Lygia Clark: The Abandonment of Art, 1948-1988
Transcrição
Lygia Clark: The Abandonment of Art, 1948-1988
Lygia Clark: The Abandonment of Art, 1948-1988 Lygia Clark, Brazilian, 1920–1988 Escada, 1948 Staircase Oil on canvas 21 13/16 x 18 1/4" (55.4 x 46.4 cm) Colección Patricia Phelps de Cisneros Lygia Clark, Brazilian, 1920–1988 Escada, 1951 Staircase Oil on canvas 28 3/8 x 38 9/16" (72 x 98 cm) Museu de Arte Brasileira - FAAP Lygia Clark, Brazilian, 1920–1988 Interior, 1951 Interior Oil on canvas 21 5/8 x 13" (55 x 33 cm) Collection Hecilda and Sérgio Fadel, Rio de Janeiro Lygia Clark, Brazilian, 1920–1988 Composição, 1952 Composition Oil on canvas 21 1/4 x 25 9/16" (54 x 65 cm) Private collection Page 1 of 59 Lygia Clark, Brazilian, 1920–1988 Escadas, 1951 Staircase Charcoal on paper 14 9/16 x 10 7/16" (37 x 26.5 cm) Private collection Lygia Clark, Brazilian, 1920–1988 Escadas, 1951 Staircase Charcoal on paper 12 5/8 x 17 5/16" (32 x 44 cm) Private collection Lygia Clark, Brazilian, 1920–1988 Untitled, 1952 Untitled Graphite on paper 14 15/16 x 10 13/16" (38 x 27.5 cm) Private collection Lygia Clark, Brazilian, 1920–1988 Composição, 1953 Composition Oil on canvas Composition: 35 1/16 × 41 3/4" (89 × 106 cm) Museu de Arte Moderna, São Paulo. Gift of Sul América Seguros. Page 2 of 59 Lygia Clark, Brazilian, 1920–1988 Composição, versão 01, 1953 Composition, version 01 Oil on canvas 40 9/16 x 26 3/4" (103 x 68 cm) Private collection, Rio de Janeiro Lygia Clark, Brazilian, 1920–1988 Composição, 1952 Composition Gouache on cardboard 12 13/16 × 18 3/4" (32.5 × 47.7 cm) Collection Berenice Arvani Lygia Clark, Brazilian, 1920–1988 Sem título, 1952 Untitled Gouache on paper 12 3/8 × 19 1/8" (31.5 × 48.5 cm) Collection Jayme Vargas Lygia Clark, Brazilian, 1920–1988 Sem título, 1952 Untitled Gouache on paper 9 5/16 × 12 7/8" (23.7 × 32.7 cm) Private collection, Rio de Janeiro Page 3 of 59 Lygia Clark, Brazilian, 1920–1988 Composição, 1953 Composition Oil on wood 19 3/4 × 12 5/8 × 3/8" (50.2 × 32 × 1 cm) Private collection, Rio de Janeiro Lygia Clark, Brazilian, 1920–1988 Composição no. 2, 1954 Composition n. 2 Oil on canvas 45 11/16 x 28 3/4" (116 x 73 cm) Private collection , São Paulo Lygia Clark, Brazilian, 1920–1988 Composição 1, 1954 Composition 1 Oil on canvas 33 1/16 x 45 1/4" (84 x 115 cm) Private collection Lygia Clark, Brazilian, 1920–1988 Composição, c.1952 Composition Oil on canvas 39 3/8 × 39 3/8" (100 × 100 cm) Collection Eugenio Pacelli P. dos Santos Page 4 of 59 Lygia Clark, Brazilian, 1920–1988 Composição, c. 1952 Composition Oil on canvas 16 9/16 × 22 1/16" (42 × 56 cm) Collection Eugenio Pacelli P. dos Santos Lygia Clark, Brazilian, 1920–1988 Composição, c. 1952 Composition Oil on canvas 16 9/16 × 22 1/16" (42 × 56 cm) Collection Eugenio Pacelli P. dos Santos Lygia Clark, Brazilian, 1920–1988 Maquete de casa, 1955 Maquette for the house Oil, wood and plastic 2 1/16 x 19 3/4 x 10 5/16" (5.2 x 50.2 x 26.2 cm) Private collection Lygia Clark, Brazilian, 1920–1988 Sem titulo, 1952 Untitled Graphite on paper 6 3/4 x 25" (17.2 x 63.5 cm) Private collection Page 5 of 59 Lygia Clark, Brazilian, 1920–1988 Construa você mesmo o seu espaço de viver, 1960 Build your own living space Acrylic, wood 4 1/2 × 18 11/16 × 33" (11.5 × 47.5 × 83.8 cm) Courtesy Associação Cultural "O Mundo de Lygia Clark" Lygia Clark, Brazilian, 1920–1988 Maquete para interior, 1955 Maquette for interior Wood and industrial paint 19 11/16 x 12 x 7 1/16" (50 x 30.5 x 18 cm) Private collection Lygia Clark, Brazilian, 1920–1988 Maquete para interior, 1955 Maquette for the interior Industrial ink on wood 18 7/8 x 11 13/16 x 5 11/16" (48 x 30 x 14.5 cm) Private collection Lygia Clark, Brazilian, 1920–1988 Composição no. 5: série quebra da moldura, 1954 Composition no. 5: Breaking the frame series Oil and wood on canvas 41 15/16 x 35 13/16 x 13/16" (106.5 x 91 x 2 cm) Colección Patricia Phelps de Cisneros Page 6 of 59 Lygia Clark, Brazilian, 1920–1988 Quebra da moldura no. 4, 1954 Breaking the frame no. 4 Oil on canvas 41 15/16 × 35 13/16 × 13/16" (106.5 × 91 × 2 cm) Private collection Lygia Clark, Brazilian, 1920–1988 Composição no. 5: série quebra da moldura, 1954 Composition no. 5: Breaking the frame series Graphite on paper 6 11/16 x 5 1/2" (17 x 14 cm) Courtesy Associação Cultural "O Mundo de Lygia Clark" Lygia Clark, Brazilian, 1920–1988 Quebra da moldura (P x B), versão 01, 1954 Breaking the frame (P x B), version 01 Enamel on wood 43 5/16 x 34 5/8" (110 x 88 cm) Private collection, Rio de Janeiro Lygia Clark, Brazilian, 1920–1988 Quebra da moldura, 1954 Breaking the frame Oil and wood on canvas 32 11/16 × 29 1/2" (83 × 75 cm) Collection Luiz Paulo Montenegro Page 7 of 59 Lygia Clark, Brazilian, 1920–1988 Série: quebra da moldura, 1954 Series: Breaking the frame Gouache on cardboard 8 1/8 x 9" (20.7 x 22.8 cm) Private Collection. Courtesy of Alison Jacques Gallery, London Lygia Clark, Brazilian, 1920–1988 Série: quebra da moldura, 1954 Series: Breaking the frame Cut and pasted paper on paper 8 9/16 x 6 5/8" (21.8 x 16.8 cm) Private collection. Courtesy of Alison Jacques Gallery, London Lygia Clark, Brazilian, 1920–1988 Série: quebra da moldura, 1956 Series: Breaking the frame Gouache and pencil on paper 8 11/16 x 6 1/2" (22 x 16.5 cm) Courtesy Associação Cultural "O Mundo de Lygia Clark" Lygia Clark, Brazilian, 1920–1988 Série: quebra da moldura, versão 01, 1954 Series: Breaking the frame, version 01 Oil and wood on canvas 36 5/8 x 33 1/16" (93 x 84 cm) Private collection Page 8 of 59 Lygia Clark, Brazilian, 1920–1988 Descoberta da linha orgânica, 1954 Discovery of the organic line Oil on canvas 36 11/16 x 36 11/16" (93.2 x 93.2 cm) Collection Hecilda and Sérgio Fadel, Rio de Janeiro Lygia Clark, Brazilian, 1920–1988 Descoberta da linha orgânica, 1954 Discovery of the organic line Oil on canvas 23 7/16 x 31 1/2" (59.5 x 80 cm) Private collection Lygia Clark, Brazilian, 1920–1988 Superfície modulada, 1955 Modulated surface Industrial paint on wood 25 5/8 x 35 7/16" (65.1 x 90 cm) Collection Hecilda and Sérgio Fadel, Rio de Janeiro Lygia Clark, Brazilian, 1920–1988 Grega no. 4, versão 01, 1955 Greek no. 4, version 01 Automotive paint on wood Composition: 15 13/16 × 71 1/4 × 1 3/8" (40.2 × 181 × 3.5 cm) Collection Alessandro Horta Page 9 of 59 Lygia Clark, Brazilian, 1920–1988 Superfície modulada, 1957 Modulated surface Colored paper on paper Plate: 11 3/4 × 3 15/16" (29.8 × 10 cm) Private collection Lygia Clark, Brazilian, 1920–1988 Superfície modulada no. 4, 1955 Modulated surface no. 4 Industrial paint on wood 25 9/16 x 39 3/8" (65 x 100 cm) Collection Hecilda and Sérgio Fadel, Rio de Janeiro Lygia Clark, Brazilian, 1920–1988 Superfície modulada, c. 1955 Modulated surface Industrial paint on wood 44 7/8 x 30 5/16" (114 x 77 cm) Collection Hecilda and Sérgio Fadel, Rio de Janeiro Lygia Clark, Brazilian, 1920–1988 Superfície modulada no. 6, versão 01, 1956 Modulated surface n. 6, version 01 Industrial paint and Eucatex on wood Composition: 17 5/16 × 42 15/16" (44 × 109 cm) Collection Rose and Alfredo Setubal Page 10 of 59 Lygia Clark, Brazilian, 1920–1988 Superfície modulada, 1955 Modulated surface Industrial paint on wood 24 7/16 × 33 7/8" (62 × 86 cm) Collection Ana Eliza and Paulo Setubal Lygia Clark, Brazilian, 1920–1988 Superfície modulada no. 20, 1956 Modulated surface no. 20 Industrial paint on wood 23 5/8 x 47 5/8" (60 x 121 cm) Private collection Lygia Clark, Brazilian, 1920–1988 Superfície modulada no. 9, 1957 Modulated surface no. 9 Industrial paint on wood 13 × 36 5/8" (33 × 93 cm) Collection Andrea and José Olympio Lygia Clark, Brazilian, 1920–1988 Superfície modulada no. 3, 1957 Modulated surface no. 3 Industrial paint on wood 18 3/4 x 47 1/4" (47.6 x 120 cm) Collection of Diane and Bruce Halle Page 11 of 59 Lygia Clark, Brazilian, 1920–1988 Superfície modulada, versão 01, 1957 Modulated surface, version 01 Industrial paint on wood 19 1/2 × 37 3/16 × 3 1/8" (49.5 × 94.5 × 8 cm) Collection Marcos Ribeiro Simon Lygia Clark, Brazilian, 1920–1988 Superfície modulada, versão 01, 1958/1984 Modulated surface, version 01 Industrial paint on wood 25 3/8 x 16 11/16" (64.4 x 42.4 cm) Collection Eduardo Duvivier Neto Lygia Clark, Brazilian, 1920–1988 Superfície modulada, versão 01, 1958/1984 Modulated surface, version 01 Industrial paint on wood Composition: 12 1/16 × 23 11/16" (30.6 × 60.2 cm) Collection Eduardo Duvivier Neto Lygia Clark, Brazilian, 1920–1988 Superfície modulada no. 2, 1958 Modulated surface no. 2 Industrial paint on wood 16 1/8 × 32 5/16" (41 × 82 cm) Collection Eugenio Pacelli P. dos Santos Page 12 of 59 Lygia Clark, Brazilian, 1920–1988 Planos em superficie modulada, 1956 Planes on modulated surface Industrial paint on plywood 25 9/16 x 35 7/16 x 13/16" (65 x 90 x 2 cm) Colección Patricia Phelps de Cisneros Lygia Clark, Brazilian, 1920–1988 Planes in Modulated Surface 4, 1957 Formica and industrial paint on wood 39 1/4 x 39 1/4" (99.7 x 99.7 cm) The Museum of Modern Art, New York. Gift of Patricia Phelps de Cisneros through the Latin American and Caribbean Fund in honor of Kathy Fuld Lygia Clark, Brazilian, 1920–1988 Planos em superfície modulada, 1957 Planes in modulated surface Industrial paint on wood 29 1/2 x 29 1/2 x 1 3/4" (75 x 75 x 4.5 cm) Private collection Lygia Clark, Brazilian, 1920–1988 Planos em superfície modulada no. 3, 1957 Planes on modulated surface n. 3 Industrial paint on wood 29 13/16 × 29 13/16" (75.8 × 75.8 cm) Collection Hecilda and Sérgio Fadel, Rio de Janeiro Page 13 of 59 Lygia Clark, Brazilian, 1920–1988 Planos em superfície modulada no. 2, versão 01, c. 1957 Planes on modulated surface no. 2, version 01 Industrial paint on wood 31 1/2 x 26 3/4" (80 x 68 cm) Collection Luiz Paulo Montenegro Lygia Clark, Brazilian, 1920–1988 Planos em superfície modulada no. 5, versão 01, 1957 Planes on modulated surface no. 5, version 01 Industrial paint on wood 27 9/16 x 31 1/8 x 3/8" (70 x 79 x 0.9 cm) The Museum of Fine Arts, Houston, The Adolpho Leirner Collection of Brazilian Constructive Art, museum purchase funded by Caroline Wiess Law Accessions Endowment Fund Lygia Clark, Brazilian, 1920–1988 Planos em superfície modulada no. 1, versão 01, 1957 Planes on modulated surface n. 1, version 01 Industrial paint on wood 34 1/4 × 23 9/16 × 3/8" (87 × 59.8 × 1 cm) The Museum of Fine Arts, Houston, The Adolpho Leirner Collection of Brazilian Constructive Art, museum purchase funded by Caroline Wiess Law Accessions Endowment Fund Lygia Clark, Brazilian, 1920–1988 Planos em superfície modulada - série B, no. 1, versão 02, 1958 Planes in modulated surface - series B, no. 1, version 02 Industrial paint on wood 30 11/16 × 30 11/16 × 3/16" (78 × 78 × 0.4 cm) Private collection Page 14 of 59 Lygia Clark, Brazilian, 1920–1988 Planos em superfície modulada - série B no. 3, versão 01, 1958 Planes in modulated surface - series B no. 3, version 01 Industrial paint on wood 33 1/16 x 33 1/16" (84 x 84 cm) Private collection Lygia Clark, Brazilian, 1920–1988 Planos em superfície modulada, versão 01, 1958 Planes on modulated surface, version 01 Synthetic polymer paint on wood 39 3/8 x 59 1/16 x 2 3/4" (100 x 150 x 7 cm) Private collection, Rio de Janeiro Lygia Clark, Brazilian, 1920–1988 Planos em superfície modulada série B, no. 7, versão 01, 1958 Planes on modulated surface series B, n. 7, version 01 Industrial paint on wood 39 3/8 x 39 3/8" (100 x 100 cm) Collection Rose and Alfredo Setubal Lygia Clark, Brazilian, 1920–1988 Study for Planos em superfície modulada, 1957 Study for Planes on modulated surface Cut and pasted paper on colored paper 15 11/16 x 15 11/16" (39.8 x 39.8 cm) Kravis Collection Page 15 of 59 Lygia Clark, Brazilian, 1920–1988 Study for Planes in Modulated Surface, 1957 Study for Planos em Superficie Modula Cut and pasted paper on paper 15 5/8 x 15 5/8" (39.7 x 39.7 cm) The Museum of Modern Art, New York. Latin American and Caribbean Fund through gift of Kathy and Richard S. Fuld, Jr. Lygia Clark, Brazilian, 1920–1988 Study for Planes in Modulated Surface, 1957 Study for Planes in Modulated Surface Cut and pasted paper on paper 15 7/8 x 15 3/4" (40.3 x 40 cm) The Museum of Modern Art, New York. Latin American and Caribbean Fund through gift of Kathy and Richard S. Fuld, Jr. Lygia Clark, Brazilian, 1920–1988 Study for Planes in Modulated Surface, 1957 Study for Planes in Modulated Surface Cut and pasted paper on colored paper 15 3/4 x 15 3/4" (40 x 40 cm) The Museum of Modern Art, New York. Latin American and Caribbean Fund through gift of Kathy and Richard S. Fuld, Jr. Lygia Clark, Brazilian, 1920–1988 Study for Planos em superfície modulada, 1957 Study for Planes on modulated surface Cut and pasted paper on colored paper 7 7/8 x 7 7/8" (20 x 20 cm) Private collection Page 16 of 59 Lygia Clark, Brazilian, 1920–1988 Study for Planos em superfície modulada, 1957 Study for Planes on modulated surface Cut and pasted paper on colored paper 11 13/16 x 11 13/16" (30 x 30 cm) Private collection Lygia Clark, Brazilian, 1920–1988 Study for Planos em superfície modulada, 1957 Study for Planes on modulated surface Cut and pasted paper on colored paper, 14 15/16 x 14 15/16" (38 x 38 cm) Private collection Lygia Clark, Brazilian, 1920–1988 Study for Planos em superfície modulada, 1957 Study for Planes on modulated surface Cut and pasted paper and colored paper on paper 7 7/8 x 15 3/4" (20 x 40 cm) Private collection Lygia Clark, Brazilian, 1920–1988 Study for Planos em superfície modulada, 1957 Study for Planes on modulated surface Cut and pasted paper on colored paper 8 1/2 x 8 3/16" (21.6 x 20.8 cm) Private collection Page 17 of 59 Lygia Clark, Brazilian, 1920–1988 Study for Planos em superfície modulada, 1957 Study for Planes on modulated surface Cut and pasted paper on colored paper 8 1/4 x 8 1/4" (21 x 21 cm) Private collection Lygia Clark, Brazilian, 1920–1988 Study for Planos em superfície modulada, 1957 Study for Planes on modulated surface Cut and pasted paper on colored paper Sheet: 8 5/8 × 8 1/8" (21.9 × 20.6 cm) Private collection Lygia Clark, Brazilian, 1920–1988 Study for Planos em superfície modulada, 1957 Study for Planes on modulated surface Cut and pasted paper on colored paper 8 1/16 x 8 1/2" (20.5 x 21.6 cm) Private collection Lygia Clark, Brazilian, 1920–1988 Study for Planos em superfície modulada, 1957 Study for Planes on modulated surface Cut and pasted paper on colored paper 7 15/16 x 7 7/8" (20.2 x 20 cm) Private collection Page 18 of 59 Lygia Clark, Brazilian, 1920–1988 Study for Planos em superfície modulada, 1957 Study for Planes on modulated surface Cut and pasted paper on colored paper 7 15/16 x 7 7/8" (20.1 x 20 cm) Private collection Lygia Clark, Brazilian, 1920–1988 Study for Planos em superfície modulada, 1957 Study for Planes on modulated surface Cut and pasted paper on colored paper 7 7/8 x 7 7/8" (20 x 20 cm) Private collection Lygia Clark, Brazilian, 1920–1988 Study for Planos em superfície modulada, 1957 Study for Planes on modulated surface Cut and pasted paper on colored paper 7 7/8 x 7 7/8" (20 x 20 cm) Private collection Lygia Clark, Brazilian, 1920–1988 Study for Planos em superfície modulada, 1957 Study for Planes on modulated surface Cut and pasted paper on colored paper 8 1/16 x 11 15/16" (20.4 x 30.3 cm) Private collection Page 19 of 59 Lygia Clark, Brazilian, 1920–1988 Study for Planos em superfície modulada, 1957 Study for Planes on modulated surface Cut and pasted paper on colored paper 15 3/8 x 15 3/4" (39 x 40 cm) Kravis Collection Lygia Clark, Brazilian, 1920–1988 Study for Planos em superfície modulada, 1957 Study for Planes on modulated surface Cut and pasted paper on colored paper 15 3/4 x 15 3/4" (40 x 40 cm) Kravis Collection Lygia Clark, Brazilian, 1920–1988 Study for Planos em superfície modulada, 1957 Study for Planes on modulated surface Cut and pasted paper and colored paper on colored paper 9 5/16 x 13 3/4" (23.6 x 34.9 cm) Private collection Lygia Clark, Brazilian, 1920–1988 Study for Planos em superfície modulada, 1957 Study for Planes on modulated surface Cut and pasted paper on colored paper 9 1/4 x 13 1/16" (23.5 x 33.1 cm) Private collection Page 20 of 59 Lygia Clark, Brazilian, 1920–1988 Study for Planos em superfície modulada, 1957 Study for Planes on modulated surface Cut and pasted paper on colored paper 7 13/16 x 12 1/16" (19.9 x 30.7 cm) Private collection Lygia Clark, Brazilian, 1920–1988 Study for Planos em superfície modulada, 1957 Study for Planes on modulated surface Cut and pasted paper on colored paper 7 7/8 x 11 7/8" (20 x 30.2 cm) Private collection Lygia Clark, Brazilian, 1920–1988 Study for Planos em superfície modulada, 1957 Study for Planes on modulated surface Collage on cardboard 7 15/16 x 11 15/16" (20.1 x 30.3 cm) Private collection Lygia Clark, Brazilian, 1920–1988 Study for Planos em superfície modulada, 1957 Study for Planes on modulated surface Collage on cardboard 9 11/16 x 10 7/8" (24.6 x 27.6 cm) Private collection Page 21 of 59 Lygia Clark, Brazilian, 1920–1988 Study for Planos em superfície modulada, 1957 Study for Planes on modulated surface Collage on cardboard 10 1/16 x 11" (25.6 x 28 cm) Private collection Lygia Clark, Brazilian, 1920–1988 Study for Planos em superfície modulada, 1958 Study for Planes on modulated surface Cut and pasted paper on colored paper 8 7/16 x 8 1/16" (21.5 x 20.5 cm) Collection Paloma and Fersen Lambranho Lygia Clark, Brazilian, 1920–1988 Study for Planos em superfície modulada, 1958 Study for Planes on modulated surface Cut and pasted paper on colored paper 15 3/4 x 23 5/8" (40 x 60 cm) Private collection Lygia Clark, Brazilian, 1920–1988 Study for Planos em superfície modulada, 1958 Study for Planes on modulated surface Cut and pasted paper on colored paper 7 13/16 x 7 13/16" (19.9 x 19.9 cm) Private collection Page 22 of 59 Lygia Clark, Brazilian, 1920–1988 Study for Planos em superfície modulada, 1957 Study for Planes on modulated surface Cut and pasted paper on colored paper, 9 1/16 x 10 1/16" (23 x 25.5 cm) Private collection Lygia Clark, Brazilian, 1920–1988 Unidade, 1958 Unit Industrial paint on wood 11 13/16 × 11 13/16 × 1 15/16" (30 × 30 × 5 cm) Collection Marcos Ribeiro Simon Lygia Clark, Brazilian, 1920–1988 Unidade no. 4, versão 01, 1959 Unit no. 4, version 1 Industrial paint on wood 11 13/16 x 11 13/16 x 1 3/16" (30 x 30 x 3 cm) Private Collection Lygia Clark, Brazilian, 1920–1988 Unidade no. 1, versão 01, 1959 Unit no. 1, version 1 Industrial paint on wood 11 13/16 x 11 13/16 x 1" (30 x 30 x 2.5 cm) Private Collection Page 23 of 59 Lygia Clark, Brazilian, 1920–1988 Unidade, versão 01, 1959 Unit, version 1 Synthetic polymer paint on wood 11 13/16 x 11 13/16" (30 x 30 cm) Rio de Janeiro private collection Lygia Clark, Brazilian, 1920–1988 Unidade no. 4, 1958 Unit no. 4 Industrial paint on wood 11 13/16 x 11 13/16 x 1" (30 x 30 x 2.5 cm) Collection Fernanda Feitosa and Heitor Martins Lygia Clark, Brazilian, 1920–1988 Unidade no. 6, 1958 Unit no. 6 Industrial paint on wood 11 13/16 x 11 13/16 x 3/16" (30 x 30 x 0.4 cm) Collection Rose and Alfredo Egydio Setubal Lygia Clark, Brazilian, 1920–1988 Study for Unidade, 1958 Study for Unit Cut and pasted colored paper on colored paper 3 15/16 x 3 15/16" (10 x 10 cm) Private collection Page 24 of 59 Lygia Clark, Brazilian, 1920–1988 Unidade, 1958 Unit Industrial paint on wood 11 15/16 x 11 15/16" (30.3 x 30.3 cm) Collection Ricardo Rego Lygia Clark, Brazilian, 1920–1988 Study for Unidade, 1958 Study for Unit Cut and pasted colored paper on colored paper 3 15/16 x 3 13/16" (10 x 9.7 cm) Private collection Lygia Clark, Brazilian, 1920–1988 Study for Espaço modulado, 1958 Study for Modulated space Cut and pasted colored paper on paper 3 15/16 x 11 13/16" (10 x 30 cm) Private collection Lygia Clark, Brazilian, 1920–1988 Espaço modulado no. 10, 1958 Modulated space n. 10 Industrial paint on wood 11 3/4 x 35 7/16 x 1 3/16" (29.8 x 90 x 3 cm) Private collection Page 25 of 59 Lygia Clark, Brazilian, 1920–1988 Study for Espaço modulado, 1958 Study for Modulated space Cut and pasted paper on colored paper 3 15/16 x 11 13/16" (10 x 30 cm) Private collection Lygia Clark, Brazilian, 1920–1988 Study for Espaço modulado, 1958 Study for Modulated space Cut and pasted colored paper on colored paper 7 13/16 x 7 7/8" (19.8 x 20 cm) Private collection Lygia Clark, Brazilian, 1920–1988 Study for Espaço modulado, 1958 Study for Modulated space Cut and pasted colored paper on paper 7 7/8 x 7 7/8" (20 x 20 cm) Courtesy Olivier Renaud-Clement, ORC INC. and Barbara Gladstone Gallery, New York Lygia Clark, Brazilian, 1920–1988 Study for Espaço modulado, 1958 Study for Modulated space Cut and pasted paper on colored paper 11 3/4 x 3 7/8" (29.8 x 9.9 cm) Private collection Page 26 of 59 Lygia Clark, Brazilian, 1920–1988 Study for Espaço modulado, 1958 Study for Modulated space Cut and pasted paper on colored paper 11 13/16 x 3 15/16" (30 x 10 cm) Private collection Lygia Clark, Brazilian, 1920–1988 Study for Espaço modulado, 1958 Study for Modulated space Cut and pasted colored paper on paper 7 7/8 x 12 1/16" (20 x 30.7 cm) Private collection Lygia Clark, Brazilian, 1920–1988 Study for Espaço modulado, 1958 Study for Modulated space Cut and pasted colored paper on paper 5 7/8 x 9 3/4" (14.9 x 24.8 cm) Private collection Lygia Clark, Brazilian, 1920–1988 Study for Espaço modulado, 1958 Study for Modulated space Cut and pasted colored paper on paper 12 x 10 3/16" (30.5 x 25.8 cm) Private collection Page 27 of 59 Lygia Clark, Brazilian, 1920–1988 Study for Espaço modulado, 1958 Study for Modulated space Cut and pasted colored paper on paper 9 3/4 x 3 7/8" (24.7 x 9.9 cm) Private collection Lygia Clark, Brazilian, 1920–1988 Study for Espaço modulado, 1958 Study for Modulated space Cut and pasted colored paper on paper 3 7/8 x 11 5/8" (9.8 x 29.5 cm) Private collection Lygia Clark, Brazilian, 1920–1988 Study for Espaço modulado, 1958 Study for Modulated space Cut and pasted colored paper on paper 3 15/16 x 11 3/4" (10 x 29.9 cm) Private collection Lygia Clark, Brazilian, 1920–1988 Study for Espaço modulado, 1958 Study for Modulated space Cut and pasted colored paper on paper 3 15/16 x 11 11/16" (10 x 29.7 cm) Private collection Page 28 of 59 Lygia Clark, Brazilian, 1920–1988 Study for Espaço modulado, 1958 Study for Modulated space Cut and pasted colored paper on paper on balsa wood 7 7/8 x 7 7/8" (20 x 20 cm) Private collection Lygia Clark, Brazilian, 1920–1988 Study for Espaço modulado no. 1, (1958) Study for Modulated space no. 1 Cut and pasted colored paper on paper 11 5/8 x 3 7/8" (29.5 x 9.8 cm) The Museum of Modern Art, New York. Acquired through the generosity of the Edward John Noble Foundation and Committee on Drawings Funds Lygia Clark, Brazilian, 1920–1988 Study for Espaço modulado no. 2, (1958) Study for Modulated space no. 2 Cut and pasted colored cardstock on cardstock 11 3/4 x 3 7/8" (29.9 x 9.9 cm) The Museum of Modern Art, New York. Acquired through the generosity of the Edward John Noble Foundation and Committee on Drawings Funds Lygia Clark, Brazilian, 1920–1988 Study for Superfície modulada no. 2, (1957) Study for Modulated surface no. 2 Cut and pasted colored paper on colored paper 11 3/4 x 3 7/8" (29.9 x 9.9 cm) The Museum of Modern Art, New York. Acquired through the generosity of the Edward John Noble Foundation and Committee on Drawings Funds Page 29 of 59 Lygia Clark, Brazilian, 1920–1988 Study for Superfície modulada no. 3, (1957) Study for Modulated surface no. 3 Cut-and-pasted colored paper on colored paper 11 3/4 x 3 7/8" (29.9 x 9.9 cm) The Museum of Modern Art, New York. Acquired through the generosity of the Edward John Noble Foundation and Committee on Drawings Funds Lygia Clark, Brazilian, 1920–1988 Study for Superfície modulada no. 4, (1957) Study for Modulated surface no. 4 Cut and pasted colored paper on colored paper 11 3/4 x 3 7/8" (29.9 x 9.9 cm) The Museum of Modern Art, New York. Acquired through the generosity of the Edward John Noble Foundation and Committee on Drawings Funds Lygia Clark, Brazilian, 1920–1988 Study for Superfície modulada no.5, (1957) Study for Modulated surface no.5 Cut and pasted colored paper on colored paper 11 3/4 x 3 7/8" (29.9 x 9.9 cm) The Museum of Modern Art, New York. Acquired through the generosity of the Edward John Noble Foundation and Committee on Drawings Funds Lygia Clark, Brazilian, 1920–1988 Study for Espaço modulado, 1958 Study for Modulated space Cut and pasted colored paper on paper 7 7/8 x 7 7/8" (20 x 20 cm) Private collection Page 30 of 59 Lygia Clark, Brazilian, 1920–1988 Espaço modulado no.6, versão 04, 1958–1982 Modulated space n. 6, version 4 Automotive paint on wood 35 7/16 x 11 13/16 x 2 3/16" (90 x 30 x 5.5 cm) Private Collection Lygia Clark, Brazilian, 1920–1988 Espaço modulado, 1958 Modulated space Industrial paint on wood 33 7/8 x 10 5/8" (86 x 27 cm) Collection Andrea and José Olympio Lygia Clark, Brazilian, 1920–1988 Espaço modulado no. 3B, 1959 Modulated space n. 3B Industrial paint on wood 35 7/16 x 11 13/16" (90 x 30 cm) Coleção Museu de Arte Moderna de São Paulo, fundo para aquisição de obras para o acervo MAM-SP - Companhia Nipo-Brasileira de Pelotização. Lygia Clark, Brazilian, 1920–1988 Espaço modulado no. 6, 1959 Modulated space n. 6 Industrial paint on wood 35 7/16 x 11 13/16 x 1 3/16" (90 x 30 x 3 cm) Collection Luiz Paulo Montenegro Page 31 of 59 Lygia Clark, Brazilian, 1920–1988 Espaço modulado no. 2 C, versão 01, 1958 Modulated space n. 2, version 01 Industrial paint on wood 11 3/4 x 3 7/8 x 1/4" (29.9 x 9.9 x 0.6 cm) The Museum of Fine Arts, Houston, The Adolpho Leirner Collection of Brazilian Constructive Art, museum purchase funded by Caroline Wiess Law Accessions Endowment Fund Lygia Clark, Brazilian, 1920–1988 Espaço modulado, versão 01, 1959–1984 Modulated space, version 01 Synthetic polymer paint on wood Composition: 12 1/16 × 12" (30.7 × 30.5 cm) Collection Marcia and Luiz Chrysostomo, Rio de Janeiro Lygia Clark, Brazilian, 1920–1988 Espaço modulado no. 2, versão 01, 1959/1984 Modulated space n. 2, version 1 Industrial paint on wood 11 15/16 x 11 15/16" (30.4 x 30.3 cm) Collection Eduardo Duvivier Neto Lygia Clark, Brazilian, 1920–1988 Ovo, versão 01, 1959 Egg, version 01 Industrial paint on wood 11 13/16" (30 cm) The Museum of Fine Arts, Houston, The Adolpho Leirner Collection of Brazilian Constructive Art, museum purchase funded by Caroline Wiess Law Accessions Endowment Fund Page 32 of 59 Lygia Clark, Brazilian, 1920–1988 Study for Ovo linear, 1958 Study for Linear egg Cut and pasted colored paper on paper and graphite 5 1/8 x 5 1/8" (13 x 13 cm) Courtesy Associação Cultural "O Mundo de Lygia Clark" Lygia Clark, Brazilian, 1920–1988 Contra relevo, 1959 Counter relief Industrial paint on wood 55 1/8 x 55 1/8 x 1" (140 x 140 x 2.5 cm) Private collection, Rio de Janeiro Lygia Clark, Brazilian, 1920–1988 Casulo, 1958 Cocoon Automotive paint on metal 16 3/4 x 20 11/16 x 2 3/16" (42.5 x 52.5 x 5.5 cm) Collection Andrea and José Olympio Lygia Clark, Brazilian, 1920–1988 Casulo, versão 01, c. 1959 Cocoon, version 01 Industrial ink over metal 16 3/4 x 16 3/4 x 11 5/8" (42.5 x 42.5 x 29.5 cm) Private collection, Rio de Janeiro Page 33 of 59 Lygia Clark, Brazilian, 1920–1988 Casulo, 1965 Cocoon Copper 16 3/4 × 16 3/4 × 2 9/16" (42.5 × 42.5 × 6.5 cm) Collection Eugenio Pacelli P. dos Santos Lygia Clark, Brazilian, 1920–1988 Casulo no. 2, 1959 Cocoon no. 2 Painted galvanized metal 11 13/16 × 11 13/16 × 4 3/4" (30 × 30 × 12 cm) Collection Duker, Pasadena Lygia Clark, Brazilian, 1920–1988 Poetic Shelter, 1960 Painted metal 5 1/2 x 24 x 20 1/8" (14 x 63 x 51 cm) The Museum of Modern Art, New York. Gift of Patricia Phelps de Cisneros in honor of Milan Hughston Lygia Clark, Brazilian, 1920–1988 Abrigo poético, 1964 Poetic shelter Tin and paint 21 5/8 x 19 11/16 x 3 15/16" (55 x 50 x 10 cm) Collection Andrea and José Olympio Page 34 of 59 Lygia Clark, Brazilian, 1920–1988 Study for Bicho, 1960 Study for Critter Balsa wood, industrial paper, adhesive tape, and graphite Variable dimensions Private collection. Courtesy Alison Jacques Gallery, London Lygia Clark, Brazilian, 1920–1988 Study for Bicho, 1960 Study for Critter Balsa wood, adhesive tape, and pencil Variable dimensions Private collection Lygia Clark, Brazilian, 1920–1988 Study for Bicho, 1960 Study for Critter Balsa wood, adhesive tape, and felt-tip pen Variable dimensions Private collection Lygia Clark, Brazilian, 1920–1988 Study for Bicho, 1960 Critter Balsa wood, adhesive tape. and pencil Variable dimensions Private collection Page 35 of 59 Lygia Clark, Brazilian, 1920–1988 Study for Bicho, 1960 study for Critter Balsa wood, adhesive tape, and pencil Variable dimensions Private collection Lygia Clark, Brazilian, 1920–1988 Study for Bicho, 1960 Study for Critter Graphite, adhesive tape, cardboard Variable dimensions Private collection Lygia Clark, Brazilian, 1920–1988 Study for Bicho, 1960 Study for Critter Graphite, adhesive tape, balsa wood Variable dimensions Private collection Lygia Clark, Brazilian, 1920–1988 Study for Bicho, 1960 Study for Critter Graphite, adhesive tape, balsa wood Variable dimensions Private collection Page 36 of 59 Lygia Clark, Brazilian, 1920–1988 Study for Bicho, 1960 Study for Critter Graphite, adhesive tape, balsa wood Variable dimensions Private collection Lygia Clark, Brazilian, 1920–1988 Study for Metamorfose, 1960 Study for Metamorphosis Graphite, adhesive tape, balsa wood Variable dimensions Private collection Lygia Clark, Brazilian, 1920–1988 Study for Bicho, 1960 Study for Critter Adhesive tape, felt-tip pen, balsa wood Variable dimensions Private collection Lygia Clark, Brazilian, 1920–1988 Study for Trepante, 1964 Study for Climber Pencil on transparent paper on paper Variable dimensions Private collection Page 37 of 59 Lygia Clark, Brazilian, 1920–1988 Study for Trepante, 1964 Study for Climber Each: paper, adhesive tape, and pencil Variable dimensions Private collection Lygia Clark, Brazilian, 1920–1988 Study for Trepante, 1964 Study for Climber Paper, adhesive tape, and pencil Variable dimensions Private collection Lygia Clark, Brazilian, 1920–1988 Study for Trepante, 1964 Study for Climber Paper, adhesive tape, and pencil Variable dimensions Private collection Lygia Clark, Brazilian, 1920–1988 Caranguejo, versão 01, 1960 Crab, version 01 Aluminum Variable dimensions Collection Catherine and Franck Petitgas Page 38 of 59 Lygia Clark, Brazilian, 1920–1988 Caranguejo, 1960 Crab Aluminum Variable dimensions Private collection, London. Courtesy Alison Jacques Gallery Lygia Clark, Brazilian, 1920–1988 Linear, 1960 Linear Aluminum Variable dimensions Collection Ricardo Rego Lygia Clark, Brazilian, 1920–1988 Ponta, c. 1960 Point Aluminum Variable dimensions Collection Andrea and José Olympio Lygia Clark, Brazilian, 1920–1988 Invertebrado, versão 01, 1960 Invertebrate, version 01 Aluminum Variable dimensions Maria Graciela and Luis Alfonso Oberto. Courtesy Alison Jacques Gallery, London Page 39 of 59 Lygia Clark, Brazilian, 1920–1988 Monumento a todas as situações, 1960 Monument to all situations Aluminum Variable dimensions Private collection. Courtesy of Alison Jacques Gallery, London Lygia Clark, Brazilian, 1920–1988 Folha, c.1960 Leaf Aluminum Variable dimensions Andrea and José Olympio Collection Lygia Clark, Brazilian, 1920–1988 Flor, versão 01, 1960 Flower, version 01 Aluminum Variable dimensions Private collection, Rio de Janeiro Lygia Clark, Brazilian, 1920–1988 Sundial, 1960 Aluminum with gold patina Dimensions variable, approximately 20 7/8 x 23 x 18 1/8" (52.8 x 58.4 x 45.8 cm) The Museum of Modern Art, New York. Gift of Patricia Phelps de Cisneros in honor of Rafael Romero Page 40 of 59 Lygia Clark, Brazilian, 1920–1988 Objeto vindo de um mundo de fora, versão 01, 1961 Object coming from a world outside, version 1 Aluminum Variable dimensions Private collection Lygia Clark, Brazilian, 1920–1988 Em Si, versão 03, 1960 In itself, version 03 Aluminum Variable dimensions Vanda Klabin Lygia Clark, Brazilian, 1920–1988 Máquina, versão 01, 1962 Machine, version 01 Anodized aluminum Variable dimensions The Museum of Fine Arts, Houston, The Adolpho Leirner Collection of Brazilian Constructive Art, museum purchase funded by Caroline Wiess Law Accessions Endowment Fund Lygia Clark, Brazilian, 1920–1988 Projeto para um planeta, 1963 Project for a planet Aluminum Variable dimensions Collection Magalhães Lins Page 41 of 59 Lygia Clark, Brazilian, 1920–1988 O antes é o depois, versão 02, 1963 The before is the after, version 02 Stainless steel Variable dimensions Collection Rose and Alfredo Setubal Lygia Clark, Brazilian, 1920–1988 The Inside Is the Outside, 1963 Stainless steel 16 x 17 1/2 x 14 3/4" (40.6 x 44.5 x 37.5 cm) The Museum of Modern Art, New York. Gift of Patricia Phelps de Cisneros through the Latin American and Caribbean Fund in honor of Adriana Cisneros de Griffin Lygia Clark, Brazilian, 1920–1988 O dentro é o fora, versão 01, 1963 The inside is the outside Stainless steel Variable dimensions Collection of Clarissa and Edgar Bronfman Jr. Lygia Clark, Brazilian, 1920–1988 O dentro é o fora, 1963 The inside is the outside Stainless steel Variable dimensions Collection Eugenio Pacelli P. dos Santos Page 42 of 59 Lygia Clark, Brazilian, 1920–1988 Pancubismo, versão 01, 1961/1983 Pancubism, version 01 Aluminum Variable dimensions Collection Eduardo Duvivier Neto Lygia Clark, Brazilian, 1920–1988 Bicho de bolso, versão 01, 1966 Pocket critter, version 01 Aluminum Variable dimensions Private collection, Rio de Janeiro Lygia Clark, Brazilian, 1920–1988 Bicho, 1960 Critter Aluminum Variable dimensions Collection Hecilda and Sérgio Fadel, Rio de Janeiro Lygia Clark, Brazilian, 1920–1988 Bicho, 1960 Critter Aluminum Variable dimensions Collection Eugenio Pacelli P. dos Santos Page 43 of 59 Lygia Clark, Brazilian, 1920–1988 Bicho, 1960 Critter Aluminum Variable dimensions Private collection Lygia Clark, Brazilian, 1920–1988 Carruagem fantástica, 1960 Fantastic carriage Aluminum Variable dimensions Collection Patricia and Washington Olivetto Lygia Clark, Brazilian, 1920–1988 Arquitetura Fantástica, 1963 Fantastic architecture Aluminum 9 7/16 × 13 3/4 × 9 7/16" (24 × 35 × 24 cm) Luiz Paulo Montenegro Collection Lygia Clark, Brazilian, 1920–1988 Bicho, 1960/1984 Critter Stainless steel Variable dimensions Private collection. Courtesy of Alison Jacques Gallery, London Page 44 of 59 Lygia Clark, Brazilian, 1920–1988 Bicho, 1963 Critter Aluminum Variable dimensions Collection Rose and Alfredo Setubal Lygia Clark, Brazilian, 1920–1988 Bicho, versão 01, 1960 Critter, version 01 Aluminum Variable dimensions Collection Marta and Paulo Kuczynski Lygia Clark, Brazilian, 1920–1988 Bicho, c. 1960 Critter Aluminum Variable dimensions Private collection, Rio de Janeiro Lygia Clark, Brazilian, 1920–1988 Bicho, 1960 Critter Aluminum Variable dimensions Private collection Page 45 of 59 Lygia Clark, Brazilian, 1920–1988 Bicho, 1960 Critter Anodized aluminum Variable dimensions Private collection, Fortaleza, Brazil Lygia Clark, Brazilian, 1920–1988 Contrário 2, 1960 Contrary 2 Aluminum Variable dimensions Collection Eugenio Pacelli P. dos Santos Lygia Clark, Brazilian, 1920–1988 Contrário 2, 1961 Contrary 2 Aluminum Variable dimensions Collection Eugenio Pacelli P. dos Santos Lygia Clark, Brazilian, 1920–1988 Bicho, c. 1960-63 Critter Metal Variable dimensions Private collection Page 46 of 59 Lygia Clark, Brazilian, 1920–1988 Bicho, c. 1960 Critter Aluminum Variable dimensions Collection Andrea and José Olympio Lygia Clark, Brazilian, 1920–1988 Pancubismo, c. 1960 Pancubism Aluminum Variable dimensions Andrea and José Olympio Collection Lygia Clark, Brazilian, 1920–1988 Estruturas de caixas de fósforos, versão 01, 1964 Matchbox structures, version 01 Gouache, matchboxes, and glue Variable dimensions Collection Patricia and Washington Olivetto Lygia Clark, Brazilian, 1920–1988 Estruturas de caixas de fósforos, versão 01, 1964 Matchbox structures, version 01 Gouache, matchboxes, and glue Variable dimensions Collection Patricia and Washington Olivetto Page 47 of 59 Lygia Clark, Brazilian, 1920–1988 Estruturas de caixas de fósforos, versão 02, 1964 Matchbox structures, version 02 Gouache, matchboxes, and glue Variable dimensions Collection Patricia and Washington Olivetto Lygia Clark, Brazilian, 1920–1988 Estruturas de caixas de fósforos, versão 02, 1964 Matchbox structures, version 02 Gouache, matchboxes, and glue Variable dimensions Collection Patricia and Washington Olivetto Lygia Clark, Brazilian, 1920–1988 Estruturas de caixas de fósforos azul/verde, 1964 Matchbox structures blue/green Gouache, matchboxes, and glue Variable dimensions Collection of Diane and Bruce Halle Lygia Clark, Brazilian, 1920–1988 Estruturas de caixas de fósforos branco, 1964 Matchbox structures white Gouache, matchboxes, and glue Variable dimensions Private Collection. Courtesy of Alison Jacques Gallery, London Page 48 of 59 Lygia Clark, Brazilian, 1920–1988 Estruturas de caixas de fósforos vermelho, 1964 Matchbox structures red Gouache, matchboxes, and glue Variable dimensions Private Collection. Courtesy of Alison Jacques, London Lygia Clark, Brazilian, 1920–1988 Estruturas de caixas de fósforo, 1964 Matchbox structures Gouache, matchboxes, and glue Variable dimensions Private collection Lygia Clark, Brazilian, 1920–1988 Estruturas de caixas de fósforos preto/branco, 1964 Matchbox structures black/white Gouache, matchboxes, and glue Variable dimensions Private Collection. Courtesy of Alison Jacques Gallery, London Lygia Clark, Brazilian, 1920–1988 Estruturas de caixas de fósforos branca, 1964 Matchbox structures white Gouache, matchboxes, and glue Variable dimensions Private Collection. Courtesy Alison Jacques Gallery, London Page 49 of 59 Lygia Clark, Brazilian, 1920–1988 Trepante, versão 01, 1964 Climber, version 01 Copper and wood Variable dimensions Glenstone Lygia Clark, Brazilian, 1920–1988 Trepante, 1965 Wood and metal Variable dimensions Collection of Diane and Bruce Halle Lygia Clark, Brazilian, 1920–1988 Trepante no. 3, versão 01, 1965 Climber no. 3, version 01 Stainless steel and wood Variable dimensions The Museum of Fine Arts, Houston, The Adolpho Leirner Collection of Brazilian Constructive Art, museum purchase Lygia Clark, Brazilian, 1920–1988 Trepante, versão 01, 1965 Climber, version 01 Aluminum Variable dimensions Collection Jones Bergamin Page 50 of 59 Lygia Clark, Brazilian, 1920–1988 Caixa trepante, versão 01, 1965 Boxed climber, version 01 Copper and tin 10 x 10 x 1 7/8" (25.4 x 25.4 x 4.8 cm) Collection Jones Bergamin Lygia Clark, Brazilian, 1920–1988 Trepante na caixa, 1965 Boxed climber Copper 19 11/16 × 9 13/16 × 9 13/16" (50 × 25 × 25 cm) Collection Eugenio Pacelli P. dos Santos Lygia Clark, Brazilian, 1920–1988 Trepantes, c. 1965 Climbers Bronze Variable dimensions Collection Luiz Paulo Montenegro Lygia Clark, Brazilian, 1920–1988 Livro obra (letra N), 1964/1983 Book work (letter N) Paper, plastic, cardboard, and string 8 1/4 x 8 1/4 x 1 9/16" (21 x 21 x 4 cm) Collection Marta and Paulo Kuczynski Page 51 of 59 Lygia Clark, Brazilian, 1920–1988 Caminhando, 1963 Walking Paper, glue, scissors Variable dimensions Courtesy Associação Cultural "O Mundo de Lygia Clark" Lygia Clark, Brazilian, 1920–1988 Pedra e ar, 1966 Stone and air Stone and plastic bag Variable dimensions Courtesy Associação Cultural "O Mundo de Lygia Clark" Lygia Clark, Brazilian, 1920–1988 Livro sensorial, 1966 Sensorial book Water, sea shells, mirror, plastic, stone, metal, steel wool 7 7/8 x 2 3/4 x 7 7/8" (20 x 7 x 20 cm) Courtesy Associação Cultural "O Mundo de Lygia Clark" Lygia Clark, Brazilian, 1920–1988 Livro sensorial, 1966 Sensorial book Water, sea shells, mirror, plastic, stone, metal, steel wool 8 1/4 × 1 3/4 × 8 1/4" (21 × 4.5 × 21 cm) Private collection Page 52 of 59 Lygia Clark, Brazilian, 1920–1988 Respire comigo, 1966 Breathe with me Industrial rubber 3/16 x 15 3/4" (0.4 x 40 cm) Courtesy Associação Cultural "O Mundo de Lygia Clark" Lygia Clark, Brazilian, 1920–1988 Ping-pong, 1966 Ping-pong Ping-pong balls, plastic bag 10 1/2 x 13 3/4" (26.6 x 35 cm) Courtesy Associação Cultural "O Mundo de Lygia Clark" Lygia Clark, Brazilian, 1920–1988 Diálogo de mãos, 1966 Dialogue of hands Elastic 5/16 x 6 5/16" (0.8 x 16 cm) Courtesy Associação Cultural "O Mundo de Lygia Clark" Lygia Clark, Brazilian, 1920–1988 Máscara sensorial, 1967 Sensorial mask Fabric, seed, glass, gauze 19 11/16 x 1/16 x 25 9/16" (50 x 0.2 x 65 cm) Courtesy Associação Cultural "O Mundo de Lygia Clark" Page 53 of 59 Lygia Clark, Brazilian, 1920–1988 O eu e o tu, 1967 The I and the you Industrial rubber, foam, vinyl, acrylon, zipper, water, fabric 66 15/16 x 26 3/4 x 3 1/8" (170 x 68 x 8 cm) Courtesy Associação Cultural "O Mundo de Lygia Clark" Lygia Clark, Brazilian, 1920–1988 A casa é o corpo: penetração, ovulação, germinação, expulsão, 1968 The house is the body: penetration, ovulation, germination, expulsion Mixed media Variable dimensions Courtesy Associação Cultural "O Mundo de Lygia Clark" Lygia Clark, Brazilian, 1920–1988 Máscara abismo, 1968 Abyssal mask Nylon, plastic bag, stone 31 1/2 x 7 7/8 x 31 1/2" (80 x 20 x 80 cm) Courtesy Associação Cultural "O Mundo de Lygia Clark" Lygia Clark, Brazilian, 1920–1988 Luvas sensoriais, 1968 Sensorial gloves Ping-pong ball, leather, metal, vynil, tennis ball, rubber ball 4 15/16 x 9 5/8" (12.5 x 24.5 cm) Courtesy Associação Cultural "O Mundo de Lygia Clark" Page 54 of 59 Lygia Clark, Brazilian, 1920–1988 Máscara abismo com tapa-olhos, 1968 Abyssal mask with eye-patch Nylon, plastic, stone, fabric 43 5/16 x 23 5/8" (110 x 60 cm) Courtesy Associação Cultural "O Mundo de Lygia Clark" Lygia Clark, Brazilian, 1920–1988 Diálogo: óculos, 1968 Dialogue: goggles Industrial rubber, metal, glass 11 7/16 x 7 1/16 x 2 15/16" (29 x 18 x 7.5 cm) Courtesy Associação Cultural "O Mundo de Lygia Clark" Lygia Clark, Brazilian, 1920–1988 Óculos, 1968 Goggles Industrial rubber, metal, glass 11 7/16 x 7 1/16 x 2 15/16" (29 x 18 x 7.5 cm) Courtesy Associação Cultural "O Mundo de Lygia Clark" Lygia Clark, Brazilian, 1920–1988 Ovo mortalha, 1968 Egg shrowd Nylon, plastic 78 3/4 x 82 11/16" (200 x 210 cm) Courtesy Associação Cultural "O Mundo de Lygia Clark" Page 55 of 59 Lygia Clark, Brazilian, 1920–1988 Estruturas vivas, 1969 Live structures Rubber bands Variable dimensions Courtesy Associação Cultural "O Mundo de Lygia Clark" Lygia Clark, Brazilian, 1920–1988 Camisa de força, 1969 Straitjacket Elastic, Nylon, stone 59 1/16 x 31 1/2" (150 x 80 cm) Courtesy Associação Cultural "O Mundo de Lygia Clark" Lygia Clark, Brazilian, 1920–1988 Casal, 1969 Couple Stone, metal, plastic hanger, jute twine sac 61 x 19 5/16 x 14 15/16" (155 x 49 x 38 cm) Courtesy Associação Cultural "O Mundo de Lygia Clark" Lygia Clark, Brazilian, 1920–1988 Arquitetura biológica I, 1969 Biologic architecture I Nylon, plastic 55 1/8 x 78 3/4" (140 x 200 cm) Courtesy Associação Cultural "O Mundo de Lygia Clark" Page 56 of 59 Lygia Clark, Brazilian, 1920–1988 Arquitetura biológica, 1969 Biologic architecture Nylon, plastic Sheet: 203 × 157" (515.6 × 398.8 cm) Courtesy Associação Cultural "O Mundo de Lygia Clark" Lygia Clark, Brazilian, 1920–1988 Saco plástico com conchas e serragem, 1970 Plastic bag with sea shells and sawdust Water, sea shells, plastic, sawdust 19 11/16 x 11 13/16" (50 x 30 cm) Courtesy Associação Cultural "O Mundo de Lygia Clark" Lygia Clark, Brazilian, 1920–1988 Água e conchas, 1970 Water and seashells Sea shells and plastic bag Courtesy Associação Cultural "O Mundo de Lygia Clark" Lygia Clark, Brazilian, 1920–1988 Objeto de semente, 1970 Object of seeds Plastic, seeds 13 3/8 x 2 3/8 x 18 1/2" (34 x 6 x 47 cm) Courtesy Associação Cultural "O Mundo de Lygia Clark" Page 57 of 59 Lygia Clark, Brazilian, 1920–1988 Almofada leve-pesada, 1976-1988 Light-heavy pillow Nylon, sand, styrofoam, and rock 27 9/16 × 11 1/4" (70 × 28.5 cm) Psychoactive Collection Lygia Clark, Brazilian, 1920–1988 Baba antropofágica, 1973 Anthropophagic slobber Cotton thread Variable dimensions Courtesy Associação Cultural "O Mundo de Lygia Clark" Lygia Clark, Brazilian, 1920–1988 Viagem, 1973 Voyage Newspaper Variable dimensions Courtesy Associação Cultural "O Mundo de Lygia Clark" Lygia Clark, Brazilian, 1920–1988 Túnel, 1973 Tunnel Cotton fabric 196 7/8" (500 cm) Courtesy Associação Cultural "O Mundo de Lygia Clark" Page 58 of 59 Lygia Clark, Brazilian, 1920–1988 Canibalismo, 1973 Cannibalism Industrial rubber, plastic, fabric 66 15/16 x 26 3/4 x 3 1/8" (170 x 68 x 8 cm) Courtesy Associação Cultural "O Mundo de Lygia Clark" Lygia Clark, Brazilian, 1920–1988 Rede de elásticos, 1974 Elastic net Elastic Variable dimensions Courtesy Associação Cultural "O Mundo de Lygia Clark" Lygia Clark, Brazilian, 1920–1988 Cabeça coletiva, 1975 Collective head Industrial rubber, paper, plastic, nylon, fabric 39 3/8 x 39 3/8 x 31 1/2" (100 x 100 x 80 cm) Courtesy Associação Cultural "O Mundo de Lygia Clark" Lygia Clark, Brazilian, 1920–1988 Estruturação do self, 1976-1988 Structuring of the self Mixed media Variable dimensions Courtesy Associação Cultural "O Mundo de Lygia Clark" Page 59 of 59
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