Hannibal WB - Mario Bürki
Transcrição
Hannibal WB - Mario Bürki
D HANNIBAL Mario Bürki DAS WERK Jugend und spanisches Kommando Hannibal war der älteste Sohn des karthagischen Feldherrn Hamilkar Barkas, der sich im Ersten Punischen Krieg und im Söldnerkrieg ausgezeichnet hatte. Hannibals jüngere Brüder waren Hasdrubal und Mago, die ebenfalls als karthagische Feldherrn dienten. Die römische Geschichtsschreibung berichtet davon, dass der neunjährige Hannibal zusammen mit seinen Brüdern den Römern ewige Feindschaft schwören musste, doch handelt es sich hierbei um eine Legende. Hannibal wurde von einem Spartaner namens Sosylos erzogen, der später zu seinen Beratern gehörte. 237 v. Chr. begleitete Hannibal als erst neunjähriger Junge seinen Vater in das damals noch wenig zivilisierte Spanien, das reich an Bodenschätzen war. Dort eroberte Hamilkar Barkas große Gebiete, die zum einen die territorialen Verluste Karthagos im letzten Krieg gegen Rom ausgleichen und zum anderen die Machtgrundlage seiner Familie, der Barkiden, sichern sollten. Nach Hamilkars Tod in einer Schlacht gegen aufständische iberische Volksstämme übernahm Hannibals Schwager Hasdrubal das Kommando in Spanien. Dieser vergrößerte die neue karthagische Provinz erheblich, gründete mit Cartagena eine regionale Hauptstadt und schloss mit Rom den Ebro-Vertrag, der den Fluss als Grenze zwischen beiden Mächten festlegte. Hannibal hatte sich mittlerweile wieder nach Karthago begeben, kehrte jedoch 224/3 auf Wunsch seines Schwagers nach Spanien zurück. Als Hasdrubals Kavallerie -Kommandant konnte sich Hannibal in mehreren schweren Kämpfen gegen iberische Stämme hervortun. Nach Hasdrubals Ermordung 221 v. Chr. wurde Hannibal Oberbefehlshaber des Heeres. Sogleich führte er einen ausgedehnten Feldzug gegen die noch unabhängigen iberischen Stämme. In einer Schlacht am Tajo errang Hannibal zum ersten Mal einen Sieg in offener Feldschlacht gegen einen zahlenmäßig weit überlegenen Gegner. Die Stadt Sagunt an der Mittelmeerküste verweigerte ihm aber die Unterwerfung. Hannibal entschied sich, die Stadt ab 220 v. Chr. zu belagern, auch um ihren Einfluss auf die iberischen Stämme einzugrenzen. Die Sagunter schlossen daraufhin ein Bündnis mit Rom. Sogleich forderten römische Gesandte Hannibal auf, die Belagerung der Stadt abzubrechen. Dieser lehnte jedoch aufgrund der klaren Rechtslage ab, da Sagunt weit südlich des Ebro gelegen war. Hannibal fragte in Karthago bezüglich eines weiteren Vorgehens an, dessen Ratsherren ihm aber freie Hand ließen. Im Konflikt um Sagunt wiederholten sich die Ereignisse, die zum Ausbruch des Ersten Punischen Krieges geführt hatten, als Rom die Stadt Messina als Anlass für einen Krieg mit Karthago genutzt hatte. Hannibal schuf daher Fakten und ließ 219 nach achtmonatiger Belagerung Sagunt stürmen und die Bevölkerung töten. Die Römer hatten nichts zur Hilfe Sagunts unternommen, ließen dem karthagischen Rat nun aber ausrichten, dass diese einem Krieg nur durch die Auslieferung Hannibals entgehen könnten. Wiederum standen die Ratsherren aber zu ihrem Kommandeur. Krieg gegen Rom Hannibal zeichnete sich durch ein für seine Zeit ungewöhnliches Bewusstsein über die Möglichkeiten und Grenzen von Zeit und Raum für militärische Manöver aus. Um einem römischen Angriff auf Spanien zuvorzukommen, überschritt er mit wahrscheinlich mehr als 50.000 Soldaten, 9.000 Reitern und 37 Kriegselefanten auf einem heute nicht mehr genau zu bestimmenden Pass (vielleicht Col de Clapier[1]) die winterlichen Alpen und gelangte durch das Gebiet der Salasser nach Aosta und Ivrea. Das Heer erlitt in den Alpen schwere Verluste, konnte jedoch mit Kelten aus der Po-Ebene verstärkt werden. Durch diesen überraschenden Zug gelangte Hannibal für die nächsten Jahre gegenüber den militärisch überlegenen Römern in die strategische Offensive, da er das römische Bundesgenossensystem als Basis der römischen Macht direkt bedrohte. In taktisch defensiven, aber selbstgewählten überlegenen Ausgangspositionen konnte er die taktischen Schwächen des römischen Militärsystems mehrfach mit enormem Erfolg ausnutzen und in den Schlachten am Ticinus, an der Trebia (beide 218) und am Trasimenischen See (217) die meist deutlich überlegenen römischen Legionen schlagen. Schließlich traf Hannibal am 2. August des Jahres 216 v. Chr. bei Cannae auf eine römische Armee von 16 Legionen (etwa 80.000 Mann), die er mit seinen etwa 50.000 Soldaten durch ein Umfassungsmanöver fast vollständig vernichten konnte. Hannibal unternahm jedoch trotz seiner militärischen Erfolge keinen Marsch gegen die Stadt Rom. In der Geschichtsschreibung wurde ihm dies häufig als strategischer Fehler angelastet. So wurde dem karthagischen Reitergeneral Maharbal in den Mund gelegt: „Du verstehst zu siegen, Hannibal. Den Sieg zu nutzen aber verstehst Du nicht!“ Hannibals Zielsetzung war allerdings nicht die Eroberung der Hauptstadt des Römischen Reiches sondern die Vernichtung seines Bundesgenossensystems. Er hoffte darauf, die italischen Städte von Rom zu lösen und dadurch die Grundlage der römischen Großmachtstellung zu zerstören. Zwar gingen einige italische Bundesgenossen Roms im Jahre 212 v. Chr. zu Hannibal über, darunter auch Capua, doch wurde der Krieg dadurch nicht entschieden. Die Römer hatten ihre anfängliche Strategie unter Einfluss des „Zauderers“ Fabius Maximus gewechselt und griffen die Karthager in Italien und Spanien nur noch in Hannibals Abwesenheit an. Als Capua 211 v. Chr. durch römische Truppen belagert wurde, unternahm Hannibal doch noch einen Scheinangriff auf Rom, um dadurch die Belagerer Capuas zum Rückzug zu bewegen. Laut Cicero (der rund hundert Jahre später lebte) soll dabei der berühmte Ausruf Hannibal ad portas („Hannibal [ist] bei den Toren“), zum Teil auch zitiert als Hannibal ante portas erfolgt sein. Hannibal konnte jedoch den Fall Capuas nicht verhindern, was schon von antiken Historikern als Wendepunkt des Krieges angesehen wurde. Nach jahrelangem Kleinkrieg in Italien, wurde Hannibal schließlich in die Heimat zurückbeordert, da der römische Feldherr Scipio nach der Eroberung Spaniens in Afrika gelandet war. Diesem war es zudem gelungen, den numidischen Reiterfürsten Massinissa zum Seitenwechsel zu bewegen, so dass Hannibal nicht mehr die für seine Taktik wichtige Kavallerie zur Verfügung stand. In der Schlacht bei Zama erlitt Hannibal 202 v. Chr. die erste und auch kriegsentscheidende Niederlage gegen die Römer. Reformator und Exil Nach dem Friedensschluss Karthagos mit Rom musste sich Hannibal zunächst mehrerer innenpolitischer Gegner aus der Aristokratie erwehren. Diese warfen ihm vor, einerseits den Marsch auf Rom verweigert und andererseits Beute unterschlagen zu haben. Der weiterhin beim Volk überaus populäre Hannibal wurde aber in allen Punkten freigesprochen. Damit erlitt er ein günstigeres Schicksal als viele andere karthagische Kommandeure, die als Sündenböcke für Niederlagen herzuhalten hatten. Auf römischen Druck verlor Hannibal aber 200 seine Stellung als karthagischer Stratege. Hannibal wandte sich von nun an der Innenpolitik zu, um die politische und militärische Macht der Stadt wieder aufzubauen. Er wurde 196 zum Sufeten gewählt und reformierte Politik und Wirtschaft Karthagos zu Ungunsten der Aristokratie. Er brachte ein Gesetz durch, das den bisher aristokratisch dominierten Gerichtshof der 104 schwächte: Die bisher auf Lebenszeit ernannten Mitglieder mussten von nun an durch die Volksversammlung gewählt werden und durften gemäß dem Annuitätprinzip nach römischen Vorbild nur für ein Jahr und dann erst wieder nach einem weiteren Jahr Pause kandidieren. Hannibal verschaffte somit einer deutlich breiteren Schicht den Zugang zu hohen politischen Ämtern. Die karthagische Bevölkerung hatte wegen der Kriegsreparationen an Rom hohe Abgaben zu tragen, welche die Wirtschaft belasteten. Hannibal senkte die Abgaben, indem er hart gegen die Korruption in Karthago vorging. Dadurch vergrößerte er den Kreis seiner innenpolitischen Gegner noch einmal. Diese konnten ihn schließlich 195 ins Exil treiben, indem sie fälschlicherweise behaupteten, er würde gegen Rom konspirieren. Hannibals Reformen blieben jedoch bestehen und hatten einen großen Anteil an dem raschen ökonomischen Wiederaufstieg Karthagos nach dem Zweiten Punischen Krieg. Hannibal floh aus dem römischen Machtbereich. Im östlichen Mittelmeerraum war er unter anderem als Feldherr für Antiochos III. den Großen von Syrien tätig. Als der Seleukidenkönig den Kampf um die Herrschaft über Griechenland gegen Rom annahm, schlug ihm Hannibal vor, einen Zweifrontenkrieg zu führen. Dieser Plan hätte vorgesehen, dass Antiochos einen Teil der römischen Streitkräfte in Griechenland binden sollte, während Hannibal mit karthagischen und fremden Truppen ein zweites Mal in Italien landen würde. Antiochos zeigte sich dem gegenüber zunächst nicht abgeneigt, lehnte jedoch letztlich ab: Er fürchtete, dass Hannibal bei dieser durchaus vielversprechenden Strategie der ganze Ruhm zukäme, was mit seinem Selbstverständnis als hellenistischer König nicht zu vereinbaren war. Anstatt von Hannibals militärischen Fähigkeiten Gebrauch zu machen, übertrug ihm der Seleukide nur den Bau einer Flottille in Phönizien, welche die seleukidische Hauptflotte in der Ägäis verstärken sollte. In der Seeschlacht von Side wurden Hannibals Schiffe aber durch eine rhodische Flotte geschlagen. Nach der endgültigen Niederlage des Antiochos gegen Rom musste Hannibal 190 das Seleukidenreich verlassen. Er hielt sich ein Jahr lang in Kreta auf, bis sich auch dort der römische Einfluss vergrößert hatte. Hannibal floh nun in die hellenistischen Monarchien Kleinasiens. Zunächst trat er in die Dienste des armenischen Königs Artaxias, für den er die Leitung des Baus einer neuen Hauptstadt übernahm. Auf römischen Druck hin musste Hannibal jedoch weiter zu König Prusias I. von Bithynien fliehen. Dieser befand sich in einer militärischen Auseinandersetzung mit dem römischen Bundesgenossen Eumenes II. von Pergamon. Hannibal wurde wiederum als Flottenkommandant eingesetzt, versuchte aber auch in Kleinasien Verbündete für die Sache Bithyniens zu gewinnen. 183 v. Chr. wurde schließlich der in Griechenland überaus populäre Titus Quinctius Flamininus bei Prusias vorstellig und forderte Hannibals Auslieferung, welcher der bithynische König schließlich nachkam. Hannibal entzog sich jedoch der Gefangennahme durch Gift und beging in der Festung von Libyssa (Gebze) Selbstmord. DER KOMPONIST Mario Bürki wurde am 26. Oktober 1977 geboren. Er studierte Blasmusikdirektion am Konservatorium in Bern und erreichte am Diplom sowie dem Höheren Studienausweis das Prädikat “Sehr Gut”. Bürki besuchte Meisterkurse bei U.P. Schneider (Komposition) und Toshiyuki Shimada / Andreas Spörri (Dirigieren). Sein erstes grosses Werk - Szenen aus: Max und Moritz erreichte am Kompositions-wettbewerb der World Association for Symphonic Bands and Ensembles (WASBE) in Luzern den zweiten Preis und seine Komposition Indian Fire wurde am Wettbewerb Flicorno d’Oro Junior (Italien) mit dem Spezialpreis für das orginellste Konzertstück ausgezeichnet. Zwei seiner Werke (Cap Hoorn und 1405: Der Brand von Bern) wurden an der Mid-Europe in Schladming uraufgeführt. Im November 2005 wurde 1405: Der Brand von Bern vom weltbekannten spanischen Blasorchester «La Artistica Buñol» in Valencia aufgeführt. Mario Bürki ist Musikschulleiter an der Musikschule der Jugendmusik Ostermundigen. Als Instrumentalist spielt er Trompete, Klavier und Orgel. Mario Bürki erhält regelmässig Kompositionsaufträge und mehrere Werke wurden als Wettstücke im Inund Ausland gespielt. Ton- und Notenbeispiele seiner Werke können auf der Homepage des Verlages eingesehen werden: www.musikverlagfrank.ch Besuchen Sie die Homepage von Mario Bürki: www.mariobuerki.ch © 2008 Copyright by musikverlag frank, Industriestrasse 30, CH-4542 Luterbach, SWITZERLAND www.musikverlag-frank.ch E HANNIBAL Mario Bürki THE COMPOSITION Hannibal, the son of Hamilcar Barca, was born in 248 BC. His father commanded the Carthaginian land forces during the later stages of the First Punic War. He kept his army intact and led a successful guerrilla war against the Romans in Sicily. As soon as he was old enough, Hannibal joined his father›s army in the invasion of Hispania. Hamilcar Barca died in battle in 228 BC. Hannibal›s brother-in-law Hasdrubal the Fair succeeded to his command of the army with Hannibal serving as an officer under him. Hasdrubal signed a treaty with the Romans where Carthage promised not to expand north of the Ebro River. Hasdrubal also endeavored to consolidate Carthaginian power through diplomatic relationships with native tribes. This included arranging the marriage between Hannibal and an Iberian princess named Imilce. Hasdrubal the Fair was assassinated by a Celtic assassin in 221 BC. Hannibal was now proclaimed commander-in-chief by the army. In 218 BC Carthage decided to hit back. Defeated at sea, the Carthaginians decided this time to attack Italy by land from their base in Hispania. Hannibal led an army made up of 30,000 Spanish infantrymen, 9,000 African cavalry and a team of elephants. To attack Rome from Hispania meant that Hannibal had to take his soldiers and animals over the snowcovered Alps. The Romans did not believe it was possible and were taken by surprise. However, the journey had taken its toll and by the time Hannibal reached Italy, he only had 26,000 men left alive. The first battle between the two sides took place at Trebia. Although they had many more men, the Romans were heavily defeated by the Carthaginians. One of the reasons for this was that the Romans had trouble coping with Hannibal›s elephants. The elephants were used at the front of the Carthaginian forces (similar to the way tanks were used in the First World War). Because of the elephants› size and trumpeting, the Romans had great difficulty in persuading their horses to charge Hannibal›s forces. The Romans tried several different tactics against elephants. They were extremely difficult to kill, so the main aim was to make them panic and run amok amongst the Carthaginians. They tried to do this by killing their driver or by stabbing them with javelins in the soft skin under the tail. The Romans also discovered that elephants were frightened of the sound of squealing pigs. Therefore pigs were covered in tar, set alight and let loose amongst the elephants. The Carthaginians attempted to counteract this tactic by giving wine to the elephants before battle and stabling them with pigs so that they would get used to the squealing. Although Hannibal›s elephants survived the Battle of Trebia, most of them died soon afterwards from the cold weather. However, the lack of elephants did not stop Hannibal inflicting a series of defeats on the Romans. The most important of these was at Cannae where over 50,000 Roman soldiers were killed and a further 19,000 were captured. Hannibal, on the other hand, lost less than 6,000 men. Even though they suffered these losses, the Romans refused to surrender. As Hannibal was never strong enough to attack Rome itself, he failed to obtain a total victory over the enemy. The Roman Senate responded to these military reverses by ordering an attack on Carthaginian held Spain. This was a success, and Scipio Africanus, who organised the campaign, became a national hero. Scipio now started to plan an attack on Carthage, and Hannibal was forced to abandon the territory he controlled in Italy in order to defend his homeland. Scipio and his troops landed in Africa in 204 BC. Instead of attacking Carthage, Scipio visited King Masinissa of Numidia, whose cavalry had played such an important part in Hannibal›s victories over the Romans. In exchange for promises of Carthaginian territory, King Masinissa agreed to join forces with Scipio. The Battle of Zama took place in 202 BC. Hannibal had 40,000 men and 80 elephants while Scipio had 25,000 Romans and 11,000 Numidians. Hannibal started the battle by ordering an elephant charge. However, the Romans had learnt by bitter experience how to deal with elephants. Instead of pigs they now used men blowing trumpets. The noise frightened the elephants and many of them turned and stampeded, trampling to death large numbers of Carthaginians. Hannibal›s troops were scattered and they were gradually hunted down by the Numidian cavalry. The Romans were extremely harsh on the defeated Carthaginians. All but ten of their ships were destroyed, vast amounts of money had to be handed over and all overseas territories had to be abandoned. Carthage also had to promise that in future it would gain permission from Rome before forming alliances or going to war with other countries. Hannibal now decided to become a politician and he was elected as suffete, or chief magistrate. He reformed the way Carthage was governed, stipulating that membership of the Hundred and Four be chosen by direct election rather than cooption. He also changed the term of office from life to a year with a term limit of two years. The Romans became concerned by Hannibal›s growing power and in 195 BC they demanded he retired from office. Hannibal moved to Ephesus, where he met Antiochus III of Syria and later became his military adviser. In 190 BC Hannibal was placed in command of a Seleucid fleet but was defeated in a battle off the Eurymedon River. He fled to Crete, before seeking refuge with King Prusias I of Bithynia, who was engaged in warfare with Rome›s ally, King Eumenes II of Pergamon. Hannibal went on to serve the Bithynians in this war. The Romans became concerned about Hannibal›s naval victories and demanded that Prusias I hand him over. Hannibal was determined not to fall into his enemies› hands and at Libyssa he took poison. THE COMPOSER Born the 26 October 1977, Mario Bürki studied wind orchestral conducting at the Berne conservatory. He also followed courses in composition with Urs Peter Scheider and conducting under the direction of Toshiyuki Shimada and Andreas Spörri. His first grand scale work Scenes of Max and Moritz gained a second place in the composition contest in Lucerne organized by the World Association for Symphonic Bands and Ensembles ( WASBE). During the Flicorno d`Oro junior contest (Italy), Indian Fire was awarded a special prize in acknowledgement of its originality. Mario Bürki is regularly commissioned to write for Wind and Brass Band. Two of his works (Cap Hoorn und 1405 : Der Brand von Bern) were premiered at the MidEurope Conference in Schladming and several have been chosen as set test-piece for contests. Alongside his composing he conducts various Wind Bands and teaches trumpet and theory. Mario himself plays the trumpet, the piano and the organ. © 2008 Copyright by musikverlag frank, Industriestrasse 30, CH-4542 Luterbach, SWITZERLAND www.musikverlag-frank.ch Full Score HANNIBAL "Karthago" Lento q = 89 Mario Bürki Piccolo Flute 1 Flute 2 1st Oboe 2nd Oboe Cor Anglais 1st Bassoon 2nd Bassoon pp pp 3rd Clarinet in Bb Alto Clarinet in Eb 2nd Clarinet in Bb Bass Clarinet in Bb Contrabass Clarinet in Bb ff 3 ff 3 ff 3 pp Clarinet in Eb 1st Clarinet in Bb ff 3 pp pp pp pp pp pp pp ff 3 2nd Alto Saxophone Tenor Saxophone Baritone Saxophone 1st Alto Saxophone 1st Horn in F pp 2nd Horn in F 3rd Horn in F 4th Horn in F 1st Trumpet in Bb 1st Trombone Baritone Tuba Double Bass Piano Harp Timpani Percussion 1 Percussion 2 fff fff fff ff ff fff ff fff fff ff ff div ff mp f B.D. 2 Sticks Percusion 3 mute pp one mute one mute pp mp f Tubular Bells f mp ff mp f pp ff (motor on) Vibraphone ff ff 3 ff 3 3 ff 3 ff ff f ff 2nd Trombone Bass Trombone 1st Cornet in Bb 2nd Cornet in Bb ff 3rd Trumpet in Bb ff 2nd Trumpet in Bb f © 2009 by musikverlag frank, Schulhausstrasse 22, CH-4528 Zuchwil (Switzerland) S.D. f f 2 14 9 Picc. C. A. 1st Bsn. 2nd Bsn. Eb Cl. 3 ff 3 3 3 3 3rd Hn 2nd Tpt 3rd Tpt 1st Cor. 3 ff 3 3 3 Tba Perc.2 Perc.3 p fff fff 3 fff fff 3 fff 3 3 3 fff fff 3 3 ff 3 ff 3 fff 3 fff 3 ff 3 3 fff 3 fff fff 3 fff 3 fff ff fff 3 3 3 ff 3 3 3 3 ff 3 3 3 fff fff 3 3 3 fff 3 ff 3 3 fff 3 3 3 mf fff fff mf mf 3 C.C. 3 ff f 3 ff Tubular Bells f 3 3 fff 3 3 3 3 ff ff mute ff fff mf fff fff ff 3 3 3 3 3 fff fff 3 mf ff 3 fff mf ff fff 3 3 ff 33 f ff 3 ff ff 6 6 6 3 3 3 3 3 3 3 3 3 fff mf ff 3 3 3 3 3 6 3 3 6 6 3 3 ff fff mf 3 3 3 fff 3 ff 3 Perc.1 3 3 fff Timp. ff Hp. 3 Pno. 3 fff fff 3 D.B. ff fff 3 Bar. ff open 3 3 open 3 3 2nd Tbn. 3 3 3 ff 3 3 2nd Hn. 3 3 ff fff 3 ff 3 fff 3 ff 3 3 3 ff 3 3 3 3 ff 3 ff 3 3 3 T. Sax. B. Tbn. 2nd A. Sax. 1st Tbn. 2nd Cor. 1st Tpt Cb. Cl. 4th Hn. 1st Hn. Bar. Sax. 3 B. Cl. 1st A. Sax. Alto Cl. 3rd Cl. 2nd Cl. 1st Cl. 3 2nd Ob. 3 1st Ob. 2nd Fl. 1st Fl. mf S.C. p 3 Picc. 1st Fl. 2nd Fl. 1st Ob. 2nd Ob. C. A. 16 1st Bsn. mf 3 3 3 6 3 3 6 mf 3 3 3 6 3 3 6 6 2nd Bsn. Eb Cl. 1st Cl. 2nd Cl. 3 3 6 3 3 6 mf 3 3 3 6 3 3 6 6 mf Alto Cl. Cb. Cl. B. Cl. 1st A. Sax. tremolo 3 p 3 3 6 6 3 3 3 6 6 p 3rd Hn 4th Hn. à2 2nd Hn. f 3 mf p p 2nd Tpt 3rd Tpt 1st Cor. 2nd Cor. 1st Tbn. 2nd Tbn. mf mf 6 3 3 3 Bar. 3 3 3 6 B. Tbn. Tba D.B. mf mf Hp. Timp. Perc.1 Perc.3 f 6 3 3 3 3 6 6 6 mf mf 6 3 3 3 3 3 3 6 mf mf 6 6 3 3 3 3 6 p mf 6 mf Perc.2 Pno. 1st Tpt p f 6 6 tremolo f p 6 3 3 mf 3 3 p Bar. Sax. 1st Hn. 3 T. Sax. mf 6 3rd Cl. 2nd A. Sax. Xylo (Soft sticks) p p 4 Picc. 1st Fl. 2nd Fl. 1st Ob. 2nd Ob. C. A. 22 1st Bsn. 2nd Bsn. Eb Cl. 1st Cl. 24 2nd Cl. 3 3 3 3 3 3 3 3 6 6 Cb. Cl. Bar. Sax. 1st Hn. f 3 3 f f 3 3 3 2nd Tpt 1st Cor. 2nd Cor. 3 3 3 f Perc.3 6 6 6 6 6 6 6 6 3 3 3 3 3 f 3 3 3 3 3 3 3 3 3 3 3 3 3 f f ff 3 3 3 3 f f f 3 f ff ff f 3 3 3 3 3 3 3 3 3 3 3 3 f 3 3 3 3 3 3 3 3 f T.B. f p f B.D. f Tam tam f 3 3 3 ff 3 3 ff 3 3 3 open 3 f 3 3 3 3 3 3 3 3 f 6 6 6 3 3 3 6 6 f 3 3 3 3 3 3 3 6 3 3 3 f f f f f f f f f f f 3 mf Perc. 1 f Perc.1 3 3 Timp. 3 3 B. Tbn. f Bar. f Hp. f 3 3 Pno. 3 3 D.B. 3 3 f Tba 1st Tbn. 2nd Tbn. f 3rd Tpt f 1st Tpt 3 3 3 3 3 3 3 3 3 4th Hn. 3 f 3 6 f 3rd Hn 3 3 6 6 f 2nd Hn. B. Cl. T. Sax. 3 f 3 3 3 3 3 3 3 3 f 2nd A. Sax. 3 f f 1st A. Sax. 3 3 3 3 3 3 3 3 3 3 3 3 3 6 Alto Cl. 3 ff 3 3 3 3 3 3 3 3 3 3 3 3 f 3rd Cl. f f 3 3 3 3 3 3 3 3 3 5 Picc. 1st Ob. 2nd Ob. C. A. 29 1st Fl. 2nd Fl. 31 1st Bsn. 6 6 2nd Bsn. 3 3 3 3 3 3 3 3 3 3 3 ff Cb. Cl. 1st A. Sax. Bar. Sax. 1st Hn. 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 6 Tba D.B. Pno. Hp. Perc. 1 Perc.3 3 3 3 3 3 3 3 3 3 3 ff ff ff ff 3 3 3 3 3 3 3 3 3 3 3 3 3 3 6 f 6 6 6 3 3 3 3 3 3 3 3 3 3 3 3 f 3 3 3 3 6 3 3 Glockenspiel f 3 3 3 3 6 6 3 3 mf 3 6 6 S.D. 3 6 3 3 mf 3 f 3 3 3 3 3 3 ff 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 6 Timp. Perc.1 f 3 3 3 3 3 3 3 3 3 3 3 6 3 3 3 f 6 6 3 6 3 2nd Cor. 6 3 3 3 Bar. 3 3 3 3 3 3 3 3 3 3 1st Cor. f f 3 3 3 3 3 6 3 3 6 3 3 3 3 f 6 3 3 f 3 3 3 3 3 3 3rd Tpt 3 6 f 3 6 3 f 6 6 3 3 B. Tbn. 3 f f 3 3 3 3 3 f 3 3 3 3 3 3 3 3 3 ff 6 f 3 3 3 3 6 3 3 3 3 3 3 6 3 3 2nd Tbn. 6 6 6 6 3 3 3 6 6 2nd Tpt 1st Tbn. ff 3 f 3 4th Hn. 1st Tpt 3rd Hn 3 6 3 3 3 3 3 3 3 3 3 2nd Hn. T. Sax. 3 2nd A. Sax. ff f B. Cl. Alto Cl. ff 3rd Cl. f 3 ff 3 3 f 2nd Cl. 3 Eb Cl. 1st Cl. 3 3 ff 3 3 3 3 3 3 6 3 6 3 3 3 6 Picc. 3 3 3 3 3 34 1st Fl. 2nd Fl. 1st Ob. 2nd Ob. C. A. 1st Bsn. 2nd Bsn. 3 3 6 6 1st Cl. 2nd Cl. 3rd Cl. 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 6 6 3 3 3 3 3 3 3 3 3 3 6 6 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 6 6 3 3 3 3 3 6 6 3 3 3 3 3 3 3 3 3 3 3 3 3 6 6 3 3 3 3 6 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 6 6 6 3 6 3 3 6 6 3 3 3 3 3 3 3 3 3 3 3 3 3 6 3 3 3 3 3 3 6 3 6 3 6 3 6 3 6 3 3 6 Cb. Cl. 6 3 3 3 6 3 6 Bar. Sax. T. Sax. 2nd A. Sax. 3 1st A. Sax. B. Cl. 3 3 3 3 Alto Cl. 3 Eb Cl. 3 3 3 3 6 3 3 3 3 3 3 3 3 3 3 3 3 6 6 3 3 3 3 2nd Hn. 3rd Hn 4th Hn. 1st Hn. 1st Tpt 2nd Tpt 3rd Tpt 3 3 3 3 3 3 3 3 3 3 3 3 3 1st Tbn. 2nd Tbn. B. Tbn. Tba D.B. Pno. Perc. 1 Xyl. 3 3 3 3 3 3 3 3 3 3 f 3 3 3 6 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 6 6 3 3 3 3 3 3 3 3 3 3 3 3 3 3 mf 6 3 3 3 6 6 3 3 3 6 6 3 6 3 3 3 3 3 3 3 6 3 3 3 6 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 6 3 3 3 3 3 3 6 3 3 3 3 3 3 3 3 3 3 3 6 6 3 3 ff 3 3 ff 3 ff 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 6 3 3 Timp. Perc.1 3 3 f Hp. 3 3 3 Bar. 3 2nd Cor. 3 3 3 3 1st Cor. 3 6 6 3 f 3 3 3 3 6 6 3 3 3 3 3 3 3 3 3 7 39 Picc. 1st Fl. 2nd Fl. 1st Ob. 2nd Ob. 1st Bsn. Eb Cl. 1st Cl. 2nd Cl. 3rd Cl. Alto Cl. B. Cl. Cb. Cl. 1st A. Sax. 3 3 3 1st Hn. 2nd Cor. 1st Tbn. Tba D.B. Pno. Hp. Timp. Perc.1 Perc. 1 Xyl. 3 3 3 3 3 f f f f 3 6 3 6 3 3 6 3 6 3 3 3 6 3 3 3 3 3 3 3 mf f mf f 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 f f f f f 3 3 3 3 3 3 3 3 3 3 3 mute 3 3 3 3 3 3 3 3 3 3 3 mf mf mf 3 3 3 3 3 3 3 mute 3 mf mute 3 3 3 3 3 3 3 3 3 3 3 3 3 3 mf f f f 3 3 3 3 3 3 3 3 3 3 3 3 3 6 6 6 6 6 6 6 6 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 f Rimshots 3 3 6 3 6 6 6 6 6 6 6 3 3 3 3 f 3 3 mute 3 3 f 3 3 mute 3 ff 3 6 3 3 3 f 3 3 f 3 6 6 f f mf 6 3 6 6 3 3 3 mf 3 f 3 3 6 6 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 mf 3 3 3 6 6 3 f 6 f 3 3 f ff Bar. 3 3 3 3 3 ff B. Tbn. 2nd Tbn. 1st Cor. f 3 3rd Tpt ff 2nd Tpt 3 3 ff 1st Tpt 3 ff 4th Hn. 3 3rd Hn 3 3 2nd Hn. 3 Bar. Sax. ff T. Sax. 3 3 ff 3 2nd A. Sax. 3 ff 3 C. A. 2nd Bsn. ff ff Xylo (hard Sticks) f 8 Picc. 45 1st Fl. 1st Ob. 2nd Ob. C. A. 1st Bsn. 2nd Bsn. f 6 f Eb Cl. 2nd Cl. 3rd Cl. B. Cl. Cb. Cl. 1st A. Sax. Bar. Sax. 1st Hn. 4th Hn. open Perc.1 Xyl. 6 f 6 6 3 3 3 f 6 6 3 3 ff 3 3 3 3 mf 6 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 mf ff 3 mf 6 3 3 3 3 3 3 mute 3 3 3 3 3 mf 3 mf 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 mf 3 3 3 mf 3 3 mf 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 6 6 3 3 3 3 f 3 3 f 3 3 f 3 3 f 3 3 ff ff 3 3 mf mf 3 3 3 3 mf 3 3 3 ff f C.C. ff f 3 3 mf 3 3 ff 3 6 3 3 mf ff 6 3 3 6 3 3 3 f 3 ff mf mute 3 3 ff 3 3 3 3 3 3 3 p ff S.C. ff mf mf 3 3 3 3 mf 3 3 3 f 3 3 3 3 3 6 3 6 f 3 3 3 3 f 3 3 3 3 3 f 3 3 3 3 ff 3 f 3 3 3 3 3 3 3 3 mf 3 6 3 f 3 3 3 3 3 mf 6 6 6 6 6 6 6 f cue 3 3 6 3 3 3 3 3 3 6 3 3 f 3 f 3 3 3 6 3 3 3 3 3 3 3 3 mf 6 f mf 3 3 3 3 f 3 3 mf 3 3 3 3 3 3 3 3 f 3 3 6 3 3 f Perc. 1 6 f Timp. 3 Bar. Hp. 3 B. Tbn. Pno. 2nd Tbn. D.B. f 2nd Cor. Tba open 1st Cor. open open 1st Tbn. f open f 3 3rd Tpt 6 2nd Tpt 1st Tpt 3 3 6 3rd Hn f 2nd Hn. T. Sax. 3 2nd A. Sax. Alto Cl. 1st Cl. 6 2nd Fl. f mf 3 3 3 6 9 Picc. 53 "Hannibal in Spain" q = 60 1st Fl. 2nd Fl. 1st Ob. 2nd Ob. C. A. 1st Bsn. 3 3 mf mf 2nd Bsn. 56 rit. 3 mf mf mf mf Eb Cl. 3rd Cl. Alto Cl. 1st Cl. 2nd Cl. mf Cb. Cl. mf mf B. Cl. 1st A. Sax. mf 59 q = 152 mf mf 2nd A. Sax. T. Sax. Bar. Sax. 1st Hn. 6 6 3 3 3 1st Tpt 6 mf 3 6 3 3 3 3 3 open 3 3 6 3 3 3 3 open mf mf mf mf harmon mute Bar. Tba mf mf 3 3 tutti mf mf mf 3 3 3 6 p 3 3 3 mf p à1 f solo 2nd Tbn. Xyl. Perc. 1 3 mf Perc.1 3 mute 3 Timp. 3 Hp. open mute 3 1st Tbn. Pno. 1st Cor. D.B. mf 3rd Tpt B. Tbn. 2nd Tpt 2nd Cor. 3 3rd Hn 4th Hn. 6 2nd Hn. open 6 3 3 p 3 3 mf p Vibraphone (motor on) p castagnets mf 10 Picc. 64 1st Fl. 2nd Fl. 1st Ob. 2nd Ob. C. A. 1st Bsn. 2nd Bsn. Eb Cl. 71 mf mf mf mf f 3rd Cl. Alto Cl. Cb. Cl. 1st A. Sax. 2nd A. Sax. T. Sax. Bar. Sax. 1st Hn. Timp. Perc.1 Perc. 1 Xyl. mf mf harmon mute mf mp mf mf f mf open mp mp mp pp mf 3 p p 3 mf mf open mf mf mf 3 p mf open mf mp mp mp mf mf mf mf f mf f pp cup mute f mf p f mf open mf pp cup mute f open cup mute f f f f Tba Hp. Bar. Pno. 2nd Tbn. D.B. 1st Cor. B. Tbn. 3rd Tpt 1st Tbn. 2nd Tpt 2nd Cor. 3rd Hn 1st Tpt 2nd Hn. 4th Hn. mf f B. Cl. 2nd Cl. f f 1st Cl. f mp mp Xylo f 11 Picc. 76 1st Fl. 2nd Fl. mf f mf f mf f mf f f f f f 2nd Tbn. B. Tbn. Bar. mf f p mf mf f f f f f 3 3 3 3 3 f 3 3 3 3 3 3 3 3 3 f 3 f 3 3 3 3 f f fp f mp Floor Tom mp mf 3 3 mf f f 3 3 3 3 3 f 3 fp mf p f 3 3 f 3 3 3 f 3 mf p 3 S. C. 3 3 f 3 3 3 f Tba 3 f mf f 3 p p 3 f 3 f 3 3 mf mf 3 3 f mf f f f 83 3 3 f f mf f mf Xyl. f 1st Tbn. Perc. 1 1st Cor. Perc.1 3rd Tpt Timp. 2nd Tpt Hp. 3rd Hn Pno. 2nd Hn. D.B. mf mf T. Sax. 2nd Cor. 2nd A. Sax. 1st Tpt B. Cl. Alto Cl. 4th Hn. 3rd Cl. 1st Hn. 2nd Cl. Bar. Sax. 1st Cl. 1st A. Sax. 1st Bsn. Cb. Cl. C. A. Eb Cl. 2nd Ob. 2nd Bsn. 1st Ob. 3 12 3 Picc. 3 86 1st Fl. 2nd Fl. 1st Ob. 2nd Ob. 3 3 3 C. A. 3 3 3 3 3 3 3 3 3 3 3rd Cl. 3 2nd A. Sax. T. Sax. 3rd Tpt 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 D.B. 3 Pno. Hp. Timp. Perc.1 Perc. 1 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 Xyl. 3 3 mf 3 3 3 3 3 3 3 3 3 3 ff 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 ff 3 3 3 ff 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 f 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 ff 3 3 3 3 fz 3 3 6 fz 3 3 3 3 3 3 f ff 3 3 ff 3 3 3 3 3 3 3 ff 3 3 3 3 3 3 3 3 3 f 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 ff 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 6 f 3 3 3 3 3 Tba 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 Bar. 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 div. 3 2nd Cor. 3 3 3 3 3 3 3 ff div. 3 3 3 3 3 3 ff 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 ff 3 B. Tbn. ff 3 3 ff 1st Cor. 2nd Tbn. 3 3 3 3 3 3 1st Tbn. ff 3 3 3 3 3 3 3 3 ff 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3rd Hn 2nd Tpt 3 3 3 2nd Hn. 1st Tpt 3 3 3 4th Hn. 3 3 3 Alto Cl. 3 3 B. Cl. 3 3 Cb. Cl. 3 3 3 3 1st Hn. 3 3 3 2nd Cl. Bar. Sax. 3 3 3 3 1st Cl. 1st A. Sax. 3 3 3 3 Eb Cl. 3 1st Bsn. 2nd Bsn. 3 3 3 3 3 3 mf f 3 6 f 3 f mp 3 3 3 f 6 13 Picc. 1st Fl. 2nd Fl. 1st Ob. str.mute 95 2nd Ob. C. A. 1st Bsn. 2nd Bsn. Eb Cl. 97 3 6 3 3 3 mf 3 3 3 3 3 3 3 mf 3 3 3 3 Alto Cl. B. Cl. fz Cb. Cl. fz 2nd A. Sax. T. Sax. 1st A. Sax. Bar. Sax. 1st Hn. 3 3 3 3 3 3 p 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 mf 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 p 3 3 3 3 3 3 3 3 p 3 3 3 3 3 3 p 3 3 3 mf 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 mf 3 3 3 3 mf 3 3 3 p 3 3 6 3 3 3 mf 3 3 3 p euph solo 3 mf 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 p 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 mf 3 3 3 3 3 3 3 3 3 3 mf 3 3 mp mp mp 3 mf 3rd Tpt mp 3 3 2nd Tpt str. mute f str. mute f str. mute f mf 1st Cor. 3 3 f 3 3 3 3 3 3 3 2nd Tbn. f 3 3 Bar. 3 3 3 mf 3 mf 3 f 3 3 3 3 p p 3 3 B.D. 3 3 mf 3 3 3 3 3 3 p 3 3 3 3 3 p 3 3 mf p 3 f 3 3 3 3 3 3 3 3 3 3 3 3 3 3 p 3 f str. mute 3 3 3 3 3 3 3 3 3 3 p mf 3 mf 3 3 3 3 mf 3 3 Xyl. 3 mf 3 f str. mute 3 3 3 3 3 3 3 3 3 mf 3 3 3 3 3 3 3 3 3 3 6 3 3 3 3 3 3 3 3 p solo 3 3 3 3 3 3 mf mf 3 3 fz p 3 str. mute 3 3 6 3 3 3 3 3 3 Perc. 1 3 3 3 3 fz 3 Perc.1 3 3 f Timp. 3 f 3 Hp. mf 3 f Pno. 3 3 4th Hn. D.B. 3rd Hn Tba f B. Tbn. 3 1st Tbn. 3 3 3 3 2nd Hn. 2nd Cor. 3 mf f 1st Tpt 3 3 3 3 3rd Cl. 3 3 3 mf 3 3 3 3 3 3 3 3 3 3 3 2nd Cl. 3 3 f f mf fz 1st Cl. str. mute High Splash Castagnets 3 3 3 3 3 3 p middle Splash 3 3 3 3 3 3 3 3 p 14 Picc. 1st Fl. 2nd Fl. 1st Ob. 2nd Ob. C. A. 106 1st Bsn. 2nd Bsn. 107 117 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 1st Cl. 2nd Cl. 3rd Cl. Alto Cl. Eb Cl. B. Cl. Cb. Cl. 1st A. Sax. 2nd A. Sax. T. Sax. 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 mf 3 3 3 3 3 3 3 3 Bar. Sax. 3 3 3 3 3 3 f 3 3 3 3 3 3 3 mf 3 3 3 3 3 3 3 3 Kadenza, freely 3 3 f 3 3 3 3 2nd Hn. 3rd Hn 4th Hn. 2nd Tpt 3rd Tpt 1st Cor. 2nd Cor. 1st Hn. 1st Tpt 1st Tbn. 2nd Tbn. B. Tbn. Bar. Tba D.B. 3 Hp. Timp. Perc.1 Perc. 1 Xyl. 3 3 3 3 3 3 3 3 3 3 f 3 3 mf 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 Pno. 3 mf 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 Kadenza, freely f 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 15 Picc. 1st Fl. 2nd Fl. 1st Ob. 2nd Ob. C. A. 1st Bsn. 2nd Bsn. 118 124 q=172 p p 3 3 3 3 3 3 mp mf 3 3 3 3 mf mp 1st Cl. 2nd Cl. 3rd Cl. Alto Cl. Eb Cl. B. Cl. Cb. Cl. 1st A. Sax. 2nd A. Sax. T. Sax. Bar. Sax. acc. slow p 6 p 3 mf p 3 3 3 3 3 3 3 3 p 3 3 mf 3 3 3 3 3 3 3 3 mp mf mf mp 3 3 mf 3 3 3 3 mf 2nd Hn. 3rd Hn 4th Hn. 2nd Tpt 3rd Tpt 1st Cor. 2nd Cor. 1st Hn. 1st Tpt mp 3 3 mf 3 3 mf 1st Tbn. 2nd Tbn. B. Tbn. Bar. Tba D.B. Pno. Hp. Timp. Perc.1 Perc. 1 Xyl. p acc. slow 6 mf 3 3 3 3 3 3 3 3 3 p p p mp pp mp Triangle mp mf mf mp mp 3 3 3 3 3 3 3 3 3 3 3 3 mf 3 3 mf 3 3 mf mp mp cresc. mf 16 Picc. 131 1st Fl. 2nd Fl. 1st Ob. 2nd Ob. C. A. 1st Bsn. 2nd Bsn. 3 3 3 mf 3 mf 3 B. Cl. Cb. Cl. 1st A. Sax. f f 1st Hn. 1st Tpt 2nd Cor. f 3 3 3 3 3 3 3 3 f f f 3 3 f 3 3 3 3 3 3 fp 3 3 f Xyl. Xylo mf 3 sfz 3 3 3 3 f 3 3 3 mp ff 3 3 3 3 3 ff 3 3 3 ff ff fp 3 3 3 ff mp 3 3 3 3 3 3 3 ff ff mp 3 3 3 3 3 3 f 3 3 3 3 3 1st 3 3 3 3 3 3 3 2nd 3 3 ff 3 3 3 3 3 mp f 3 mp 3 ff 3 3 3 3 f 3 3 fp 3 3 3 3 3 p 3 3 3 3 3 f 3 ff fp f p 3 3 p 3 3 3 fp 3 ff 3 3 3 f 3 3 mp ff 3 3 3 f 3 3 mf 3 3 3 3 3 3 3 3 3 3 3 p mp 3 3 3 3 3 3 ff fp 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 f 3 3 3 ff 3 3 3 3 ff 3 p 3 f 3 3 3 f 3 ff f 3 mp ff p 3 3 3 3 3 3 3 f 3 3 3 3 ff 3 3 3 mp ff f 3 3 3 3 3 3 3 3 f 3 f 3 3 3 3 3 f 3 f 3 3 3 3 ff 3 3 ff 3 ff 3 3 3 sfz f 3 3 f 3 3 3 3 ff 3 f 3 3 3 3 3 ff 3 3 f Perc. 1 sfz Bar. Perc.1 ff 3 3 ff ff 3 f 3 ff fp ff 3 f 3 open Timp. Hp. 3 f open Pno. 3 f D.B. 3 3 open 3 3 3 Tba 3 3 3 3 f 3 3 3 3 3 3 3 3 3 3 mp f 3 ff 3 3 3 mp 3 p 3 3 3 ff 3 3 3 3 3 3 fp 3 3 f 3 1st Tbn. B Trb. 3 2nd Tbn. p ff fp 1st Cor. fp 3 3rd Tpt 2nd Tpt 3 3 3 3 3 ff f 3 fp 3 ff f f f 4th Hn. 3rd Hn 3 fp 3 f 2nd Hn. f T. Sax. Bar. Sax. f f 3 3 ff "The Hannibal-Theme" fp 3 f 2nd A. Sax. f 3 3 3 3 3 mf Alto Cl. f 3 3 3 f 3rd Cl. 3 2nd Cl. f 3 f 137 3 f f f Eb Cl. 1st Cl. f f ff mp 3 3 3 ff C.C. 3 3 f ff mp 3 3 3 ff 3 mp 3 ff 3 3 f ff 3 mp mf mf 17 Picc. 141 1st Fl. 2nd Ob. C. A. Eb Cl. 3 3 3 3 mf mf 3 3 3 3 3 3 3 mf 3 f 3 f mf 3 3 3 p 3 3 3 3 B. Cl. 2nd A. Sax. T. Sax. 3 3 3 3 f 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 f 3 f 3 mf 3 3 3 3 3 3 f 3 3 3 3 f 3 3 f 3 3 3 3 3 3 f f 3 3 3 3 3 3 3 3 3 3 3 f 3 3 3 3 f 3 3 3 3 3 3 3 3 f 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 f 3 3 f f f 3 3 mf 3 3 f 3rd Hn 3 f 3 3 2nd Hn. 3 3 3 3 3 3 3 mf f 3 3 3 3 f 3 3 3 f 3 3 f 3 3 f f 3 3 3 3 p 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 Alto Cl. 1st Tpt 3 3rd Cl. 4th Hn. 3 3 p 1st Hn. f 3 Bar. Sax. 3 3 2nd Cl. 1st A. Sax. f 3 3 1st Cl. Cb. Cl. f 3 3 3 1st Bsn. 2nd Bsn. mf 1st Ob. 3 3 mf 2nd Fl. 3 f 3 mf 3 3 f 3 3 3 3 2nd Tpt 3rd Tpt 1st Cor. 2nd Cor. 1st Tbn. f 2nd Tbn. 3 both 3 3 3 Bar. 3 B Trb. Tba D.B. mf 3 3 Hp. Timp. Perc.1 Perc. 1 3 p 3 3 3 3 Xyl. mf f 3 3 3 3 f mf 3 3 3 3 f mf 3 3 3 f 3 3 3 3 3 3 3 f 3 3 f 3 3 3 3 3 f 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 B.D. 3 f 3 3 3 f 3 f f 3 f 3 3 f f 3 3 3 3 mf 3 mf 3 f 3 3 Pno. f 18 153 Picc. 3 3 3 3 150 1st Fl. 2nd Fl. 2nd Ob. C. A. 1st Bsn. 2nd Bsn. 3 3 3 3 3 3 1st Ob. 3 3 3 Eb Cl. ff 3 3 3 3 2nd Cl. 1st A. Sax. 3 1st Hn. 2nd Tbn. Hp. Timp. Perc.1 Perc. 1 Xyl. 3 ff 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 f f f 3 3 3 3 3 3 3 3 3 f 3 3 3 3 3 3 f 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 f 3 3 3 3 3 3 3 3 Xylophone f 3 3 3 3 ff 3 3 3 f 3 3 3 3 ff 3 3 3 3 3 ff 3 ff 3 3 3 3 3 3 3 ff 3 3 3 3 3 3 3 3 3 3 3 3 ff 3 3 3 ff 3 3 3 3 3 3 3 3 ff ff 3 3 3 3 3 3 3 Glockenspiel 3 f ff 3 3 3 3 3 3 3 3 3 3 3 ff 3 3 3 3 3 3 3 ff 3 3 3 3 3 3 3 3 3 ff 3 3 3 3 3 3 ff 3 3 3 3 ff 3 3 3 3 3 3 3 3 3 ff 3 3 3 3 3 3 3 3 ff 3 3 3 3 3 3 3 3 3 3 3 3 3 ff 3 3 3 3 3 Pno. 3 2nd Cor. D.B. 3 3 3 3 ff 3 ff 3 3 3 ff 3 ff Tba 3 159 3 3 3 3 ff 1st Cor. Bar. 3 ff 3 3 3 3 3 ff 3 3 3 3 3 3 3 3 3 3 3 ff 3 3rd Tpt B Trb. 3 3 3 3 3 3 3 3 3 3 3 3 ff 3 2nd Tpt 1st Tbn. 3 3 3 3 3 3 3 3 3 3 ff 3rd Hn 1st Tpt 3 3 3 2nd Hn. 4th Hn. 3 3 3 Bar. Sax. 3 T. Sax. 3 3 3 3 3 3 3 3 ff 3 3 2nd A. Sax. 3 ff 3 3 3 ff 3 3 3 Cb. Cl. 3 3 3 3 3 ff 3 3 ff 3 3 B. Cl. 3 3 3 3 3 3 ff Alto Cl. ff 1st Cl. 3rd Cl. 3 ff 3 3 3 ff 3 3 3 3 3 ff 3 3 3 3 3 3 Floor Tom 3 3 3 f 3 3 19 Picc. 1st Fl. 2nd Fl. 1st Ob. 2nd Ob. C. A. 1st Bsn. 2nd Bsn. 168 3 3 162 f 3 f 3 3 f f f 3rd Cl. Alto Cl. 1st Cl. 2nd Cl. Cb. Cl. 1st A. Sax. Bar. Sax. 1st Hn. 2nd Hn. 3rd Hn 4th Hn. 1st Tpt 3 2nd Tpt 3rd Tpt 3 3 1st Tbn. 3 2nd Tbn. B Trb. D.B. Hp. Timp. Perc.1 Perc. 1 Xyl. 3 3 3 mf f 3 3 3 3 3 3 3 3 mf 3 3 3 3 3 3 3 3 3 3 3 mf 3 3 C.C. f 3 3 3 mf 3 f 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 st. mute st. mute st. mute 3 3 3 3 3 3 3 3 3 3 3 fp 3 3 3 3 3 3 3 3 3 3 3 3 3 f mf 3 3 3 3 fp f 3 fp f 3 3 3 3 3 3 3 f mf 3 mf f 3 3 f 3 mf f 3 3 mf 3 3 f 3 3 3 mf f 3 mf 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 f 3 3 3 3 3 3 3 3 f f 3 3 3 3 3 3 3 3 f 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 f 3 f f 3 3 3 3 3 f mf 3 3 3 3 3 f 3 mf 3 3 mf 3 3 3 3 f 3 f 3 mf 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 f 3 3 mf 3 f 3 3 3 3 f 3 f 3 f 3 3 mf 3 3 mf 3 f 3 f 3 f f 3 3 3 3 3 3 3 f 3 mf 3 3 3 3 3 3 f f 3 mf 3 mf 3 3 3 mf 3 f 3 3 mf 3 3 3 Pno. 3 f 3 3 3 Bar. Tba 3 mf 3 3 f 3 3 3 2nd Cor. 3 f mf 3 3 f mf 3 mf 3 mf f 3 f mf 3 f3 3 f 3 3 3 3 3 3 3 mf f mf 3 f f 3 3 3 3 mf 3 f f f mf 3 3 f 3 1st Cor. mf 3 3 3 3 3 f T. Sax. f 2nd A. Sax. B. Cl. 3 3 mf 3 f f mf 3 3 3 3 f mf f mf 3 3 3 3 Eb Cl. 3 mf f 3 3 f mf 3 3 20 Picc. 1st Fl. 2nd Fl. 1st Ob. 2nd Ob. C. A. 173 1st Bsn. 176 3 3 3 3 1st Cl. 2nd Cl. 3rd Cl. 2nd Bsn. Eb Cl. Alto Cl. B. Cl. Cb. Cl. 1st A. Sax. D.B. Pno. Hp. Timp. Perc.1 Perc. 1 Xyl. mf 3 mf 3 f 3 3 3 f 3 3 3 3 3 f 3 3 3 3 3 3 3 3 3 3 f 3 3 f f mute f mute f fp mf 3 f 3 f mf mf fp mf fp mf mf 3 f 3 f fp fp 3 3 3 3 3 3 3 f 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 f ff ff 3 f ff open open f f f 3 f open f mf Woodblock mf f f Floortom 3 3 f 3 Xylophone mf f 3 3 3 Glockenspiel 3 3 3 f 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 f f mf fp 3 f mf 3 3 3 f f 3 3 3 f f mute 3 3 f f mute 3 f 3 3 f 3 f f f f f 3 mf Tba 2nd Tbn. Bar. 3 3 1st Cor. B Trb. 3 mf 3 3rd Tpt 1st Tbn. 3 3 3 2nd Tpt 2nd Cor. 3rd Hn 1st Tpt 2nd Hn. 4th Hn. f T. Sax. 1st Hn. 2nd A. Sax. Bar. Sax. "Hannibal leads to the Alps" 21 188 Picc. 1st Ob. 2nd Ob. 184 1st Fl. 2nd Fl. 1st Bsn. 2nd Bsn. 2nd Cl. 3rd Cl. 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 mf 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 mf 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 f 3 f 3 3 3 3 3 3 2nd Tbn. 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 f open 3 3 f 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 mf 3 3 3 3 cresc. 3 mf 3 cresc. 3 3 mf cresc. 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 mf 3 mf 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 f f 3 3 B.D. 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 f 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 f open 3 3 3 3 3 3 3 3 3 3 3 3 1st Tbn. 3 f open 3 mf 2nd Cor. 3 open 3 3 3 f 3 3 3 f 3 3 3 3 3 3 3 3 3 3 f 3 f 3 3 mf 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 mf 3 mf 3 192 3 3 3 3 3 3 f 3 f Xyl. 3 Perc. 1 3 3 Perc.1 3 1st Cor. Timp. 3 mf f Hp. 3 mf 3 3rd Tpt Pno. 3 2nd Tpt D.B. 3 3rd Hn Tba 3 2nd Hn. Bar. 3 T. Sax. B Trb. 3 2nd A. Sax. 1st Tpt 3 4th Hn. 3 Cb. Cl. 1st Hn. 3 Bar. Sax. 3 B. Cl. 1st A. Sax. 3 3 Alto Cl. 3 3 Eb Cl. 1st Cl. 3 mf C. A. 3 3 3 3 22 Picc. 195 1st Fl. 2nd Fl. 1st Ob. 2nd Ob. C. A. 1st Bsn. 2nd Bsn. cresc. mf 3 mf cresc. 3 f 3 3 3 mf f cresc. 1st Hn. 3rd Tpt 1st Cor. 2nd Cor. B Trb. Bar. Tba D.B. Hp. Timp. Perc.1 Perc. 1 Xyl. 3 3 3 3 3 ff 3 ff f ff 3 3 3 3 3 3 3 3 3 f cresc. 3 3 3 3 3 3 3 3 3 3 3 3 f cresc. 3 3 f cresc. 3 3 3 3 3 3 f cresc. 3 3 f cresc. 3 3 3 3 mf f cresc. 3 3 3 3 mf f cresc. 3 3 3 3 f cresc. mf 3 3 3 3 f cresc. mf ff 3 3 3 3 3 ff 3 3 mf ff ff ff 3 3 ff ff 3 3 3 mf mf ff ff ff 3 mf ff 3 3 3 3 3 3 3 3 3 f mf 3 ff 3 3 3 3 3 f 3 3 ff 3 ff 3 3 3 3 3 3 3 f f cresc. 3 3 3 3 mf f cresc. 3 3 ff 3 3 3 ff 3 ff 3 3 3 ff 3 3 f ff C.C. f f 3 3 f cresc. 3 3 C.C. ff ff ff ff ff 3 3 3 f 3 3 3 ff 3 f 3 f 3 3 f 3 ff ff 3 3 ff 3 3 ff ff 3 ff ff ff ff ff ff ff f 3 3 3 3 3 3 3 3 cresc. 3 3 3 3 3 3 3 3 3 3 3 3 3 3 ff f ff 3 3 3 3 3 3 3 ff f ff 3 ff f ff ff ff ff mf 3 ff f mf ff 3 3 3 3 3 3 3 cresc. 3 f ff 3 3 3 3 3 3 3 mf 3 3 3 3 ff ff ff 3 3 3 3 3 3 3 f 3 ff ff 3 3 3 ff ff f 3 mf 3 3 mf 3 ff mf 3 3 3 3 3 3 3 mf 3 3 3 3 3 3 mf ff 3 3 3 ff f cresc. mf mf f 3 3 f cresc. mf ff 3 3 Pno. 3 mf 3 2nd Tbn. 3 f 3 f cresc. 2nd Tpt 3 f 3 mf 1st Tbn. mf 3 3 3 3 3 3 3 3 3 mf 3 3 3 3 3 3 3 3rd Hn 1st Tpt 2nd Hn. 4th Hn. T. Sax. Bar. Sax. ff 3 3 3 2nd A. Sax. 3 3 ff 3 1st A. Sax. ff f f 3 Cb. Cl. 3 3 ff f ff B. Cl. poco a poco crescendo f 3 3 3 3 3 3 3 Alto Cl. ff 200 3rd Cl. 3 3 f 3 2nd Cl. f 3 Eb Cl. 1st Cl. 3 3 ff ff 3 23 Picc. 3 3 3 3 3 206 1st Fl. 2nd Fl. 1st Ob. 2nd Ob. C. A. 1st Bsn. 2nd Bsn. Eb Cl. 2nd Cl. 3rd Cl. Alto Cl. Cb. Cl. 1st A. Sax. 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 ff ff div. 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 both 3 3 3 3 3 3 3 3 3 3 3 3 3 3 Tam Tam f 3 3 Glockenspiel ff 3 3 3 3 3 3 3 3 3 Bar. 3 3 3 3 3 3 2nd Tbn. 1st Tbn. 1st Cor. 3rd Tpt 3 3 3 3 ff 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 2nd Tpt Xyl. 3 Perc. 1 3 Perc.1 3 3 3 3 3 3 3 3 4th Hn. Timp. 3 3 3 3 Hp. Pno. 3rd Hn D.B. 3 Tba 3 3 B Trb. 3 3 2nd Hn. 2nd Cor. 3 3 1st Tpt T. Sax. 1st Hn. 3 3 2nd A. Sax. Bar. Sax. 1st Cl. B. Cl. 3 3 3 mf 3 3 3 3 24 Picc. 212 1st Fl. 2nd Fl. 1st Ob. 2nd Ob. C. A. 1st Bsn. 2nd Bsn. 2nd Cl. Cb. Cl. 1st A. Sax. mp 3 3 3 3 3 3 mf 3 3 mf 3 3 mf 3 3 mf 3 3 3 3 mp 3 3 3 3 3 3 3 3 mp 3 3 3 3 3 3 3 3 3 p p 3 3 p 3 3 mp 3 3 3 mp 3 3 3 p 3 3 3 p 3 mp 3 3 3 mp 3 3 3 3 3 3 3 3 p 3 3 p 3 3 p 3 3 p 3 3 3 3 3 3 3 3 3 3 mp mp 3 3 3 2nd Tpt 3rd Tpt 1st Cor. 2nd Cor. 1st Tbn. 2nd Tbn. B Trb. Bar. Tba D.B. Pno. Hp. Timp. Perc.1 Perc. 1 Xyl. 3 3 3 3 3 3 3 3 3 3 3 3 p 3 mp p mp 3 3 3 3 3 3 p f p mp 3 3 3 3 3 3 3 3 3 mp mp mp 3 3 3 3 3 3 mp mp 3 3 3 3 3 3 3 mp 3 3 3 mp 3 3 mp 3 3 3 3 mp 3 mf 3 3 3 3 3 3 3 3 mp 3 3 3 3 3 3 mp Bar. Sax. 1st Tpt T. Sax. 4th Hn. 3rd Hn 2nd Hn. 1st Hn. 2nd A. Sax. B. Cl. Alto Cl. 3rd Cl. Eb Cl. 1st Cl. mp Xylophone 3 3 3 3 mp 3 3 25 217 Picc. calmando q =86 f 1st Fl. f 2nd Fl. f 1st Ob. f 2nd Ob. f C. A. f 1st Bsn. 2nd Bsn. Eb Cl. f f f 1st Cl. f-pp 2nd Cl. f-pp 3rd Cl. f-pp Alto Cl. Cb. Cl. 1st A. Sax. f-pp B. Cl. mp mp Pno. Timp. Perc.1 Perc. 1 Xyl. p f-pp f-pp one, Cup mute p one, Cup mute p one, Cup mute p mp p open mf mf open mf mf open mp mute mp mp mf mute p open mp mute mute mp mp mf mp mf mf solo mf mp mp mp mf f f mp pp mf mf open mf mf pp p3 3 p 3 3 p 3 3 mf pp f pp mute pp mf f pp mute pp pp mute f mute pp mp Hp. pp mp D.B. Bar. Tba mf 2nd Tbn. B Trb. 1st Cor. 1st Tbn. mp f-pp 2nd Cor. p 3rd Tpt 2nd Tpt mf f-pp 1st Tpt pp f-pp 4th Hn. mp 3rd Hn 2nd Hn. f-pp 1st Hn. f-pp Bar. Sax. T. Sax. 2nd A. Sax. 226 "Crossing the Alps" q = 86 p p mp mf Vibraphone (motor off) pp p Congas 3 mp mf 3 mp 26 Picc. 1st Fl. 2nd Fl. 228 1st Ob. 2nd Ob. C. A. 1st Bsn. 2nd Bsn. mf Alto Cl. B. Cl. p p mf 3 f T. Sax. Bar. Sax. mf mf p f p f 3 mf mf p p 3 mf p mf f p f 3 p mf mf p f 3 3 mf 3 mp mf 3 mf 3 3 3 mf mf 3 3 3 f 3 3 f p p f 3 mf mf mp f f p 3 3 3 mf 3 mf 3 p mf 3 f p 3 3 3 p 3 3 3 p 3 p p 3 p Solo 3 p p 3 mf mf p p mf 3 3 mf 3 3 mf 3 p f mf mf mf f mf 3 f mf 3 f mf p mf 3 3 3 3 3 3 mf mp 3 3 f mf f f f f mf 3 3 3 Xyl. 3 f mf 1st Tbn. 3 mf 2nd Tbn. Perc. 1 1st Cor. Perc.1 f 3 3 3rd Tpt Timp. f 2nd Tpt Hp. 3 234 3rd Hn Pno. f mf p 2nd Hn. D.B. mf p mf Tba 3 p mf Bar. 3 3 B Trb. mf 3 f 2nd Cor. mf 3 f 1st Tpt 4th Hn. 3 1st Hn. 2nd A. Sax. 3 f 3 f 1st A. Sax. mf p 3 p 3 p 3 Cb. Cl. 3 mf 3 3rd Cl. mf 3 2nd Cl. 3 mf Eb Cl. 1st Cl. mf 3 mf p 3 mf 3 3 mf 3 mf mf 3 Xylophone mf p f 3 mp f 3 27 Picc. 1st Fl. 2nd Fl. 1st Ob. 2nd Ob. C. A. 236 1st Bsn. 2nd Bsn. Eb Cl. 1st Cl. 2nd Cl. 3rd Cl. Alto Cl. B. Cl. Cb. Cl. 3 3 3 3 3 3 3 mf p mf 3 3 p 3 p mf 5 3 3 3 3 3 3 3 3 3 3 242 mf mf mf f f f p p Solo 2nd A. Sax. T. Sax. Bar. Sax. 1st A. Sax. 1st Hn. 2nd Hn. 3rd Hn 4th Hn. 1st Tpt 3rd Tpt 1st Cor. mf 3 3 3 3 3 3 3 mf 3 3 mf mf 3 3 3 3 3 3 3 3 3 3 3 3 3 mf mf mf f f mf f f str. mute 3 str. mute 3 3 3 3 str. mute 3 f 2nd Tpt 2nd Cor. 3 3 p3 str. mute 3 p p p3 p 3 3 3 3 3 3 3 3 3 3 3 1st Tbn. 2nd Tbn. B Trb. Bar. Tba D.B. Pno. Hp. Timp. Perc.1 Perc. 1 Xyl. p 3 3 3 3 p 3 p 3 3 3 p f mf p mf 3 mf mp 3 3 28 Picc. 1st Cl. 2nd Cl. 3rd Cl. Alto Cl. B. Cl. 245 1st Fl. 2nd Fl. 1st Ob. 2nd Ob. C. A. 1st Bsn. 2nd Bsn. Eb Cl. p 3 3 3 p p 3 3 3 3 p p 3 3 3 3 p p 3 3 p p 3 3 3 f 3 f 3 3 3 3 3 f 3 f 3 3 3 3 3 f f 3 3 3 3 mf mf mf mf mf 3 3 mf mf mf 3 f f 3 3 mf 3 3 3 1st A. Sax. Cb. Cl. 3 3 f 3 3 3 3 3 3 250 p p 3 3 p f 2nd A. Sax. T. Sax. Bar. Sax. 2nd Hn. 3rd Hn 1st Hn. 4th Hn. 1st Tpt Str. mute mf 2nd Tbn. Pno. Hp. Timp. Perc.1 Perc. 1 mf 3 p 1st Cor. D.B. p mf Tba 3 3rd Tpt Bar. mf mute p mf B Trb. mf p 3 2nd Tpt 1st Tbn. mute 3 mf 2nd Cor. mute mf mute mf mf 3 p Str. mute 3 p Str. mute p 3 3 3 3 3 3 mf mf mf 3 Xyl. 3 3 mf 3 3 f 3 mf 3 mf 3 3 29 Picc. 2nd Ob. C. A. 255 1st Fl. 2nd Fl. 1st Ob. 1st Bsn. 2nd Bsn. Eb Cl. 1st Cl. 3 3 2nd Cl. 3rd Cl. Alto Cl. 3 3 3 3 3 3 3 Cb. Cl. 3 f 3 mf p 3 f 3 f mf 3 f mf f mf f 3 f mf f p 3 3 3 mf f mf mf f p mf mf B. Cl. 1st A. Sax. 3 mf 258 3 3 3 T. Sax. Bar. Sax. 2nd Hn. 3rd Hn 4th Hn. 1st Tpt 3 3 3 3 3 3 3 3 p 3 mf 3 p mf mf p mf 3 3 3 p 3 3 mf f mf f mf 3 f mf f 3 3 3 3 2nd Tpt 3rd Tpt 1st Cor. 2nd Cor. 1st Tbn. 2nd Tbn. B Trb. Bar. Tba D.B. Pno. Hp. Timp. Perc.1 Xyl. 3 3 f f f mf f 3 Perc. 1 p 3 mf 3 3 mf 3 f mf f 3 2nd A. Sax. 1st Hn. 3 mf 30 Picc. 1st Fl. 2nd Fl. 1st Ob. 2nd Ob. C. A. 263 1st Bsn. 2nd Bsn. Eb Cl. 1st Cl. 264 2nd Cl. 3 3 3 3 3 3rd Cl. Alto Cl. B. Cl. Cb. Cl. 3 3 3 3 3 3 3 3 3 3 3 mf 3 3 3 3 3 3 3 3 3 3 3 3 mf 3 3 3 3 3 3 3 3 3 3 3 3 mf 3 3 3 3 3 3 3 1st A. Sax. string. e cresc. 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 T. Sax. Bar. Sax. 3 3 3 3 3 2nd Hn. 3rd Hn 3 3 3 3 3 3 3 3 3 3 4th Hn. 3 3 3 3 3 mf 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 mf 3 3 3 3 mf 3 3 3 3 3 3 mf 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 2nd Tpt 3rd Tpt 1st Cor. 2nd Cor. open open 2nd Tbn. open B Trb. Bar. Tba D.B. Pno. Hp. Timp. Perc.1 Xyl. f f f 3 3 3 3 3 Perc. 1 f 1st Tbn. 3 1st Tpt 3 3 2nd A. Sax. 1st Hn. 3 f Glockenspiel f f 3 3 3 3 31 Picc. 269 1st Fl. 2nd Fl. 1st Ob. 2nd Ob. C. A. 270 fp fp fp fp 1st Bsn. 2nd Bsn. Eb Cl. 2nd Cl. 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 fp 3 3 3 B. Cl. 3 fp fp T. Sax. Bar. Sax. 1st Hn. 2nd Hn. 3rd Hn 4th Hn. 1st Tpt fp fp ff ff ff ff ff ff ff ff ff fp ff tutti ff ff fp ff ff fp fp ff fp fp 2nd A. Sax. 3 ff fp 3 Alto Cl. 1st A. Sax. 3 3rd Cl. Cb. Cl. 3 3 fp fp fp 1st Cl. Con Fuoco q=144 fp 272 fp 3 3 3 ff 2nd Tpt 3rd Tpt 1st Cor. 2nd Cor. 1st Tbn. 2nd Tbn. B Trb. Tba D.B. Hp. Timp. Perc.1 ff fp fp ff 3 3 3 3 3 ff 3 3 3 ff ff 3 3 3 ff 3 ff fp fp fp 3 Xyl. 3 Perc. 1 Pno. fp Bar. ff 3 fp f f f C.C. 3 f Xylophone 3 3 ff 32 276 Picc. ff 3 1st Fl. 2nd Fl. 1st Ob. ff 3 ff C. A. 1st Bsn. 3 1st Cl. 3 3 3 Cb. Cl. ff ff 3 3 3 4th Hn. 2nd Tpt 3rd Tpt ff 3 3 ff 3 ff 3 3 3 3 3 3 1st Cor. 2nd Cor. 1st Tbn. ff 2nd Tbn. ff B Trb. Pno. Hp. Timp. ff 3 f 3 ff 3 p f f f 3 3 3 f p f f f p f f C.C. 3 3 3 3 3 3 fff f f p f f Xyl. Perc.1 Perc. 1 D.B. ff Bar. Tba f f p f 1st Tpt 3rd Hn f 3 3 Bar. Sax. 3 2nd Hn. 1st Hn. ff T. Sax. 3 3 3 3rd Cl. 3 3 3 3 ff 3 3 3 2nd A. Sax. 3 3 1st A. Sax. 3 B. Cl. 2nd Cl. Alto Cl. 3 ff Eb Cl. 3 3 ff 2nd Bsn. 3 3 2nd Ob. 280 "Hannibal fights against Romanian Imperium" Woodblock f f p 33 290 1st Ob. 2nd Ob. C. A. 283 Picc. 1st Fl. 2nd Fl. 1st Bsn. Eb Cl. 1st Cl. 3rd Cl. Alto Cl. 2nd Hn. 3rd Hn 4th Hn. 1st Tpt 2nd Tpt 3rd Tpt 1st Cor. 2nd Cor. p f p Bar. Perc.1 Perc. 1 Xyl. f f f mf f mf mf f mf f f mf p mf f mf f f mf p f mf f mf f mf f f mf f p p p mf f mf f mf f p mf f p mf f p mf f p mf p p p mf f mf f mf f mf f mf mf mf p 3 p 3 3 f p 3 mp mf mp3 mf 3 f 3 f 3 f f mf f mf f f 3 p f p mf f mf f f mf mf p 3 3 3 mp f p mf p f f mf p f f mf f f f p p mf f p mf f p f p f p f Timp. f Hp. f f p f Pno. D.B. Tba B Trb. 1st Tbn. 2nd Tbn. f 1st Hn. Bar. Sax. Cb. Cl. T. Sax. 2nd A. Sax. B. Cl. 1st A. Sax. f 2nd Cl. f 2nd Bsn. f p mf f 3 3 mf 3 3 34 296 Picc. 294 f f f f 1st Fl. 2nd Fl. 1st Ob. 2nd Ob. f fp fp fp fp f f f f mf 3 3 3 f 3 mf 3 3 3 3 f f fp f f 2nd Hn. 3rd Hn 1st Hn. 4th Hn. 1st Tpt f fp Perc.1 f Perc. 1 Xyl. fp 3 fff fff fff fff fff Tambourin 3 3 3 f 3 fff p mf3 f 3 mf mf mf mf mf p3 mf f mf mf 3 3 3 fff mf f fff mf mf f 3 3 f mf f mf fff 3 3 3 3 fff f mf mf mf fff mf p f f fff p 3 p 3 fff f f f mf f 3 3 3 3 mf fp f 3 3 3 f 3 mf f 3 3 f 3 f f 3 f f fp mf Timp. f Tba fp Hp. f 2nd Tbn. Pno. f f f 1st Tbn. D.B. f 1st Cor. Bar. 3rd Tpt B Trb. 2nd Tpt 2nd Cor. fp 3 3 T. Sax. 3 f 3 mf Bar. Sax. f f f 2nd A. Sax. fp 1st A. Sax. f mf Cb. Cl. 3 B. Cl. fp f 3 3 3 Alto Cl. f fp f 3rd Cl. Eb Cl. 2nd Cl. f fp 1st Cl. f fp 2nd Bsn. 1st Bsn. f C. A. f fp mf p 3 3 mf 3 35 309 1st Fl. 2nd Fl. 1st Ob. 2nd Ob. C. A. 307 Picc. 2nd Bsn. 3 f 3 3 3 3 3 1st Cl. 2nd Cl. 3rd Cl. Alto Cl. 3 3 3 f 2nd time only 2nd time only f f 3 3 3 3 3 f f 3 f fff 2nd time only 2nd time only f both times both times fff both times fff fff fff fff fff fff fff fff fff both times both times fff both times fff both times fff fff both times fff both times 3 3 f 3 3 3 3 f Xyl. 2nd Cor. Perc. 1 2nd time only Perc.1 1st Cor. f 2nd time only 3rd Tpt Timp. 2nd time only Hp. 2nd time only 2nd Tpt f Pno. legato 3 D.B. 3 Tba f Bar. f f 3 3 3 B Trb. 3 2nd Tbn. f 1st Tbn. 3 3 3 3 legato f 2ndtime only Bar. Sax. 1st Tpt 3 3 3 3 1st A. Sax. legato Cb. Cl. 4th Hn. 3rd Hn f 2nd Hn. f 1st Hn. legato 3 T. Sax. f 3 2nd A. Sax. 3 legato B. Cl. f Eb Cl. f 1st Bsn. f 3 3 f 3 3 f 3 3 f f f f f f 36 Picc. 1st Fl. 316 1. 2nd Fl. 1st Ob. 2nd Ob. C. A. 2. 2nd Bsn. 1st Bsn. 1st Cl. Eb Cl. 2nd Cl. 3rd Cl. Alto Cl. 1st A. Sax. 2nd A. Sax. T. Sax. Bar. Sax. 1st Hn. 3rd Hn 4th Hn. 2nd Tpt 3rd Tpt 2nd Cor. 1st Cor. 1st Tbn. Bar. Tba D.B. Pno. Hp. Timp. Perc.1 mp mp mp mp mp div. mp Xyl. Perc. 1 2nd Tbn. B Trb. 2nd Hn. 1st Tpt Cb. Cl. B. Cl. 318 solo ff mf f mf f-mf Marimbaphone mf Xylophone mf 37 Picc. 326 1st Fl. 2nd Fl. 1st Ob. 2nd Ob. C. A. 2nd Bsn. 1st Bsn. 1st Cl. 2nd Cl. 3rd Cl. Alto Cl. Cb. Cl. 1st A. Sax. B. Cl. 2nd A. Sax. T. Sax. Bar. Sax. Cue Trumpet Solo mp p hit with metal on your stand p hit with metal on your stand p hit with metal on your stand p hit with metal on your stand p hit with metal on your stand mf p p hit with metal on your stand 2nd Cor. 1st Tbn. Tba D.B. Pno. Hp. Perc. 1 Xyl. cup mute cup mute mp p f p p hit with metal on your mute or stand p hit with metal on your mute or stand p hit with metal on your mute or stand p p metal on your mute or stand hitwith p mf hit with metal on your mute or stand p p hit with metal on your mute or stand hit with metal on your mute or stand hit with metal on your mute or stand hit with metal on your mute or stand p hit with metal on your mute or stand p hit with metal on your mute or stand p hit with metal on your mute or stand p hit with metal on your mute or stand cup mute hit with metal on your mute or stand Solo Stand up Perc.1 Timp. p Bar. p hit with metal on your stand B Trb. hit with metal on your stand 2nd Tbn. p hit with metal on your stand 1st Cor. 3rd Tpt 2nd Tpt 1st Tpt f p hit with metal on your stand 4th Hn. 3rd Hn 2nd Hn. hit with metal on your stand 1st Hn. p hit with metal on your stand p hit with metal on your stand Eb Cl. 333 38 Picc. 1st Fl. 2nd Fl. 1st Ob. 2nd Ob. 335 C. A. 2nd Bsn. 1st Bsn. Eb Cl. 1st Cl. f mp 3rd Cl. Alto Cl. Cb. Cl. 1st A. Sax. 2nd Cl. B. Cl. f 2nd A. Sax. T. Sax. Bar. Sax. 2nd Hn. 3rd Hn 4th Hn. 1st Hn. 1st Tpt 2nd Tpt 3rd Tpt 1st Cor. 2nd Cor. 1st Tbn. Bar. Tba D.B. Pno. Hp. Perc. 1 Xyl. f mp f Perc.1 Timp. 2nd Tbn. B Trb. 39 Picc. 1st Fl. 2nd Fl. 1st Ob. 2nd Ob. 345 C. A. 1st Bsn. 2nd Bsn. Eb Cl. 1st Cl. f f 3rd Cl. Alto Cl. T. Sax. 2nd Hn. 3rd Hn 4th Hn. 2nd Tpt 3rd Tpt 1st Cor. 1st Tpt 2nd Cor. f f mf Bar. mf mf f f f f mf f f mf f Perc.1 Xyl. mf mf Perc. 1 Timp. mf f 2nd Tbn. Hp. mf f Pno. f f mf f mf mf D.B. Tba f mf 1st Tbn. B Trb. f mf f 1st Hn. f f f f 2nd A. Sax. Bar. Sax. f f mf f f f mf f Cb. Cl. 1st A. Sax. f 2nd Cl. B. Cl. rit. 354 Maestoso q=86 349 40 Picc. 355 1st Fl. 2nd Fl. 2nd Ob. C. A. 1st Bsn. Eb Cl. 1st Ob. 2nd Bsn. Alto Cl. mf mf f mf f f mf mf mf f 7 f 1st Cor. 2nd Cor. mf mf Timp. Perc.1 Perc. 1 Xyl. f f f f f mf mf mf f mf f Hp. f f f mf f mf f mf f mf f Bar. Pno. f f f mf f 7 mf f f mf mf mf mf mf D.B. 3rd Hn Tba B Trb. 7 2nd Tbn. 1st Tbn. f 3rd Tpt 7 2nd Tpt 1st Tpt mf 2nd Hn. 4th Hn. T. Sax. f 2nd A. Sax. 1st Hn. B. Cl. 3rd Cl. 2nd Cl. Bar. Sax. 1st A. Sax. 1st Cl. Cb. Cl. 7 mf f Tubular Bell mf 41 Picc. 364 363 ff 1st Ob. 2nd Ob. B. Cl. Cb. Cl. 1st Fl. 2nd Fl. C. A. 1st Bsn. 2nd Bsn. Eb Cl. 1st Cl. 2nd Cl. 3rd Cl. Alto Cl. 1st A. Sax. 2nd Hn. 3rd Hn p molto espressivo p p molto espressivo mp mp mf mp mf molto espressivo p Bar. Sax. 1st Hn. p T. Sax. molto espressivo 2nd A. Sax. mp mf mp f mf mf B Trb. Bar. p mp Hp. Timp. Perc.1 Perc. 1 Xyl. mf mf mf f f f f mf Pno. mf Tba D.B. f 2nd Tbn. f 1st Tbn. f f f 2nd Cor. f ff 1st Cor. 1st Tpt 3rd Tpt 2nd Tpt ff mf ff mf ff f ff f 4th Hn. mf mf f f f f f f f S.C. mf 42 "Hannibal near Roma" q = 168 Picc. 375 1st Fl. 2nd Fl. 1st Ob. 2nd Ob. C. A. 1st Bsn. ff p mp p mp p mp p mp ff ff ff p mp p mp p mp p mp p mp p mp mp mp p mp p mp mp p ff mf mf mf mf mp mf mp mf mp mf mp mf mf mp mf mp mf mp mf mp mf mp mf mp mf mp mf mp mf mp mf mp mp mf mf mp mf mp mf mp mf f f mf f mf f mf f f mf f mf f mf f mf mf mf mf f f mf f mf f mf f mf f mf f mf mf f mf f mf mf f mf f mf f mf f f f mf f mf f f mf f mf f f mp mf f f mf f mf f mf f mf f mf f f mf f mf f mf mp mf mp mf mp mf 1st Cor. ff ff ff 2nd Tbn. ff Tba ff div. p mp p p mp p mp mp mf mf mf p mp p mp div. p mp mp p p mp p mp p mp p p mp p mp mp mp p mp mf mf f mp mf mp mf mp mf mf mf mp mp mp mf mp mf mf mp mf mp mp mf mp mp mf f f mp mf mf f mp mf mf mp mf mp mf mp mf f f mf f mf f mf f f f mf f f mf f f mf mf mf mf f mf f f mf f mf mf f f mf mf mp f mf mf mf mp mp mf mf mf mp mp mf f mf mp mp mf mf f mf mf ff f 3rd Tpt mf f mf mf mf ff mf f mp mf 2nd Tpt mf ff mf ff mp mf f mf mf mp f f mf mf mf f f f mf mf mf f f f f f mf mf f mf f f mf mf f mp f mf mp mf mf ff mf mp ff 4th Hn. p mp mp p mp p p p mf mp 3rd Hn p ff ff 2nd Hn. Xyl. Bar. Sax. Perc. 1 T. Sax. Perc.1 2nd A. Sax. Timp. Hp. Cb. Cl. Pno. D.B. Bar. B. Cl. B Trb. 1st Tbn. Alto Cl. 2nd Cor. mp 3rd Cl. 1st Tpt p 2nd Cl. 1st Hn. mp 1st Cl. 1st A. Sax. p 2nd Bsn. Eb Cl. f mf f mf f mf f mf f mf mf f f mf f mf mf f mf f mf f f 43 399 Picc. 1st Ob. 2nd Ob. 390 1st Fl. 2nd Fl. 391 piu mosso C. A. 1st Bsn. 2nd Bsn. Eb Cl. 1st Cl. 2nd Cl. Alto Cl. B. Cl. Cb. Cl. mp mp f 3rd Cl. f mf mp mf mp mf mp mf mp mf mp mf mf mp mp mp mf mf p 4th Hn. 2nd Tpt 3rd Tpt f f mf mf mp mf mf mf mp mf mp mf mf mp mp mf mf mp mf mf mp mf mp mp mf mp mf mf f mp mf f mf mp mf mp mf mp mf mp mf mp mf mp mp mp p p mf p mf 2nd Cor. 1st Tbn. 2nd Tbn. B Trb. Bar. Tba D.B. Pno. Hp. Timp. Perc.1 f mp f f mf f mp mf mp mf mp mf f mf f mf f f mf f f f mf f mf mf f f f mf mf f mf f f mf f f mf mf mf mf f mf f f mf f mf f f mf f mf mf mp f mf mf mf f mf f f mf mf mf f f f mf f mf mf f f mf f f mp mf f f f f mf mf f f f mf mf mf f f f mf mf mf f f mf mf mf f mf f mp p mf f-p f-p mp mf f f mf mf f f mf mf f f f mf mf mf f mf mf mf mf f f f f f mf mf f mf f mf f mf mf f mf f mf f mf mf f mf f f mf f mf mp mf f mf f mp mf mf mf f mp mf f-p mf f f mf f mf f f mf mf f f mf mf f f 1st Cor. mf mf f f f mf mf mf mf f mf f mf mp f f piu mosso mp mf mf mf f mp f f mf mf mf mf mp mp f mf mf mf f mf mf mp mp mp mp mp p mp mp mp mp 1st Tpt 3rd Hn 2nd Hn. 1st Hn. Bar. Sax. T. Sax. f 1st A. Sax. 2nd A. Sax. f mf piu mosso piu mosso mf f f mf f f mf f Perc. 1 Xyl. f f mf f mf Glockenspiel mf mf f mf f mf f 44 Picc. 2nd Fl. 1st Ob. 403 1st Fl. 2nd Ob. C. A. Eb Cl. f f mf f mf f mf f mf f mf f mf f mf f Bar. Sax. 1st Hn. f f f 1st Tpt 2nd Tpt 3rd Tpt 1st Cor. 2nd Cor. 1st Tbn. B Trb. D.B. Hp. Timp. ff f f f f f p ff ff sfp ff sfp ff p ff ff p ff sfp ff ff ff ff ff ff ff ff mf f f ff Perc. 1 Xyl. mf f f ff ff ff ff sfp ff ff ff sfp sfp ff ff ff sfp ff ff ff sfp ff sfp ff sfp sfp mf ff sfp ff sfp sfp ff sfp ff ff sfp ff sfp ff ff mf ff ff mf ff mf ff ff ff sfp ff mf ff ff ff mf mf ff ff sfp sfp ff ff sfp sfp ff ff ff ff sfp mf ff ff ff sfp ff mf ff ff sfp ff ff mf ff sfp ff sfp ff sfp ff ff ff mf mf ff p ff ff mf ff ff ff sfp ff sfp mf ff ff Tubular Bells ff ff p ff mf ff ff sfp mf p ff p ff sfp mf ff sfp ff ff mf ff sfp ff p ff sfp sfp ff p ff ff p ff p ff sfp ff ff sfp ff p ff ff sfp ff f ff ff sfp ff ff p ff ff ff p mf ff p f ff ff ff sfp ff sfp sfp sfp sfp mf ff ff ff p ff mf sfp f ff ff ff ff ff ff sfp mf ff ff sfp ff sfp sfp p sfp ff ff ff ff mf ff sfp ff f ff f ff mf f ff ff p ff sfp ff f ff mf ff sfp ff ff f ff mf ff p ff ff f ff sfp ff ff f p ff ff ff ff sfp p ff sfp p f ff f f f f f f ff sfp ff mf ff p ff p p f f mf ff f mf f mf ff mf Perc.1 f f mf ff mf f f mf f q. = 128 e=e mf Pno. f f Bar. Tba ff mf f 2nd Tbn. mf ff molto accel. f f 4th Hn. mf ff 3rd Hn f 2nd Hn. ff mf f 1st A. Sax. T. Sax. mf 2nd A. Sax. ff 407 mf f B. Cl. Alto Cl. f 3rd Cl. 2nd Cl. mf mf mf 1st Cl. Cb. Cl. 1st Bsn. 2nd Bsn. piu mosso sfp 45 Picc. 412 1st Fl. C. A. Eb Cl. f f ff mf mf Bar. Sax. ff f f f f f f f f f f f f f f 2nd Hn. 3rd Hn 4th Hn. mf ff mf ff f 3rd Tpt 2nd Tpt 1st Tpt T. Sax. 1st Hn. 2nd A. Sax. B. Cl. Alto Cl. 3rd Cl. 413 "the last Battle" 2nd Cl. 1st A. Sax. 1st Cl. Cb. Cl. 1st Bsn. 2nd Bsn. 2nd Ob. 1st Ob. 2nd Fl. f f f f f 1st Cor. 2nd Cor. 1st Tbn. mf 2nd Tbn. mf ff mf ff mf Bar. mf Tba D.B. Pno. Timp. Perc.1 Perc. 1 Xyl. ff f mf Hp. mf f mf B Trb. ff Xylophone ff f ff f double bassdrum 46 421 Picc. 2nd Fl. 1st Ob. 2nd Ob. C. A. 1st Bsn. Eb Cl. 429 1st Fl. 2nd Bsn. f f 2nd Cl. Alto Cl. f f f f 2nd A. Sax. T. Sax. Bar. Sax. f f f f f B Trb. f f f f f f Perc. 1 Perc.1 Timp. Hp. 2nd Tbn. Pno. 1st Tbn. D.B. f f Tba Bar. 4th Hn. 2nd Cor. 1st Cor. 3rd Hn 3rd Tpt 2nd Tpt 2nd Hn. 1st Tpt f 1st Hn. f 1st A. Sax. f f Cb. Cl. B. Cl. f 1st Cl. 3rd Cl. f f f f f Hihat Xyl. f f double bassdrum f 47 Picc. 430 1st Fl. 2nd Fl. 1st Ob. 2nd Ob. C. A. 1st Bsn. 2nd Bsn. Eb Cl. 1st Cl. Cb. Cl. B. Cl. Bar. Sax. 2nd Hn. 3rd Hn 4th Hn. 1st Tpt 1st Hn. T. Sax. Alto Cl. 2nd A. Sax. 3rd Cl. 1st Cor. 2nd Cor. 2nd Tbn. B Trb. fp fp fp f fp f fp f fp f fp f f f f f f fp f fp fp fp fp fp fp Perc.1 Timp. f fp Hp. f fp f fp fp f Pno. f f f Tba D.B. f fp f fp f f fp 3rd Tpt f 2nd Tpt Bar. 1st Tbn. f 437 1st A. Sax. 2nd Cl. Perc. 1 Xyl. f 48 446 Picc. 439 1st Fl. 2nd Fl. 2nd Bsn. 1st Ob. 2nd Ob. C. A. f 1st Bsn. f 3 3 3 f 3 f Eb Cl. 3 f 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 f f Cb. Cl. 3 3 3 3 f 3 3 3 3 3 3 3 4th Hn. 1st Tpt f 3 f f 2nd Hn. 3 3 3 3 3 3 3 3 3 f 2nd Tpt 3rd Tpt f Perc.1 Perc. 1 Xyl. 3 3 f 3 f 3 3 3 3 f 3 3 3 3 3 3 3 3 3 3 3 f 3 3 3 3 3 f 3 3 3 open sfz 3 3 f 3 3 f ff 3 3 ff 3 3 ff 3 3 3 3 3 3 3 3 3 3 3 3 3 3 mf p f mf 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 f f 3 3 3 3 3 3 3 3 3 3 3 3 3 mf 3 3 3 ff 3 3 ff ff 3 3 ff 3 3 3 3 3 sfz f 3 3 3 3 3 3 3 3 3 3 3 ff 3 f 3 3 3 3 3 3 3 3 ff 3 3 f 3 3 3 ff 3 3 3 3 3 3 3 3 3 3 3 f f f 3 3 3 3 3 3 3 f 3 f 3 3 3 3 3 3 3 ff 3 3 3 3 3 3 3 3 3 3 f 3 3 ff 3 3 f 3 3 3 3 3 3 f 3 3 3 3 3 3 Timp. f Bar. B Trb. Hp. f 3 1st Tbn. Pno. 3 2nd Cor. f 3 3 D.B. Tba 3 f 3 3 3 f 2nd Tbn. 3 f 1st Cor. mf 3 f 3 3 3 f 3 3 3 3 3 3 3 3 3 f 3 3 f 3 3 3 3 3 3 f 3rd Hn 3 f 3 3 f 3 3 3 3 3 3 3 f f f 1st Hn. 3 mf Bar. Sax. 3 3 3 3 3 f 3 ff f 3 T. Sax. 3 mf 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 f 3 3 3 3 3 3 3 3 2nd A. Sax. 3 3 3 3 3 3 3 3 3 3 3 3 f 3 3 f 3 3 3 1st A. Sax. f f 3 3 f 3 3 3 3rd Cl. B. Cl. 3 3 3 f 3 3 2nd Cl. 3 3 3 3 f Alto Cl. f 1st Cl. f mf f mf 3 f 3 3 f Triangel f f sfz 3 3 3 3 3 f 3 3 Xylo3 3 mf 3 3 3 f f 49 450 3 449 Picc. fp 1st Fl. 2nd Fl. 1st Ob. 2nd Ob. ff ff fp ff fp fp 1st Bsn. ff 3 ff C. A. ff f 3 3 mp 3 mp 3 3 Eb Cl. 1st Cl. f 3 3 3 fp ff 3 fp ff 2nd Cl. fp 3 3 3 f ff 3 3 3 3 3 1st A. Sax. 3 ff ff ff 3 3 ff 3 3 3 1st Hn. 2nd Hn. f 3 3 3 ff ff ff 3 3 3 f ff 3 f 3rd Hn 3 3 f 4th Hn. 3 3 fp ff 2nd Cor. ff fp fp 3 2nd Tbn. 3 3 3 3 3 3 3 3 3 3 3 mf 3 3 f f Timp. Perc.1 Perc. 1 3 3 3 3 3 3 3 3 3 3 f 3 3 3 f 3 3 3 3 3 3 3 3 3 3 3 3 3 f 3 3 3 3 f 3 3 3 3 3 3 3 3 3 3 3 3 f 3 f 3 3 3 3 3 f 3 3 3 3 3 3 3 3 ff C.C. f ff 3 3 3 3 mf 3 3 mf 3 3 f 3 3 Xyl. f 3 ff 3 3 3 Xylo 3 3 3 3 3 ff 3 3 ff 3 3 3 3 ff 3 3 3 f 3 fp 3 3 f 3 f mp 3 3 3 3 3 f f 3 mp f 3 f mf 3 3 ff f 3 3 3 3 f 3 3 f 3 3 3 3 3 3 3 3 3 3 3 3 f 3 mp Hp. 3 f mp f f f 3 3 3 f p 3 3 3 3 p 3 3 3 f 3 3 3 3 3 mf 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 f 3 f 3 3 3 3 3 Tba 3 f Pno. f 3 3 3 3 f mf 3 3 3 3 3 3 3 3 3 3 3 3 3 3 Bar. 3 3 3 3 3 f D.B. 3 mf 3 3 ff 3 3 3 3 ff 1st Tbn. Btrb. f ff fp 1st Cor. 3rd Tpt ff fp 3 f 3 2nd Tpt 3 ff f 1st Tpt 3 3 3 Bar. Sax. 3 3 T. Sax. 3 3 f 2nd A. Sax. 3 B. Cl. Cb. Cl. ff 3 Alto Cl. 3 ff 3rd Cl. 3 3 3 mf 3 3 3 3 3 3 3 3 f 3 3 3 3 3 3 2nd Bsn. 3 3 3 3 3 3 3 3 3 3 3 mf fp mp 3 mf mf f 3 3 3 3 mf f 3 3 mf 3 3 3 3 mf 3 3 3 3 f 3 3 3 3 f 3 mf 3 3 f 3 f 3 50 Picc. 459 1st Fl. 2nd Fl. ff 3 3 3 3 3 3 3 3 ff ff 2nd Ob. C. A. 1st Ob. 1st Bsn. 2nd Bsn. Eb Cl. 3 3 3 3 3 3 3 f 3 3 f 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 2nd Cl. 3rd Cl. Alto Cl. 3 f 1st A. Sax. f f T. Sax. 3 f 4th Hn. 1st Tpt 2nd Tpt 3rd Tpt 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 ff ff 3 3 3 3 3 3 3 3 3 3 3 3 Bar. f f 3 3 f ff ff ff f 3 3 f 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 ff 3 ff Xyl. Perc. 1 Perc.1 Timp. ff Hp. f Pno. D.B. 3 Tba 3 3 f 3 ff ff 3 3 ff ff 3 3 3 3 3 3 3 1st Tbn. Btrb. 3 3 3 3 3 3 2nd Tbn. 3 3 3 3 3 3 3 3 3 3 3 3 f 2nd Cor. 3 1st Cor. 3 3 3rd Hn 2nd Hn. 3 3 3 3 3 1st Hn. 3 f Bar. Sax. 3 3 2nd A. Sax. 3 3 3 f 3 3 Cb. Cl. 3 ff 3 ff 1st Cl. B. Cl. ff 3 3 3 ff f B.D. f Glockenspiel f 3 3 f 3 51 468 q = 168 Sing (div.): Picc. Ha - ni-bal Sing (div.): 1st Fl. Ha - ni-bal Sing (div.): 2nd Fl. Sing (div.): 1st Ob. 2nd Bsn. Ha - ni - bal Ha - ni - bal Ha - ni - bal Ha - ni - bal Ha - ni - bal an - te por - tas! Ha - ni - bal Ha - ni - bal Ha - ni - bal an - te por - tas! Ha - ni - bal Ha - ni - bal Ha - ni - bal pp f an - te por - tas! Ha - ni - bal Ha - ni - bal Ha - ni - bal an - te por - tas! Ha - ni - bal Sing (div.): Ha - ni - bal Ha - ni - bal an - te por - tas! Ha - ni - bal Ha - ni - bal Ha - ni - bal an - te por - tas! Sing (div.): Alto Cl. Ha - ni - bal B. Cl. f Ha - ni - bal Ha - ni - bal an - te por - tas! Sing (div.): f Ha - ni - bal Sing (div.): Ha - ni - bal Ha - ni - bal Ha - ni - bal Ha - ni - bal Ha - ni - bal Sing (div.): 2nd A. Sax. T. Sax. Ha - ni - bal Bar. Sax. Ha - ni - bal Sing (div.): f 2nd Hn. Ha - ni - bal Sing (div.): Ha - ni - bal Ha - ni - bal Ha - ni - bal Ha - ni - bal an - te por - tas! an - te por - tas! an - te por - tas! Ha - ni - bal an - te por - tas! an - te por - tas! Ha - ni - bal Btrb. an - te por- tas! Ha - ni - bal Ha - ni - bal Ha - ni - bal an - te por- tas! Ha - ni - bal Ha - ni - bal Ha - ni - bal an - te por- tas! Ha - ni - bal Ha - ni - bal Ha - ni - bal Ha - ni - bal Ha - ni - bal Ha - ni - bal an - te por- tas! Ha - ni - bal Ha - ni - bal Ha - ni - bal an - te por- tas! Ha - ni - bal Ha - ni - bal Ha - ni - bal an - te por- tas! Ha - ni - bal Ha - ni - bal Ha - ni - bal an - te por- tas! Ha - ni - bal an - te por - tas! Ha - ni - bal an - te por - tas! Ha - ni - bal Ha - ni - bal Ha - ni - bal an - te por - tas! Ha - ni - bal Ha - ni - bal Ha - ni - bal an - te por - tas! Ha - ni - bal Ha - ni - bal Ha - ni - bal an - te por - tas! Ha - ni - bal Ha - ni - bal Ha - ni - bal an - te por - tas! Ha - ni - bal Ha - ni - bal Ha - ni - bal Ha - ni - bal Ha - ni - bal Ha - ni - bal Ha - ni - bal Ha - ni - bal Ha - ni - bal Ha - ni - bal Ha - ni - bal Ha - ni - bal Ha - ni - bal an - te por - tas! Ha - ni - bal Ha - ni - bal Ha - ni - bal an - te por - tas! Ha - ni - bal Ha - ni - bal Ha - ni - bal an - te por - tas! Ha - ni - bal Ha - ni - bal Ha - ni - bal an - te por - tas! Ha - ni - bal Ha - ni - bal Ha - ni - bal Ha - ni - bal Ha - ni - bal Ha - ni - bal an - te por- tas! Ha - ni - bal Ha - ni - bal Ha - ni - bal an - te por- tas! Ha - ni - bal p Ha - ni - bal Ha - ni - bal Ha - ni - bal Ha - ni - bal Ha - ni - bal Ha - ni - bal an - te por- tas! Ha - ni - bal an - te por- tas! an - te por -tas! Ha - ni - bal Ha - ni - bal Ha - ni - bal an - te por - tas! p Ha - ni - bal an - te por- tas! Ha - ni - bal p Ha - ni - bal Ha - ni - bal Ha - ni - bal Ha - ni - bal Ha - ni - bal an - te por - tas! Ha - ni - bal Ha - ni - bal Ha - ni - bal an - te por- tas! Ha - ni - bal Ha - ni - bal Ha - ni - bal an - te por- tas! an - te por - tas! Ha - ni - bal Ha - ni - bal Ha - ni - bal Ha - ni - bal Ha - ni - bal an - te por -tas! Ha - ni - bal Ha - ni - bal Ha - ni - bal Ha - ni - bal an - te por - tas! Ha - ni - bal Ha - ni - bal Ha - ni - bal an - te por - tas! Ha - ni - bal Ha - ni - bal Ha - ni - bal an - te por - tas! Ha - ni - bal Ha - ni - bal Ha - ni - bal an - te por - tas! Ha - ni - bal Ha - ni - bal Ha - ni - bal an - te por - tas! an - te por- tas! mp Ha - ni - bal an - te por- tas! Ha - ni - bal Ha - ni - bal mp Ha - ni - bal Ha - ni - bal Ha - ni - bal Ha - ni - bal Ha - ni - bal an - te por- tas! mp Ha - ni - bal Ha - ni - bal Ha - ni - bal an - te por -tas! Ha - ni - bal Ha - ni - bal an - te por -tas! Ha - ni - bal Ha - ni - bal Ha - ni - bal Ha - ni - bal Ha - ni - bal Ha - ni - bal Ha - ni - bal Ha - ni - bal an - te por - tas! Ha - ni - bal Ha - ni - bal Ha - ni - bal Ha - ni - bal Ha - ni - bal mp Ha - ni - bal Ha - ni - bal an - te por - tas! Ha - ni - bal Ha - ni - bal Ha - ni - bal Sing (div.): Ha - ni - bal Ha - ni - bal Ha - ni - bal Ha - ni - bal Ha - ni - bal Ha - ni - bal an - te por - tas! an - te por - tas! an - te por - tas! Ha - ni - bal Ha - ni - bal Ha - ni - bal Ha - ni - bal Ha - ni - bal Ha - ni - bal Ha - ni - bal Ha - ni - bal Ha - ni - bal an - te por- tas! Ha - ni - bal mp Ha - ni - bal Ha - ni - bal Ha - ni - bal Ha - ni - bal Ha - ni - bal Ha - ni - bal Ha - ni - bal Ha - ni - bal Ha - ni - bal Ha - ni - bal Ha - ni - bal Sing (div.): Ha - ni - bal Ha - ni - bal an - te por - tas! Ha - ni - bal Ha - ni - bal Ha - ni - bal an - te por- tas! Ha - ni - bal Ha - ni - bal Ha - ni - bal an - te por - tas! Ha - ni - bal Ha - ni - bal Ha - ni - bal Sing (div.): Ha - ni - bal Ha - ni - bal an - te por - tas! Ha - ni - bal Ha - ni - bal Ha - ni - bal an - te por- tas! Ha - ni - bal Ha - ni - bal Ha - ni - bal an - te por - tas! Ha - ni - bal Ha - ni - bal Ha - ni - bal Ha - ni - bal Ha - ni - bal Ha - ni - bal Ha - ni - bal an - te por - tas! f f Ha - ni - bal Ha - ni - bal Ha - ni - bal p an - te por- tas! Ha - ni - bal Ha - ni - bal Ha - ni - bal p an - te por - tas! mp mf hose (tuned b) mp hose (tuned e) cresc. poco a poco cresc. poco a poco pp cresc. poco a poco p cresc. poco a poco mp cresc. poco a poco mp Vibraphone (motor on) Xyl. Ha - ni - bal Perc. 1 Ha - ni - bal an - te por - tas! f Perc.1 Ha - ni - bal Ha - ni - bal Timp. an - te por- tas! Ha - ni - bal pp Hp. Ha - ni - bal Ha - ni - bal Tba Pno. Bar. D.B. Ha - ni - bal Sing (div.): an - te por - tas! Ha - ni - bal Sing (div.): 2nd Tbn. an - te por- tas! Ha - ni - bal Sing (div.): an - te por - tas! Sing (div.): 2nd Cor. 1st Tbn. Ha - ni - bal Sing (div.): 1st Cor. Ha - ni - bal Sing (div.): Ha - ni - bal 3rd Tpt Ha - ni - bal Ha - ni - bal 2nd Tpt Ha - ni - bal Ha - ni - bal Sing (div.): 3rd Hn 1st Tpt 3rd Cl. 4th Hn. Sing (div.): 2nd Cl. 1st Hn. Ha - ni - bal an - te por - tas! Sing (div.): Ha - ni - bal Ha - ni - bal Ha - ni - bal Sing (div.): 1st Cl. 1st A. Sax. an - te por - tas! an - te por - tas! Eb Cl. Cb. Cl. an - te por - tas! Ha - ni - bal 1st Bsn. Ha - ni - bal Ha - ni - bal Sing (div.): C. A. Ha - ni - bal Ha - ni - bal Sing (div.): 2nd Ob. cresc. poco a poco mf 52 Picc. 491 482 Ha - ni - bal 1st Fl. 2nd Fl. 1st Ob. 2nd Ob. C. A. an - te por - tas! Ha - ni - bal an - te por - tas! Ha - ni - bal an - te por - tas! Ha - ni - bal an - te por - tas! Ha - ni - bal an - te por - tas! Ha - ni - bal 1st Bsn. 2nd Bsn. Ha - ni - bal 1st Cl. Eb Cl. Ha - ni - bal 2nd Cl. 3rd Cl. 1st Hn. 1st Tpt Tba D.B. Hp. Timp. Xyl. Ha - ni - bal Ha - ni - bal Ha - ni - bal Ha - ni - bal an - te por - tas! an - te por - tas! an - te por - tas! Ha - ni - bal an - te por - tas! Ha - ni - bal an - te por - tas! Ha - ni - bal an - te por - tas! Ha - ni - bal an - te por - tas! Ha - ni - bal Ha - ni - bal Ha - ni - bal Ha - ni - bal cresc. poco a poco Ha - ni - bal Ha - ni - bal Ha - ni - bal Ha - ni - bal Ha - ni - bal Ha - ni - bal Ha - ni - bal Ha - ni - bal ff ff ff ff repeat freely repeat freely repeat freely repeat freely repeat freely repeat freely ff ff repeat freely ff Ha - ni - bal Ha - ni - bal repeat freely Ha - ni - bal ff Ha - ni - bal ff Ha - ni - bal Ha - ni - bal ff Ha - ni - bal Ha - ni - bal repeat freely Ha - ni - bal Ha - ni - bal Ha - ni - bal Ha - ni - bal cresc. poco a poco repeat freely ff repeat freely ff Ha - ni - bal Ha - ni - bal ff Ha - ni - bal Ha - ni - bal repeat freely Ha - ni - bal mf Ha - ni - bal Ha - ni - bal Ha - ni - bal Ha - ni - bal Ha - ni - bal Ha - ni - bal Ha - ni - bal Ha - ni - bal Ha - ni - bal Ha - ni - bal Ha - ni - bal repeat freely Ha - ni - bal cresc. poco a poco mf cresc. poco a poco mf cresc. poco a poco mf cresc. poco a poco mf ff cresc. poco a poco mf Ha - ni - bal Ha - ni - bal Ha - ni - bal mf Ha - ni - bal an - te por - tas! Ha - ni - bal Ha - ni - bal ff Ha - ni - bal repeat freely Ha - ni - bal Ha - ni - bal repeat freely Ha - ni - bal Ha - ni - bal repeat freely Ha - ni - bal Ha - ni - bal repeat freely Ha - ni - bal ff ff Perc.1 Perc. 1 Ha - ni - bal Pno. 2nd Tbn. Bar. an - te por - tas! an - te por - tas! Ha - ni - bal Btrb. an - te por - tas! Ha - ni - bal 1st Tbn. Ha - ni - bal Ha - ni - bal Ha - ni - bal 2nd Cor. Ha - ni - bal an - te por - tas! 1st Cor. Ha - ni - bal an - te por - tas! 3rd Tpt Ha - ni - bal 2nd Tpt Ha - ni - bal Ha - ni - bal mf Ha - ni - bal 4th Hn. cresc. poco a poco 3rd Hn Ha - ni - bal Ha - ni - bal an - te por - tas! 2nd Hn. Ha - ni - bal Bar. Sax. Ha - ni - bal repeat freely Ha - ni - bal T. Sax. 2nd A. Sax. Ha - ni - bal Cb. Cl. 1st A. Sax. Ha - ni - bal Ha - ni - bal B. Cl. an - te por - tas! mf poco a poco cresc. Alto Cl. Ha - ni - bal Ha - ni - bal poco a poco accelerando an - te por - tas! p cresc. poco a poco cresc. poco a poco ff Tam Tam fff ff ff Anvil (two hammers) ff 53 Picc. 497 496 1st Fl. 2nd Fl. 1st Ob. 2nd Ob. C. A. 1st Bsn. 2nd Bsn. "Hannibal loses" 2nd Cl. 3rd Cl. Alto Cl. Cb. Cl. 1st A. Sax. 2nd A. Sax. T. Sax. Bar. Sax. 1st Hn. 2nd Tpt 3rd Tpt 1st Cor. 2nd Cor. mf mf D.B. Pno. Hp. Timp. Perc.1 Perc. 1 Xyl. f f f f f f fff f fff fff Xylophone f fff fff fff fff fff fff fff fff fff fff fff fff fff fff fff fff fff fff fff fff mf fff fff mf Bar. Tba f 1st Tbn. fff f f f fff f f Btrb. f 2nd Tbn. fff fff fff fff 1st Tpt 3rd Hn f f mf mf fff mf f 2nd Hn. 4th Hn. fff 1st Cl. B. Cl. f fff f mf fff f Eb Cl. f fff 54 501 1st Fl. 2nd Fl. 1st Ob. 2nd Ob. C. A. 1st Bsn. 2nd Bsn. Eb Cl. 3 3 3 3 3 3 2nd Cl. 3rd Cl. Alto Cl. B. Cl. Cb. Cl. T. Sax. Bar. Sax. 1st Hn. 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3rd Hn 4th Hn. dim. dim. 3 3 3 dim. 2nd Tpt 3rd Tpt 1st Cor. 2nd Cor. 1st Tbn. 2nd Tbn. Btrb. Bar. 3 Tba D.B. 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 Marimba 3 Xyl. 3 3 dim. 3 3 3 3 dim. 3 dim. 3 3 3 f Perc. 1 3 C.C. Perc.1 Timp. 3 3 Hp. 3 Pno. 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 dim. dim. 2nd Hn. 1st Tpt 3 1st A. Sax. 2nd A. Sax. 3 3 3 3 3 3 molto ritardando 3 1st Cl. 503 Picc. p 3 55 Picc. "Hannibal poisons himself" 507 cantabile q = 64 1st Fl. 2nd Fl. 1st Ob. 2nd Ob. C. A. 2nd Bsn. Eb Cl. 1st Bsn. pp Solo 1st Cl. mf p 2nd Cl. Alto Cl. B. Cl. mp 3 3 mp3 3 mp3 3 mp3 3 3 3 3 3 3 3 3 3 p p 3 3 3 3 3 3 3 3 3 poco a poco cresc. poco a poco cresc. 3 3 poco a poco cresc. 1st A. Sax. 10 3 3 3 3 3 3 3 3 3 3 3 3 p 3rd Cl. Cb. Cl. 515 3 poco a poco cresc. 2nd A. Sax. T. Sax. Bar. Sax. 1st Hn. 3rd Hn 4th Hn. 1st Tpt p p p cup mute poco a poco cresc. open open open poco a poco cresc. poco a poco cresc. poco a poco cresc. cup mute cup mute Xyl. Perc. 1 Perc.1 Timp. p Hp. pp Pno. Tba D.B. 2nd Tbn. Bar. 1st Cor. Btrb. 3rd Tpt 1st Tbn. 2nd Tpt 2nd Cor. p 2nd Hn. mp mp mp mp mp mp mute p 3 3 3 3 3 3 3 3 3 3 3 3 mf 3 3 poco a poco cresc. p 3 3 3 3 3 3 3 3 3 3 3 3 poco a poco cresc. S.C. p mf Glockenspiel mp3 3 3 3 56 Picc. 1st Fl. 2nd Fl. 1st Ob. 2nd Ob. C. A. 521 1st Bsn. 2nd Bsn. Eb Cl. 1st Cl. 3 3 poco a poco cresc. 3rd Cl. B. Cl. 3 3 f 4th Hn. 1st Tpt D.B. Pno. Hp. Timp. Xyl. f 3 3 3 3 3 f 3 3 3 3 3 f poco a poco cresc. 3 3 3 3 3 f poco a poco cresc. 3 3 3 3 3 f 3 3 3 3 3 3 3 poco a poco cresc. 3 3 f f poco a poco cresc. fp fp fp fp f f f fp fp 3 3 3 3 3 3 3 3 fp fp fp fp f f open f fp f fp f fp f f 3 3 fp fp f fp 3 fp fp 3 f f fp 3 3 3 3 f fp f fp B.D. mp f mp fp f mp f fp fp mp f fp f f f f fp f f fp f f poco a poco cresc. fp 3 3 f fp fp 3 f f f f mp mf 3 mp f mf mp f f 3 3 3 fp f f fp f 3 fp f fp fp f f poco a poco cresc. fp Perc.1 Perc. 1 3 poco a poco cresc. 3 Tba poco a poco cresc. 2nd Tbn. Bar. 1st Cor. Btrb. 3 f 3rd Tpt 1st Tbn. 3 poco a poco cresc. 2nd Tpt 2nd Cor. 3 f 3rd Hn 3 fp 2nd Hn. 1st A. Sax. T. Sax. 2nd A. Sax. Alto Cl. 1st Hn. f f 3 fp poco a poco cresc. Bar. Sax. f 2nd Cl. Cb. Cl. 527 mp fp fp mp mp 3 3 mf mp 3 3 mf f soft sticks p 57 541 Picc. 537 mf cresc. mf cresc. 1st Bsn. 2nd Bsn. 2nd Fl. 1st Ob. 2nd Ob. C. A. Eb Cl. 1st Cl. mf 3rd Cl. Alto Cl. B. Cl. Cb. Cl. 1st A. Sax. cresc. mf cresc. mf mf mf cresc. mf cresc. mf cresc. cresc. cresc. cresc. mf 3rd Hn mf cresc. mf cresc. mf 3 3 3 3 3 3 3 3 3 3 3 3 f 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 f 3 f 3 3 3 3 3 3 3 3 f f f 3 3 3 3 3 3 3 3 3 3 3 3 mf f cresc. f tutti f f f f f f f f 2nd Hn. 4th Hn. mf T. Sax. 1st Hn. 2nd A. Sax. Bar. Sax. f 2nd Cl. f 1st Fl. cresc. 2nd Tpt 3rd Tpt 1st Cor. 2nd Cor. 1st Tpt 1st Tbn. mf cresc. 2nd Tbn. mf cresc. Btrb. Bar. Tba D.B. Pno. Hp. Timp. Perc.1 Perc. 1 Xyl. mf mp mf cresc. mf f f f f cresc. f f 3 3 3 3 3 3 3 3 3 3 3 3 3 f f 3 3 3 3 3 3 3 3 3 3 3 f cresc. mp mf cresc. cresc. S.D. f f 3 3 3 3 3 3 3 3 3 3 3 3 mf Floor Tom mf Xylophone f 58 550 Picc. 546 1st Fl. 2nd Fl. 1st Ob. 2nd Ob. C. A. 1st Bsn. 2nd Bsn. Eb Cl. 3 3 3 3 3 3 3 3 f 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 2nd Tpt 3rd Tpt 1st Cor. 2nd Cor. 3 3 3 3 3 3 3 3 3 3 3 mf 3 mf 3 mf 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 f f f Perc.1 Perc. 1 f 3 3 3 f Bar. 4th Hn. 3 f 3 f Xyl. 3 3rd Hn Timp. 3 3 Hp. 3 2nd Hn. Pno. 3 D.B. 1st A. Sax. Tba 3 Btrb. 2nd Tbn. 3 1st Tbn. 1st Tpt Alto Cl. 1st Hn. Bar. Sax. 3rd Cl. T. Sax. 2nd A. Sax. 2nd Cl. Cb. Cl. B. Cl. Marciale q = 120 1st Cl. f ff f 3 3 3 3 3 3 mf f 59 accelerando 2nd Fl. 1st Ob. 552 Picc. ff play ff ff 1st Fl. sing (very loud!) Ha sing (very loud!) C. A. Ha 1st Bsn. 2nd Bsn. Eb Cl. - - Alto Cl. tas! por - tas! por - tas! sing (very loud!) - - ni Ha sing (very loud!) - - - - ni - ni - ni - al te - ba - - ba - ba - - ba - an al an - al an - te - al an - te - - al - - por te - te por - tas! ni Ha sing (very loud!) ni - - Ha sing (very loud!) ni - sing (very loud!) ni - - - Ha sing (very loud!) ni Ha sing (very loud!) ni 3rd Tpt Ha ni - - sing (very loud!) Ha sing (very loud!) ni Ha ni - - - - - - - - - - - - - ba - ba - ba ba - ba - ba - - - - - - ba - te an an - te al an - te al an - al al - al an - al an - al - - - - ba - - ba - 2nd Tbn. 3 3 3 - 3 3 3 3 - - al an al 3 3 3 - an 3 3 3 3 3 3 3 ff te por ba - ba - - ba - ni Ha sing (very loud!) ni - Ha ni - - - - - an al an - te - al an - te - al an - te - al por - - al an - te por - tas! Ha sing (very loud!) ni - - ba - - al an - te por - tas! Ha - ni - - ba - - al an - sing (very loud!) - ba - al an - - ba - al an - - ba - al an - - ba - al an - - - por por por - tas! - tas! - - - tas! tas! tas! 3 3 3 Ha sing (very loud!) ni Ha sing (very loud!) ni Ha - ni sing (very loud!) Ha sing (very loud!) ni Ha ni 3 3 3 3 3 f ff 3 3 3 - - - ba - - 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 ff - tas! por - tas! te por - tas! te por - tas! te por - tas! te por - tas! te por - tas! te por - tas! por tas! ff - 3 3 3 3 3 3 3 3 3 3 an 3 al tas! - - - 3 3 - - - 3 - 3 3 3 3 - 3 3 3 - - 3 3 - tas! - ba - - - - 3 3 3 3 3 3 3 3 3 3 Perc. 1 - ba ni Perc.1 - sing (very loud!) - Ha sing (very loud!) ni - tas! - - f - Ha por por Glockenspiel te - Xyl. an al Timp. - - tas! - te ba 3 por - - 3 an tas! - al - 3 - por sing (very loud!) f te tas! - - - 3 por ni por 3 Hp. - te al te 3 3 ba - an Ha sing (very loud!) 3 - an 3 3 play - al - 3 - tas! por te - ba - te 3 - - ba por te - 3 3 3 ni - - 3 Pno. Ha - 3 ff te 3 Tba D.B. - f te - an 3 3 Btrb. Bar. ni Ha sing (very loud!) 3 3 1st Tbn. 3 Ha sing (very loud!) tas! por - - (very loud!) sing tas! - tas! por ni Ha sing (very loud!) Ha sing (very loud!) f sing (very loud!) 2nd Tpt 2nd Cor. an - por Ha 1st Cor. - - te 4th Hn. 1st Tpt al an Bar. Sax. 3rd Hn an - 2nd Hn. - - al Cb. Cl. 1st Hn. ba - T. Sax. - - - Ha 2nd A. Sax. - - ba B. Cl. 1st A. Sax. ni ba te Ha sing (very loud!) 3rd Cl. - - sing (very loud!) sing (very loud!) 2nd Cl. - ni Ha 1st Cl. ni Ha sing (very loud!) 2nd Ob. ff f f 3 3 3 3 3 3 3 3 3 3 3 3 ff 60 561 "destruction of Karthageno" q =144 560 Picc. ff 2nd Fl. 1st Ob. ff ff C. A. 1st Bsn. 2nd Bsn. Eb Cl. 1st Cl. 2nd Cl. 3rd Cl. Alto Cl. B. Cl. Cb. Cl. 1st A. Sax. T. Sax. 1st Hn. ff ff ff 1st Cor. 2nd Cor. D.B. f 3 f f ff f ff f ff ff ff f ff 3 f f ff f 3 ff f ff f ff f ff f f f 3 3 f 3 3 f ff f ff f ff f ff ff ff f ff 3 3 ff f 3 ff f 3 3 3 ff 3 f ff ff f 3 3 3 ff ff f ff f ff ff 3 3 sim. ff 3 3 3 ff 3 f 3 ff ff f ff ff ff f ff ff f ff ff ff sim. ff sim. ff ff ff Perc.1 3 3 3 Perc. 1 ff ff Timp. Xyl. ff Hp. Pno. Bar. Tba sim. ff sim. ff ff ff ff Btrb. ff 2nd Tbn. sim. 3rd Tpt ff ff 2nd Tpt ff sim. sim. ff ff 1st Tbn. 1st Tpt ff ff 3rd Hn 4th Hn. ff 2nd Hn. ff 2nd A. Sax. Bar. Sax. ff 1st Fl. 2nd Ob. 61 569 573 Picc. 1st Fl. 2nd Fl. 1st Ob. 2nd Ob. C. A. 1st Bsn. 2nd Bsn. Eb Cl. 1st Cl. 2nd Cl. 3rd Cl. B. Cl. Cb. Cl. 1st A. Sax. 2nd A. Sax. T. Sax. 3rd Hn 4th Hn. 3 3 3 3 3 3 3rd Tpt ff 3 3 3 3 3 3 3 3 mf mf 3 f 3 3 3 mf mf mf mf mf Xylophone mf f mf 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 mf 3 3 3 3 3 3 Perc. 1 Perc.1 mf 3 Timp. mf 3 3 3 3 3 3 3 3 3 3 3 3 3 mf 3 3 3 3 3 Tba Xyl. ff ff Hp. 3 3 Pno. 3 3 3 3 3 3 3 3 D.B. 3 Bar. 2nd Tpt Btrb. 2nd Tbn. 1st Tbn. 2nd Cor. 3 1st Cor. 3 1st Tpt 3 3 2nd Hn. 3 3 3 3 3 Bar. Sax. 1st Hn. 3 Alto Cl. mf 62 Picc. 577 f 1st Fl. 2nd Ob. f f f 2nd Bsn. Eb Cl. f 1st Bsn. f B. Cl. Cb. Cl. f fff ff fff mp fff mp f ff f ff mf f ff mp mf mp fff fff mp f mf mf f Bar. f mp mf mf mf ff fff mp mf ff fff mp mf f f ff fff f ff fff f ff mp f ff fff mp mf f ff fff f ff fff f ff fff ff f ff f ff f ff fff fff fff mp ff fff ff fff f f mp mf mf f ff mf f ff mp mf mf mp mf f ff mp mf f ff mp mp mf Tba f mp mp f f mp mf mf f mf mf f mf mp mf f ff fff mp mf mp mf f ff fff mp mf f fff ff f mp f ff mf mp mf f f f Perc. 1 Perc.1 Xyl. ff f f Timp. f mp 1st Tbn. Hp. fff f Pno. ff ff f D.B. f f f Btrb. fff f 2nd Tbn. ff ff f 2nd Cor. f fff f 1st Cor. ff 4th Hn. 3rd Tpt f f 2nd Tpt mp f f 1st Tpt fff mp f 3rd Hn ff ff Bar. Sax. 2nd Hn. f fff f 1st Hn. ff f f T. Sax. mf f f 2nd A. Sax. mf mf mp f 1st A. Sax. mp f Alto Cl. mp f 3rd Cl. mp f 2nd Cl. f f 1st Cl. f C. A. 1st Ob. 2nd Fl. f mp mp mp mf mf mf f ff mp f ff mp f ff mp ff fff f mf mf mf 63 Picc. 585 f 1st Fl. 1st Ob. C. A. f 2nd Bsn. Eb Cl. f f B. Cl. Cb. Cl. ff f f ff ff Alto Cl. ff f 3rd Cl. f fff ff ff f f fff fff fff ff f f 1st Hn. f 2nd Hn. 4th Hn. 1st Tpt f f Bar. Tba D.B. Hp. Timp. f f f Perc. 1 Perc.1 f Xyl. f fff f f f f fff ff ff ff ff f f ff ff f f ff ff ff f f f ff ff ff ff f ff f ff f f f fff ff f f ff ff ff ff ff f ff f ff ff ff ff f ff f ff f ff f ff ff f ff f ff f ff f ff f ff f ff f ff f f f f f fff f fff f f ff f fff fff fff fff f ff f f ff ff ff f f f ff ff ff ff f f ff fff f f fff ff fff fff f ff f f ff f ff fff fff ff fff ff ff f f f f ff f f ff ff f ff f ff ff f fff ff f f f ff Pno. f f f f f ff f f 1st Tbn. 2nd Tbn. ff ff f ff f f fff ff f Btrb. ff 1st Cor. ff 3rd Tpt f 2nd Tpt 2nd Cor. ff ff f f f ff ff ff f fff f 3rd Hn ff fff ff ff ff f f ff ff f f Bar. Sax. f f f f T. Sax. f 1st A. Sax. 2nd A. Sax. f fff f fff f 2nd Cl. ff 1st Cl. ff fff fff ff f fff ff f fff f 1st Bsn. ff f f 2nd Ob. ff ff f 2nd Fl. ff f f 64 Picc. ff ff 1st Fl. 2nd Fl. 1st Ob. 2nd Ob. C. A. ff ff ff ff 2nd Bsn. ff ff ff 1st Cl. Eb Cl. ff ff 3rd Cl. ff Alto Cl. ff T. Sax. ff Bar. Sax. ff 1st Hn. ff 2nd Hn. ff 3rd Hn ff 4th Hn. ff 1st Tpt ff 2nd Tpt ff 3rd Tpt ff p ff ff 2nd Tbn. Btrb. ff ff D.B. Pno. ff Hp. p p ff 3 ff 3 3 3 3 3 3 3 3 3 ff 3 ff 3 3 3 3 3 3 3 3 ff 3 3 3 3 3 3 3 3 3 ff ff ff ff 3 ff ff ff ff 3 ff 3 3 3 . l i ss ff ff iss. g gl gliss. s. glis 3 3 3 3 ss gli ss. gli . s gli s. glis 3 3 3 3 s. ff ff Tremolo (2-23) Tremolo (2-13) ss. gli 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 ff fff fff fff fff fff fff fff fff ff ff ff fff fff fff fff fff fff fff fff fff fff fff fff ff fff ff 3 fff ff fff fff fff gliss. fff Tremolo (2-23) fff Tremolo (2-23) fff Tremolo (2-23) fff ff ff 3 fff ff ff fff fff ff fff 3 ff 3 ff ff 3 3 3 3 3 ff ff s. glis . ss gli ff ff ff 3 ff 3 3 ff 3 3 3 ff fff fff fff ff 3 3 ff Xyl. 3 ff 3 p ff Perc.1 ff Perc. 1 ff 3 3 ff Timp. 3 ff ff p ff ff 3 ff 3 Tba ff 3 3 ff 3 ff Bar. ff 2nd Cor. ff 1st Tbn. ff ff 1st Cor. 3 p ff 3 3 p 3 p ff 2nd A. Sax. 1st A. Sax. ff p ff Cb. Cl. 3 ff 3 ff ff B. Cl. molto rit. 1st Bsn. 2nd Cl. Lento q=80 590 3 3 3 3 3 3 f ff ff ffp Tamtam ff fff ffp fff fff fff fff