse
2008
QUE DU BONHEUR ! (TF1)
MARTANGE / 3' comédie access / 93 épisodes
2008
LA VIE EST À NOUS (TF1)
ADELAÏDE / 52' / 1 séquencier coécrit avec Louise Revoyre
2008
PÈRE ET MAIRE - Ep. « Miracle à Ville Grand » (TF1)
PM / Comédie unitaire / Sujet original coécrit avec Eric Vérat
2008
HEIDI (FRANCE 2)
DUNE / 26' jeunesse / Arches Narratives Saison 2 avec Martin Sauvageot, Marc Rivard, Samir
Oubéchou, Sophie Pincemaille et Louise Revoyre
ANIMATION
2010
DUNGEON PARTY – Adaptation de jeu vidéo en série
CYANIDE - Coécrit avec Julien Lilti
2009
FOOT 2 RUE (FRANCE 3)
TÉLÉ IMAGES KIDS / 26' / 1 épisode coécrit avec Eric Verat
2008
PODCATS (FRANCE 3)
OKIDOKI / 12' / 1 épisode coécrit avec Eric Verat
DOCUMENTAIRE
2011
BORELLO: NI DIEU, NI MAÎTRE, NI ACTIONNAIRE (LCP - PUBLIC SÉNAT)
Producteur pour OXYMORE FILMS
Documentaire 52' – Diffusion Juin 2011
2008
ANNE ET LE RÉVÉREND – Réalisation (FRANCE 2)
Documentaire 52'
COURT-MÉTRAGE
PÈRE NOËL / PÔLE NORD (Scénario)
Lauréat du Fonds Culturel Franco-américain de la SACEM et de la Fondation
Beaumarchais
2006
THÊATRE
2012
FAUT QU'ON SE PARLE !
Comédie en écriture avec Marie du Roy
ENSEIGNEMENT
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CEEA
UNIVERSITÉ SORBONNE - PARIS IV / MASTER Audiovisuel
UNIVERSITÉ NANTERRE - PARIS X / MASTER 2 « Scénario »
UNIVERSITÉ NANTERRE - PARIS X / L3 Licence « Arts du Spectacle »
ESRA – MASTER 1 « Scénario »
Marie du Roy
Roteirista de Televisão e Autora Teatral
Agenciada por Isabelle Gaudin (Artciné)
15 rue Romain Rolland, 94250 Gentilly
01 49 08 55 00
[email protected]
Trabalhos em Televisão
2012
2011-2012
MES AMIS, MES AMOURS, MES EMMERDES (série de 6 episódios de 52
minutos), co-roteirista do episódio 5 com Jean-Marc Dobel. Sama Productions
para TF1.
VUE SUR MER (projeto de série diária – novela - de 26 minutos), autoria da
bíblia e dos cinco primeiros capítulos com Nathalie Abdelnour, José
Caltagirone, Emmanuelle Dupuy, Marc Kressmann et Mehdi Ouahab. TF1
Production para TF1.
2012
Série JOSEPHINE ANGE GARDIEN, EPISÓDIO DE PERE EN FILLE (90
minutos), autora do roteiro, em fase de finalização. Produção: DEMD para
TF1.
2011
SANS GRAVITÉ (série cômica de formato curto, 3 minutos diários). coautoria com François Uzan da pré-bíblia. Produção: EFFERVESCENCE
FICTION.
2010-2011
2010
2007-2010
VICTOR SAUVAGE (série de 52 minutos), co-roteirista com François Uzan do
episódio 4. Produção: MADE IN PM para TF1.
L'AMOUR EN JEU (telefilme de 90 minutos), adaptação e diálogos em
parceria com Pierre Monjanel, a partir de uma ideia original de Olivier Mag,
sinopse de Emmanuelle Chopin et diálogos de Marie-Luce David. Produção
DEMD para TF1.
PLUS BELLE LA VIE (série diária – novela - de 26 minutos), membro do
ateliê de autores. Produção: TELFRANCE para France 3.
2009
Série JOSEPHINE ANGE GARDIEN, EPISÓDIO UN BÉBÉ TOMBÉ DU CIEL
(90 minutos). Co-roteirista em parceira com Pierre Monjanel, a partir de uma
sinopse de Martyne Visciano & Bruno Chapelle. Produção: DEMD para TF1.
2009
UN BÉBÉ POUR MES 40 ANS (telefilme de 90 minutos). Autora da
adaptação e dos diálogos em parceria com Pierre Monjanel a partir de um
roteiro de Bertrand Deveaud & Vincent Martin. Produção DEMD para TF1.
2009
AVEUGLE MAIS PAS TROP (telefilme de 90 minutos, com Bernard Le Coq).
Roteiro de Jean-Carol Larrivé, Marie du Roy e Pierre Monjanel, a partir de um
argumento original de Jean-Carol Larrivé. Adaptação e diálogos de Marie du
Roy em parceria com Pierre Monjanel. Produção: Panama Productions para
TF1.
2008
Série JOSEPHINE ANGE GARDIEN, episódio LE FRERE QUE JE N'AI PAS
EU (90 minutos). Co-roteirista em parceria com Pierre Monjanel. Produção :
DEMD para TF1.
2008
Série Sœur Thérèse.com, episódio JULIETTE EST DE RETOUR (90
minutos). Co-roteirista em parceria com Pierre Monjanel. Dirigido por Bertrand
VAN EFFENTERRE. Produção: Telecip para TF1.
2008
LA VIE, DEUXIEME PARTIE (telefilme 90 minutos). Co-roteirista em parceria
com Pierre Monjanel. Produção: Sama Productions.
2008
Série JOSEPHINE ANGE GARDIEN, episódio AU FEU LA FAMILLE (90
minutos). Co-roteirista em parceria com Pierre Monjanel. Dirigido por Henri
HELMAN. Produção DEMD para TF1.
2006
LA CRECHE (Série de 26 minutos). Co-roteirista com Pierre Monjanel.
Produção: La Cie des Phares et Balises.
2006
DEJA-VU (Série jovem de 26 minutos). Co-roteirista em parceria com Pierre
Monjanel. Produção: Project Images para France 2.
Autoria Teatral
2012
FAUT QU’ON SE PARLE ! Escrita em parceria com François Uzan. Em
montagem.
2006
MONSIEUR LE VENT ET MADAME LA PLUIE (Adaptado de um conto de
Alfred Musset). Turnê em Paris, arredores e interior.
2004-2005
QUATRE (Publicado pela éditions de L'Harmattan)
Festival de Avignon de 2004.
Théâtre du Lucernaire, Paris, em 2004 e 2005.
2000
TRANSES PORTABLES (Escrito em parceria com Roland Agami)
Théâtre Montmartre-Galabru, Paris, em 2000.
1999
CHACUN CHERCHE SES "RACINE"
(Prêmio de Melhor Text e Melhor Direção)
Festival de St-Maur, França, 1999.
Trabalho como Docente
2012
Colaboradora do Ateliê de Sinopses do Conservatoire Européen d'Écriture
Audiovisuelle (CEEA) – Paris, França.
Formação Profissional
2004-2006
2002
1997-2000
Conservatoire Européen d'écriture Audiovisuelle (CEEA) - Paris, França.
Licenciatura em Artes do Espetáculo, opção Teatro - Institut d'Etudes
Théâtrales, Paris III
Cours Florent – Arte Dramática.
2000
FACT – Curso de Teatro em Inglês.
1998
1998 Estágio com Jack Waltzer (Actors Studio) – Paris
1996
1996 Licenciatura em História – Panthéon-Sorbonne, Paris I
Pascale REY
Tél. (+33) 6 22 761 561
[email protected]
______________________________STUDIES_________________________________
Ecole primaire & Cycle d’orientation (A) – Sierre (Valais)
Classical Maturity Diploma (latin-English) high school La Planta in Sion (Valais)
First Certificate in English (Cambridge)
Proficiency in English at Lennox Cook School of English (Cambridge)
Drama Certificate Acting Conservatory in Genève
Diplôme de littérature et théâtre in spanish at the University of Salamanca
Licence in Literature, theater (at la Sorbonne, IUT Censier, Paris)
Master in Literature , movie Field (at la Sorbonne, IUT, Censier, Paris)
Screenwriting workshops with Yves Lavandier
________________PROFESSIONAL EXPERIENCE__________________
Teacher in Dramaturgy and script consultant during screenwriting
workshops (1990-2012) – CEEA and workshops all around the world .
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Chief editor for independent movies (TV) from 1985 to 1990.
Screenwriter
for movie, TV, Graphic Novels & theater (from 1995-2012)
Founder and executive director of an international association for Cinema
(DreamAgo) since 2005. It has a Professional Networking on several continents, organizes a screenwriting workshop & a film festival (Plume & Pellicule) and a producers-writers program (Meet your Match).
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_________________ COMPETENCES___________________
Teacher in Dramaturgy, I am teaching on different continents and I have participants from
all over the world. I am also a script doctor for producers in France.
As for DreamAgo, I deal with filmmakers (writers, directors, consultants) and also with the
expectation of the audience (screening’s programmation). I select international movies, I
manage the team to prepare the workshop, I settle thematic master classes and I manage
international contacts (with filmmakers as much as with institutions) to build synergies and
partnerships. Being a screenwriter helps me build the right events to help scripts on their
ways to screen.
_________________EXPERIENCES DETAILS___________________
Dramaturgy teacher & script consultant in screenwriting workshops 19902012
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• Dramaturgy Teacher, I also lead screenwriting workshop all over the world, either
in French, in English or in Spanish.
• Regular teacher at the CEEA (European Conservatory of Audiovisual Screenwriting) in
Paris since 1990 (til nowadays).
• Intensive workshop at the International cinéma school EICAR Paris -February 2010,
March 2011 – February 2012 – next workshop March 2013
• Screenwriting for teachers in Reims & Tours (2007 – 2008)
• Script consultant at the International Film Festival in Cuba (la Havana) December 2009Dramaturgy at the International school of San Antonio de los Banos - /Havana 2006
• Dramaturgy workshop in Madagascar (2007)
• Dramaturgy for Professional producers AFDAS and script doctoring (July & sept 2007) –
for writers in Paris (2008-2009-2010-2011)
• Screenwriting workshop in Marrakkech (June & sept 2004)
• Screenwriting workshop in Bilbao (octobre 2004)
• Classes + consultations at the London Film School in London (oct.2003/November &
March 2004)
• ACT workshop training in Toulouse 1999
• Screenwriting at the University of Manila, in the Philippines (1996-87-98-99)
• Workshop for the Latin Union in Paris (2X one month ) - 1998
• Screenwriting workshop + Theory of dramaturgy in Dakar, Senegal (2000)
• FEMIS in Paris (Dramaturgy + workshop – six months ) 1997
• Screenwriting workshop in Angers (Festival Premiers Plans) 1995
• Screenwriting in Lille CRRAV 1995
These workshops and classes all over the world helped me discover artists of different countries and movies that don’t always travel. It gave me the opportunity to
build Relationship with the coming generations of writers. With who i still keep contact.
 Script
doctor for movies 2005 to 2011
I work as a script consultant for many independent producers. A few examples (non
exhaustive list)
• « Atlantic Express» (A script written by Moussa Bathily– Senegal -fonds Sud) 2005
• « Mes Stars et moi» (Laetitia Colombani – Nord-Ouest Production) 2008
• « Jusqu’à toi» (Jennifer Devoldère - QUAD production) 2008
• « Thelma, Louise & Chantal» (Benoît Pétré – La Fabrique de Film) 2009
• « Investigation» (L aurent Caujat – Cinemao) en production

Chief editor for writers (TV) 1985-1990
• For a TV série « Un homme en colère» (Alya – France 3)
• For a collection of 4 TV movies (TSR)
This activity helped me learn how to work with different writers and topics keeping an
homogeneity, but also how to coach different writers.
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Sreenwriter
(cinema, television, graphic novels, theater) 1995 - 2012
Cinéma : One short movie (« Acte Manqué » “twis of fate” directed by Romain
Delange), 2004 One feature (“For your own Good”) en pre-production (will be directed by
Olivier Klein) 2011
Television: Over ten features (for French television « Le droit à la vie » (Alya –
France 3) « Un week-end pour le dire » (Alya – France 2) « Tout le plaisir est pour moi »
(Téléimage)….) Over ten episodes of series ( Navarro, Julie Lescaut, le docteur
Sylvestre)…
Graphic novels : One serie at Dargaud Editor en collaboration with Serge Le
Tendre (« Pour l’amour de l’art »), one book sketched by Juan Jimenez (« Arkhânes »)
aux éditions La Sirène
Theater : I took part in a collective play « Le Voyage » directed by Walter Manfré
and played in Switzerland and France en 2003 (Paris, Genève, Lausanne, le Valais)
Founder
& President of an international non profit (DreamAgo) since 2005
This non profit works on three levels:
A professional networking around the world.
Two key steps to make movies move from script to screen:
A screenwriting workshop (Plume & Pellicule) together with a film festival en Switzerland and a networking program to allow writers and directors to meet producers
during the different film festivals of the world (Los Angeles, San Sebastian, Berlin…)
As the head of DreamAgo since 2005, I organize the general actions of DreamAgo
(fund raising, connections with consultants, program selection etc..)
The networking: conception of the project (vision), organization of the memberships over a few continents, creation and follow-up of four offices over the world
(Los Angeles, Madrid, Sierre, Paris) with one head for each office. Connection between the different offices.
The screenwriting workshop Plume & Pellicule (eight sessions): fund rising, finding and getting recognized patrons, selection of scripts in three languages, followup with comments of the scripts, organization of master classes, coffee.cine, management of a team of ten professionals over a few countries (two continents) in
three languages, supervision of the content of the website, the newsletter, management of the workshop itself (travels for guests, consultants, team), communication with local and federal institutions), relations with the press.
I could therefore develop my passion for movies, from script to screen, organize
thematic screenings, learn how to face concrete problems like getting copies of
movies, get the authorizations, including organize sub-titles if missing, organize the
authorization from Cuban citizens to get out of their country. More than anything
else, supervise every department to make it work. I organized and managed more
than 60 movies screenings of feature and over 40 short movies.
Meet your Match: the development of a professional networking between different
film festivals. To organize the financing partnership and coordinate the action with
the head of DreamAgo USA. Conception of a special “speed dating” event and a
panel on “getting concrete” from script to screen in partnership with WGA. In other
words, the steps requested from a writer after he gets his script optioned.
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